Chuala Léna agus mé scríbhneoir cáiliúil an tseachtaine seo caite. Chuaigh muid go dtí ar lar ina gCathair na hÄingeal. Chonaic muidsa Salman Rushdie ag an leabharlann lárnach ansin.
Go nádurtha, tá leabhar nua aige a plé. Ach, d'iarraidh muid ach a fhéiceail air ag ár cathair. Go fírinne, ní raibh breá "Na Veársaí 'Ghaire Ghalar Dubhach" go mór. Shíl mé go raibh sé ró-scaipthe.
Mar sin féin, bhi maith muid ag breathnú Rushdie. D'inis sé dúinn faoi an dith de chaint saor in aisce. Chuir sé i gcoinne 'rabhaidh spreagadh' agus géilleadh na chinsireacht san Eoraip 's Méiricea Thuadh.
Thít sé go leor aimnreachtaí. Mheas se go raibh Bob Dole
an-leadránach. Chinn sé Bill Clinton an-deas. agus Seoirse Ö Chluaine
an-dathúil, mar shampla...aon iontas.
Níos
luaithe, d'ith bradan agus gnocchi ina bialann fineáil, "Industriel" ag
6th agus Grand. D'ól leann dubh-bainne ó Longmont i gColorado. Beidh
muid ar ais ann nuair atá againn níos mó ama.
Salmon and Salman
Layne and I heard a famous writer this past week. We went to the downtown Los Angeles. We saw Salman Rushdie at the Central Library there.
Naturally, he had a new book to discuss. But, we wanted to go only to see him in our city. Truthfully, I did not love "The Satanic Verses." I thought it was too scattered.
Nevertheless, we liked watching Rushdie. He told us about the need for free speech. He stood against "trigger warnings" and capitulating to censorship in Europe and North America.
He dropped many names. He thought Bob Dole was very boring. He found Bill Clinton very charming and George Clooney very handsome, for example...no surprises.
Earlier, we ate salmon and gnocchi at a fine restaurant, Industriel, at 6th and Grand. I drank milk stout from Longmont in Colorado. We will return there when we have more time.
Ghrianghraf/Photo: Tá muid ag suí ar bhealach ar ais anseo! We are sitting a long way back here!
Showing posts with label beer. Show all posts
Showing posts with label beer. Show all posts
Tuesday, September 15, 2015
Tuesday, June 30, 2015
Ag cheannaigh leann úll aríst
Is breá Léna leann úll. Mar sin, cheannaigh mé buidéil éagsulaí le déanaí. Bhí chomoráidh éagsulaí an tseachtain seo caite againn.
Chuaigh mé go an siopa in aice leis mo láthair oibre. Díolann é fíon go leor. Ach, tá beoir freisin ann.
A bliain ó shin, fuair mé ceirtlis difriúil ansin. Bhí maith linn "Quercus" le Bonny Doon. Anois, iarraidh mé a aimsiú bhrandaí eile aríst.
Roghnaigh mé Apple Pie agus Razzmatazz le Julian ag imeall Naomh Diego, agus Slice of Life le B. Nektar i Michigan. Fuair mé Pitchfork ó piorra le Sonoma agus An Naomh le Crispin, an beirt i gCalifoirnia Thuas. Ar deireadh, bailíodh mé Petritegi ina Tír na mBascach leis lipéad galánta fós.
Rinne mé an bailíuchan ar mo gluaisteán. Bhí an-te i Fada Trá an lá sin. Tá súil agam go mbeadh an deochannaí níos fionnuar nuair iad taithneamh a bhaint as le céile go luath.
Buying cider again.
Layne loves cider. Therefore, I bought various bottles recently. We had celebrations this past week.
I went to a shop near my place of work. It sells lots of wine. But, there is beer there too.
A year ago, I got different ciders then. We liked "Quercus" by Bonny Doon. Now, I wanted to aim for other brands again.
I chose Apple Pie and Razzmatazz by Julian near San Diego, and Slice of Life by B. Nektar in Michigan. I got Pitchfork from pears in Sonoma and The Saint by Crispin, the pair in Northern Califoirnia. Finally, I got Petritegi from the Basque Country with an elegant label too.
I gathered the collection for my car. It was very hot in Long Beach that day. I hope the drinks will be cooler when we enjoy them together soon.
Grianghraf/Photo: Teach leann úll/Cider House ó/of Petritegi from/de 1527 i/in Astigarraga, Euskadi.
