
This album, when I heard it on vinyl way back, captured the early-80s college rock scene for me. Listening to it on the Bob Weston-remastered version, it sounds muddier than I remembered. It surely was originally recorded on the cheap, and indie music does belong in the less-than-pristine audiophile category! Yet, compared to the successor, "All-Night Lotus Party," (also reviewed by me) what it lacks in punch it adds in consistency.
Most listeners favor the follow-up VS LP, but for me the début controls the mood a bit better. The tracks do tend towards a churning, shifting, but sonic sameness, a feature also of some MoB and Prescott's later Kustomized. The best song, the third, is an instrumental that strongly recalls MoB; the vocals lack the clarity of the second LP, but as I tend not to find these as the band's strong point, this may not be a drawback. The mix is not as crisp as "Lotus Party," but again this probably can be accounted for by the source and the equipment. Pavement and 90s Matador Records lo-fi fans may find their bands' own inspiration here, by the way! All in all, if you're wanting to hear an accurate record of how alternative, non-mainstream rock sounded in Reagan's first administration, this is a good choice.
I'd been waiting a long time for this on CD. It works today for me as background tone more than foreground music to fill a space. This may have not been the intention of the band when they made it a quarter-century ago, but it does serve to show how a bright bunch of Bostonians can combine the intelligence of MoB with the more shambling, small-town affability that Prescott's lineups have emphasized. And, the addition of many bonus songs, culminating with Prince's then-far-off paean to "1999," does keep the party spirit alive for the more rockin' eggheads and brainiacs.
(Posted to Amazon US yesterday. No Easter tie-in, save possibly the album's title!)
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