Chuaigh mé go an siopa in aice leis mo láthair oibre. Díolann é fíon go leor. Ach, tá beoir freisin ann.
A bliain ó shin, fuair mé ceirtlis difriúil ansin. Bhí maith linn "Quercus" le Bonny Doon. Anois, iarraidh mé a aimsiú bhrandaí eile aríst.
Roghnaigh mé Apple Pie agus Razzmatazz le Julian ag imeall Naomh Diego, agus Slice of Life le B. Nektar i Michigan. Fuair mé Pitchfork ó piorra le Sonoma agus An Naomh le Crispin, an beirt i gCalifoirnia Thuas. Ar deireadh, bailíodh mé Petritegi ina Tír na mBascach leis lipéad galánta fós.
Rinne mé an bailíuchan ar mo gluaisteán. Bhí an-te i Fada Trá an lá sin. Tá súil agam go mbeadh an deochannaí níos fionnuar nuair iad taithneamh a bhaint as le céile go luath.
Buying cider again.
Layne loves cider. Therefore, I bought various bottles recently. We had celebrations this past week.
I went to a shop near my place of work. It sells lots of wine. But, there is beer there too.
A year ago, I got different ciders then. We liked "Quercus" by Bonny Doon. Now, I wanted to aim for other brands again.
I chose Apple Pie and Razzmatazz by Julian near San Diego, and Slice of Life by B. Nektar in Michigan. I got Pitchfork from pears in Sonoma and The Saint by Crispin, the pair in Northern Califoirnia. Finally, I got Petritegi from the Basque Country with an elegant label too.
I gathered the collection for my car. It was very hot in Long Beach that day. I hope the drinks will be cooler when we enjoy them together soon.
Grianghraf/Photo: Teach leann úll/Cider House ó/of Petritegi from/de 1527 i/in Astigarraga, Euskadi.
Wednesday, April 29, 2015
Chéim leis Leon ina dTailte Dearg
Ag deireanach, mo mhac sine ag céim amach le hIonad Mhic Eoin ag an Ollscoil na dTailte Dearg. Thóg Casaideach dha grianghraf seo os cionn. Is feidir leat a fheicéail ár theaglach, agus Leon 'leis 'lei' agus Niall rua, an dá deartháir, ar cheile, fós.
Ina theannta sin, fheadfaidh tú ag fheicéail mise féin, Niall, mo bhean a tí Lena, Leon, agus a chailín Chaiside. Bhí an lá nios an-teo ansin. Bhi an grian gheal ansuid.
Mar sin, chuaigh muidsa ar ghrúdlann áitiúil in aice láimhe. D'ol mé gíotan na leann hIndia an-blasta ag ainmithe "Hop Daddy" nó "Hop-a-Matic." Is maith Lena agus mé an leann Beilge a thugtar "Bishop's Tipple" freisin.
Níos déanaí, thiomaint muid go bialann Mheicsiceo. D'ith iasc ag cócaireacht leis gairleog. Is brea liomsa seo agus an h-anlann.
Ar deireadh, bhí ar ais ag dul an gailearaí ealaíne ar lár ina ar baile na dTailte Dearg. Rinne Casaideach agus a cara Eric suiteáil ann. Chríochnaigh muid am i gchuimne, gan amhras.
Graduation with Leo in Redlands
At last, my older son graduated from Johnston Center at the University of Redlands. Cassidy took these two photos above. You can see our family, and Leo "with lei" and Niall in red, two brothers, together too.
Furthermore, you can see myself, Niall, my wife Layne, Leo, and his girlfriend Cassidy. It was a very hot day there. The sun was bright out there.
Therefore, we went ourselves to a local brewery nearby. I drank a bit of the tastiest India Pale Ale named "Hop Daddy" or "Hop-a-Matic." Layne and I liked the Belgian ale called "Bishop's Tipple" too.
Later, we drove to a Mexican restaurant. I ate fish cooked in garlic. I loved this and the salsa.
Finally, we went back to an art gallery in the center of the town of Redlands. Cassidy and her friend Eric made an installation there. We finished a memorable day, without a doubt.
Monday, January 23, 2012
Johnny Fincioen's "India Charming Chaos": Book Review
For five weeks, this Flemish couple, now living in California, visited Northern India. Dozens of temples filled their itinerary, and as with their dutifully memorizing guides, the array of facts and dates slowed the pace of how much they or we the readers could keep up with such unfamiliar data. So, illustrations help us take in images when words may tire. Johnny Fincioen wrote the text and his wife Claudine Van Massenhove took 178 photos, some within the pages and many more linked to the e-book. These capture what words cannot, and the combination of Johnny’s careful, precise descriptions, and his Claudine’s photos make this a virtual slide show, as it were, with extended narration. (I’ll call them by their first names, as they become familiar here as if characters themselves.)
I liked Johnny's observations about Indian culture and modernization within tradition. Social engineering’s impact on the poor in education earns thoughtful consideration; “affirmative action” programs fail rather than ease disparity. Long-term implications of “gendercide” also gain reflection as female fetuses are aborted throughout Asia. The culture so reliant on inequality makes itself known as Johnny and Claudine are treated far more considerately by many of their hosts than how Indians treat each other.
Johnny offers novel insights into Flanders-Indian ties to nationalism, cultural celebrations, religion, and WWI memorials. He keeps a jaundiced view of how religion generates scams, no matter the faith. He wearies rapidly of business as usual full of middlemen, bribes, and “offerings.” The wealthy build Hindu temples to generate donations from the poor while owners rake in tax-free, untraceable income. Still, “charitable contributions” given by the couple for hard work done do get money directly to those who labor to serve tourists and who merit reward for diligence, and this, the author reasons, beats handouts.
An afterword by Dr. “Reddy” balances with a Hindu’s perspective, perhaps to counter the skeptical view of Johnny advanced doggedly in the previous 250-odd pages. Similarly, a forward by Dr. Koenraad Elst from Antwerp sets this narrative within a context of how India’s policies have or have not advanced the nation, and how the impacts of technology will alter what his compatriots have seen in these pages.
Traffic congestion, lack of rules, roadblocks for the Delhi-Mumbai highway to create business along the side of the road, the stenches and sights and smells--all are described with clarity and wit. Luckily for the couple who have a background in exporting Belgian beer, Kingfisher bottles, if no comparison for their native brands, manage to show up in most places they visit. While the details do weigh down the narrative at times, more a journal for privately recalling one’s hosts and costs and purchases rather than one a reader might expect, the level of attentiveness to such a journey’s requirements and expenses does put you in the same position as Johnny and Claudine as they deal with the unexpected detours as well as the planned itinerary. One learns not to plan too tightly, too cheaply, nor too ambitiously!
For a multilingual writer, Johnny does a solid job of expressing his honest, forthright report in conversational English, and the added angle which he and his wife’s Flemish upbringing and European mindsets provide enriches their encounters as set out on the page. The book may err on the side of generosity when it comes to the level of information shared. For once, we get a travel account which does not edit out any meal, driver, payment, meeting, or sight seen.
The e-book is split into two volumes due to the welcome abundance of photos. The first half goes from Delhi to Naguar and Jaipur, then to Agra and the Taj Mahal. Orchha, Khajuraho, Varanasi and the Ganges, Allahabad, Kanpur, Bithoor, and Old Delhi comprise part two.
The amount of data about temples and lunches and accommodations may please those wanting to consult this as a practical guide for planning a similarly ambitious and thorough visit. For me, as for now a traveler only via a book, this reminded me of listening to a sharp-eyed, sharp-witted pair who’d come back from a journey with lots of photos to share and lots to relate. We hear—language barriers permitting-- from everyday Indians, and not only guides or docents. This adds to the grittier texture of the travelogue, but it may make its fidelity to the daily grind too burdensome for some. How much detail is welcome and how much is overwhelming may depend on how much you as an audience wish to hear or see. Overall, passing these data heaps amassed along the couple's long Indian road, it’s an intelligently rendered, if very minute-by-minute, intensive journey worth following.
Johnny sums up wryly one of India’s newest inventions: "Nano, the mini-car sitting twenty Indians on four seats." He and Claudine see, one morning in Orchha, silent old men crossing a river bridge into the jungle. These eccentrics move as if zombies "with their eyes set on infinity and their brainwaves tuned to zero." Such scenes, and Johnny’s humanistic but business-savvy tone, make this a fine companion for an armchair traveler, and one which may inspire some readers to become actual visitors to India themselves. There they can match their own perspectives with those captured by Claudine’s camera.
(I note I was provided a copy online {Kindle E-book] of this by the author who requested my review, posted on Amazon US 12-19-11.)
Tuesday, August 16, 2011
Deochannaí agus Amharclann
Bhí muid ag dul Amharclann Bhean Sí an deireadh coicís ó shín. Is maith linn ag imríonn ansin anois, mar sin bhí Léna agus mé ábalta ól in aice láimhe ag "Tony's Darts Away." Tá sé cúpla míle ar shiúl i mBurbank é.
Feidhmíonn an teach tabhairne seo cuid beoir bhairille go déanta i gCalifoirnia amháin. Go minic, sampláil muid deochannaí difriúl ach leann dubh agus leannaí leis stíl na Beilge go spesialta. Mar sin féin, d'iarr muid leannaí pale leis stíl na hIndia an uair seo.
Chuir cuairt muid greann-dramaíochtaí eagsulaí ina hAmarclann. Ar dtús, chonaic muid "Dilis Mná" le Gearóid Ó Maoilmhichil ar siúl i mBéal Feirste Oirthear. Bhi sé an-fhisicúil, go glórach agus go nádurtha!
Seo chugainn, chuaigh muid ag freastail "Rithe an Bhóthair Ard na Sruth na hÁithe" le Seamusín Ó Murchú. Bhí sé scannán ag déanta; ní fháca mé é. Measaim go mbeadh ag chuala cuid Gaeilge ar feadh ar an scáileán, is amhlaigh.
Bhuel, d'imigh muid go an hAmharclann níos deanaí ag breathnaigh "An Fronsa Bhalworth" le Enda Breatnach. Is cosúil é le "Rithe" mar sin go bhfuil beirt dhráma le inimircigh Londain. Mar sin féin, smaoinaigh mé nach raibh chomh maith é.
Shíl mé go raibh ró-fhada sin. Thuig muid an "bun-bpointe" faoi an plot. Mar sin féin, dhealraigh an scéal ró-chasta.
Ar an taobh eile, bhain sult as againn ag dul "amach ar an mbaile." Measaim an amharclann chomh fáilteach; is iad na aisteorí cumasach. Ar deireadh, d'ól deochannaí den chaighdeán leis fearr, leis ispíní glasraí. Tá siad níos blásta ann!
Deochannaí agus Amharclann
We went to the Banshee Theatre a fortnight ago. We like going off there now, since Layne and I are able to drink nearby at "Tony's Darts Away." It's a few miles away in Burbank.
This tavern features a share of draft beers made only in California. Often, we've sampled different drinks but especially stout and Belgian-style ales. All the same, we asked for India Pale Ales this time.
We've paid a visit to various tragicomedies at the Theatre. First, we saw "Loyal Women" by Gary Mitchell taking place in East Belfast. It was very loud and very physical, naturally!
Next, we attended "Kings of the Kilburn {="stream of the kiln" in Old English, not Scots!} High Road" by Jimmy Murphy. It was made into a film; I haven't seen it. I think there's heard a share of Irish during it on screen, moreover.
Well, we went off to the Theatre lately watching "The Walworth Farce" by Enda Walsh. It's similar to "Kings" because the drama pair are with Irish immigrants. However, I thought it wasn't as good.
I thought that it was too long. We understood the "basic point" about the plot. However, the story seemed too convoluted.
On the other hand, we enjoyed going "out on the town." I reckon that the theater us welcoming; the actors are talented. Finally, we drank the highest quality drinks, with veggie sausages. They were very tasty there!
Eolas/Info: Amharclann Bhean Sí/Theatre Banshee
Grianghraf/Photo: LA Theatre Review
Feidhmíonn an teach tabhairne seo cuid beoir bhairille go déanta i gCalifoirnia amháin. Go minic, sampláil muid deochannaí difriúl ach leann dubh agus leannaí leis stíl na Beilge go spesialta. Mar sin féin, d'iarr muid leannaí pale leis stíl na hIndia an uair seo.
Chuir cuairt muid greann-dramaíochtaí eagsulaí ina hAmarclann. Ar dtús, chonaic muid "Dilis Mná" le Gearóid Ó Maoilmhichil ar siúl i mBéal Feirste Oirthear. Bhi sé an-fhisicúil, go glórach agus go nádurtha!
Seo chugainn, chuaigh muid ag freastail "Rithe an Bhóthair Ard na Sruth na hÁithe" le Seamusín Ó Murchú. Bhí sé scannán ag déanta; ní fháca mé é. Measaim go mbeadh ag chuala cuid Gaeilge ar feadh ar an scáileán, is amhlaigh.
Bhuel, d'imigh muid go an hAmharclann níos deanaí ag breathnaigh "An Fronsa Bhalworth" le Enda Breatnach. Is cosúil é le "Rithe" mar sin go bhfuil beirt dhráma le inimircigh Londain. Mar sin féin, smaoinaigh mé nach raibh chomh maith é.
Shíl mé go raibh ró-fhada sin. Thuig muid an "bun-bpointe" faoi an plot. Mar sin féin, dhealraigh an scéal ró-chasta.
Ar an taobh eile, bhain sult as againn ag dul "amach ar an mbaile." Measaim an amharclann chomh fáilteach; is iad na aisteorí cumasach. Ar deireadh, d'ól deochannaí den chaighdeán leis fearr, leis ispíní glasraí. Tá siad níos blásta ann!
Deochannaí agus Amharclann
We went to the Banshee Theatre a fortnight ago. We like going off there now, since Layne and I are able to drink nearby at "Tony's Darts Away." It's a few miles away in Burbank.
This tavern features a share of draft beers made only in California. Often, we've sampled different drinks but especially stout and Belgian-style ales. All the same, we asked for India Pale Ales this time.
We've paid a visit to various tragicomedies at the Theatre. First, we saw "Loyal Women" by Gary Mitchell taking place in East Belfast. It was very loud and very physical, naturally!
Next, we attended "Kings of the Kilburn {="stream of the kiln" in Old English, not Scots!} High Road" by Jimmy Murphy. It was made into a film; I haven't seen it. I think there's heard a share of Irish during it on screen, moreover.
Well, we went off to the Theatre lately watching "The Walworth Farce" by Enda Walsh. It's similar to "Kings" because the drama pair are with Irish immigrants. However, I thought it wasn't as good.
I thought that it was too long. We understood the "basic point" about the plot. However, the story seemed too convoluted.
On the other hand, we enjoyed going "out on the town." I reckon that the theater us welcoming; the actors are talented. Finally, we drank the highest quality drinks, with veggie sausages. They were very tasty there!
Eolas/Info: Amharclann Bhean Sí/Theatre Banshee
Grianghraf/Photo: LA Theatre Review
Friday, July 15, 2011
Bia agus ól ar Thuaisceart
Chuir mé cuairt eile go Califoirnea Thuas faoi deireanach. Thiomaint muid go an cathair Naomh Críos aríst. Chonaic mo teaghlach ár cairde dhíl Bob agus Críos go bhfuil i gcónaí in aice leis an cathair sin.
Bímid áiteannaí go coitanta a feiceáil go hiondúil ar feadh ár thuras ar thuascaint anois. Mar shampla, cheannaigh muid bolg silíní dubh agus cliabh sú talann ina margadh Ghleanntan Prúna ag imeall an cathair na Salainn ar dtús. Measaim go raibh siad so-bhlásta is fearr orm gan amhras.
Tá muid ag dul siopadóireacht go gróseara orgánach Duilleog Nua ina sráidbhaile na Felton in aice an gráig Sléibhe Hermon. Go nadúrtha, níl siopa fiorsaor ann. Mar sin féin, faigheann mo bhean a tí bia níos halainn gach uair ansin.
Is maith liom ag ól tae speisealta freisin. Ní raibh ábalta tabhairt ar ais bocsa Dilmah Síolónach ina margadh an samhraidh seo, ach níl creideamh go raibh sé a díolta chomh fada le mo bharúil sa lá atá inniu ann dóibh. Mar sin, thug Léna beirt bhoscaí tae Numi de dom.
D'ith muid taos araín géar de Bhaile Watson. Déannann sé leis rós Mhúire agus gairleog ann. Nílim dith a stópaidh ag ithe aran de sin, go cinnte.
Ar ndóigh, tá mé ag foghlaim faoi leanntaí áitiúlaí ansiúd. Fuair mé leann dubh leis min choirce ina Naomh Críos agus leann úll maith ag déanta ina gCalifoirnea agus Oregon. Inseoidh mé duit níos mó faoi ár leathanta saoire bheag an mí seo caite as Gaeilge an mí seo chugainn, is docha.
Food & Drink to the North
We paid another visit to Northern California recently. We drove to the city of Santa Cruz again. My family saw our loyal friends Bob and Chris who are living near that city.
We habitually see familiar places during our northerly journey now. For instance, we first bought a bag of dark cherries and a basket of strawberries in the market of Prunedale on the outskirts of the city of Salinas. I reckon that they are the tastiest for me without a doubt.
We go shopping at the New Leaf organic grocers in the village of Felton near the hamlet of Mount Hermon. Naturally, the shop's not dirt cheap there. All the same, my wife finds very lovely meals every time over there.
I like drinking special tea. I was unable to bring back Ceylonese Dilmah from this market, but I don't believe it may be sold there any more as far as I know nowadays. Therefore, Layne brought a pair of Numi boxed teas from there for me.
We ate a loaf of sourdough bread from Watsonville. It's made with rosemary and garlic. I have no wish to stop eating a loaf of that, for sure.
Of course, I learned about local beers up there. I got dark beer (stout) with oatmeal in Santa Cruz and good cider made in California and Oregon. I will tell you more about our little holiday last month in Irish later this month, I hope.
Grianghraf/Photo: Múrmhaisiú/mural-decoration, Margadh Duilleoige Nua/New Leaf Market, Felton
Bímid áiteannaí go coitanta a feiceáil go hiondúil ar feadh ár thuras ar thuascaint anois. Mar shampla, cheannaigh muid bolg silíní dubh agus cliabh sú talann ina margadh Ghleanntan Prúna ag imeall an cathair na Salainn ar dtús. Measaim go raibh siad so-bhlásta is fearr orm gan amhras.
Tá muid ag dul siopadóireacht go gróseara orgánach Duilleog Nua ina sráidbhaile na Felton in aice an gráig Sléibhe Hermon. Go nadúrtha, níl siopa fiorsaor ann. Mar sin féin, faigheann mo bhean a tí bia níos halainn gach uair ansin.
Is maith liom ag ól tae speisealta freisin. Ní raibh ábalta tabhairt ar ais bocsa Dilmah Síolónach ina margadh an samhraidh seo, ach níl creideamh go raibh sé a díolta chomh fada le mo bharúil sa lá atá inniu ann dóibh. Mar sin, thug Léna beirt bhoscaí tae Numi de dom.
D'ith muid taos araín géar de Bhaile Watson. Déannann sé leis rós Mhúire agus gairleog ann. Nílim dith a stópaidh ag ithe aran de sin, go cinnte.
Ar ndóigh, tá mé ag foghlaim faoi leanntaí áitiúlaí ansiúd. Fuair mé leann dubh leis min choirce ina Naomh Críos agus leann úll maith ag déanta ina gCalifoirnea agus Oregon. Inseoidh mé duit níos mó faoi ár leathanta saoire bheag an mí seo caite as Gaeilge an mí seo chugainn, is docha.
Food & Drink to the North
We paid another visit to Northern California recently. We drove to the city of Santa Cruz again. My family saw our loyal friends Bob and Chris who are living near that city.
We habitually see familiar places during our northerly journey now. For instance, we first bought a bag of dark cherries and a basket of strawberries in the market of Prunedale on the outskirts of the city of Salinas. I reckon that they are the tastiest for me without a doubt.
We go shopping at the New Leaf organic grocers in the village of Felton near the hamlet of Mount Hermon. Naturally, the shop's not dirt cheap there. All the same, my wife finds very lovely meals every time over there.
I like drinking special tea. I was unable to bring back Ceylonese Dilmah from this market, but I don't believe it may be sold there any more as far as I know nowadays. Therefore, Layne brought a pair of Numi boxed teas from there for me.
We ate a loaf of sourdough bread from Watsonville. It's made with rosemary and garlic. I have no wish to stop eating a loaf of that, for sure.
Of course, I learned about local beers up there. I got dark beer (stout) with oatmeal in Santa Cruz and good cider made in California and Oregon. I will tell you more about our little holiday last month in Irish later this month, I hope.
Grianghraf/Photo: Múrmhaisiú/mural-decoration, Margadh Duilleoige Nua/New Leaf Market, Felton
Friday, April 15, 2011
"This is New York City. Nothing's free."
That summed up my visit for a weekend in mid-April. I heard this aperçu while waiting in line, nearly two sunny, bright hours, for the Ellis Island ferry. A city worker good-naturedly informed somebody ahead of me, in earshot, of the way life works in this relentless, definitive metropolis.
My family had never been there together. We'd been as a couple there twice around 1990. I don't recall much. I saw Claude Monet's "Water Lilies" at the Museum of Modern Art. I noticed the amount of pro-Palestinian pamphlets on sale at the UN. Seeing at last not only the Metropolitan Museum of Art but so much more arrayed up the river along The Cloisters turned out the high points for medievalist me.
We back then took a ferry to that same Ellis Island while posing as the tourists we were for Layne's film colleague who used us as footage with an big old stand-up moving camera on a tripod. He took us for a great Chinese onion pancake dinner. A college pal of Layne's treated us to another dinner; he was a wine purchaser, so wherever it was must have been well-chosen. You can see my recall of these two excursions remained dim; I did go to the Strand and bought a little Modern Library Synge.
We stayed both of our visits at an old hotel, with tiny elevator and operator, near Central Park. I wore my long trench coat and gloves for the first time, and the only one outside NYC (except when I took it to Ireland last visit when the ice storm hit Dublin, and one time when I wore it to Dodger Stadium and got soaked in the rain). I declined to take her on a horse carriage ride around the park on Valentine's Day night due to the frigid temperature. She never forgave me, but we did get married the next year.
When younger, my wife and I discussed vaguely her wanting to go again. Logistics, expense, and difficulty of corralling the boys dissuaded at least me if not her. But, news in The New Yorker of an Edward Hopper exhibit at the Whitney impelled her to keep sighing "I wish I could see the Hopper before I die" for what seemed endless nights, ever since this year started, into her pillow, in earshot, mine.
So, a week before we departed, we announced it to the boys. Niall has long wanted to go; Leo as predicted seemed less enchanted. But, a family vacation after so much stress had been merited by my long-suffering spouse, and the combined tickets, she assured me, were somehow in her calculations cheaper than if we'd booked the airfare and hotel separately. Despite my frugality, I capitulated somewhat gracefully.
The flight over? My wife and I sat together, the kids ahead: non-stop and seats free between us made this a quick trip and an easy one. I started the novel I'd been advised by my son to take, Bret Easton Ellis's "American Psycho." Its branding, relentlessly cynical and brutally witty accumulation of status, worry, and insanity all appealed to me as a Reagan years artifact from the city I'd visit. As my son also warned, given the explicit violence and a couple of sexual passages, I was glad nobody else sat next to me or saw the cover. My wife started the only NYC novel I could find from my stacks unread, Henry James' "Washington Square." As this was given to me, and as I "prefer not to" (as Manhattanite Bartleby might chime) read the Master, at least the book earned a reader after sitting on my shelf about as long as the time since we'd last seen NYC.
With my phone and a few music files, the arrival in Newark happened swiftly. Our driver in the shared van we'd booked looked Russian, with a silver coiffure that had to be seen to be believed, but we heard him speak Spanish. He seemed befuddled, and the passengers, a frumpy woman who seemed to have delayed our departure as she just showed up after we'd been waiting a long time, a Celtic-looking black curly-haired but American-accented guitarist, and a younger black woman headed for Long Island, took awhile to assemble. The driver kept vanishing with a clipboard; I figured people called the service just as the plane landed but then took forever to actually get to wherever they were to be picked up by the shuttle van.
The guitarist spoke on his phone the whole time, so I learned of his many cross-country friends and gigs, even if to his father he talked about two terse minutes (apologizing at one point for waking him up, so I wondered what time zone dad lived in, it being about 6 p.m. EST) compared to nearly an hour with pal(s). I am sure my sons would treat me and do treat me no different on the phone. Not much else to occupy my thoughts. The driver kept leaving with his clipboard at stops in the airport lanes, and it took a while to get out of the place, and then face a cliche come to life, a Garden State panorama of refineries, ruins (abandoned multiplex overlooking decaying multistory factories in the evening haze), and rush-hour traffic. If this was heading against it into Manhattan, I could only imagine, or I did not want to imagine, the other way out of the tunnel.
We descended into the Holland Tunnel from Jersey City, naturally. Very slowly as the radio played The Boss, Springsteen's "Dancing in the Dark." I learned the other day he incorporated his nearby (but doubtlessly farther from Asbury Park than he used to be) manse as a farm to avoid taxes. Layne likes him; all I can say is that I bought some of his records back when and never upgraded from vinyl, "Nebraska" excepted.
We emerged already nearly at our Hilton Garden Hotel in Tribeca. It is within earshot of the Tunnel, very close. So much that the driver fooled us by pretending he was lost when we pulled up in front, clueless as to where we were. It's a great location, with a patient staff, right at the "triangle-below-Canal" Street that gives this gentrified neighborhood its name. The film festival running all month rose on a nearby marquee.
Dinner at Cinque, a menu divided into fives as choices, proved decent. As we sat down, I noticed a boy about ten chattering away in a booth all by himself on a cellphone. My wife wrote about all of our meals on Chowhound, so I will not repeat what she better documents at "Long weekend with frugal husband and hungry teens". Suffice to say this was the other raison d'être for her destination. I add only that I liked the beer better than some meals. Read her typically informative post to find out about both bills of fare.
I append that the oatmeal, at respectively Bubby's (fake farmhouse with cow outside) in Tribeca ("18th c style" as granular) with raisins and brown sugar, The Kitchenette (gingham nightmare welcome to the dollhouse) on Chambers St. in the Financial District ("Irish" as flaked) with a nice fruit compote, and at the Grey Dog's Coffee (raw walls, hip art as I stared at a large painting by Laura Cuillé, "Revolution," most of an hour, a naked woman semi-frontal, photographed in two-tone and appliquéd with her hands raised, repeated four times and then reversed facing the other four, under a spray painted descent of golden globes and blue circles. Any artwork sticks with me after an hour, especially if attractive female nudes are involved) on 16th St. in Chelsea ("Baked" as if bread pudding) turned out well-chosen each breakfast. Prices for meals and drink were about a third higher than L.A. overall. I used to eat corned beef hash on the rare times I went out to breakfast on the rare trips I'd make, but since I converted to pescetarianism, I've switched dietary allegiances. I prefer a simple, no-nonsense food to test my meals by; compare my fish-and-chips habit!
We walked down Greenwich Street from Cinque that first night to the World Trade Center site. Not much to see as the tarps around the fence obscure the view from pedestrians. But seeing St. Paul's Church with its once-ash covered colonial gravestones as the witness to death across the street reminded me of the impact.
The next day, I roused myself from jet-lag enough to wonder where to go in search of Irish New York City. A search brought up to my mild surprise no local Hiberno-museum, given that the Italians and Chinese and even Ukrainians had theirs, but I did learn where the Irish Hunger Memorial was, close enough to walk. I learned later it opened the summer after 9/11. This Wikipedia entry links to the brochure and the insightful "Architectural Record" photo-essay by Roger Shepherd which for me sums up the effect of this half-passage tomb, half-reconstructed ruined home atop a mound of native Irish flora. Together it looks as if a piece of the old sod dropped out of the sky. Which, for a few million hit by the great hunger, and then landing in the New World, it might have felt like, for both observers and participants.
As the Irish memorial's but two blocks from the WTC ruins, I walked around the site again, on my way down and around the Hudson River parkway that led me to Battery City Park's esplanade. This site was built on land excavated from the WTC's original construction. I welcomed the fresh air, the quiet atmosphere, and what I first could view from atop the Famine memorial, the prospect of the Statue of Liberty and Ellis Island.
On my way, I listened. Coming out onto Vesey St. near the Irish half-acre site, I heard a foreman tell a group of departing hard-hats: "Here's one you haven't heard for a while. 'If we ain't got it, you don't need it.'" He then went on to explain this again. "That is, 'if I don't have it, you don't need it.'"
Later, on the Esplanade, an Asian-American woman was told by her blonde-dyed companion, both in their late-twenties and in office clothes: "So I tried it out.... He was so attentive! He listened to everything!!!" She related this revelation half-mockingly, half-marveling, in a typical, slightly Yiddishified inflection that I suppose any native New Yorker or new arrival must soon enough adapt as articulated camouflage.
I kept on walking. It was less than fifty degrees; the river air revived me. It took about fifty minutes to get from my hotel to Castle Clinton, the round fort which in "The Gangs of New York" unforgettably records another throng of Irish arrivals, and their immediate citizenship and inducting into the military for the lads off the boat and onto another for the Civil War. Meanwhile, the camera tracks to show coffins of the Union casualties unloading at the port. Only Pier A remains, soon to be restored, which is where the following day I heard while in line with my own half-Irish son the line that titles this entry.
But that first day, there were no lines. The last ferry, I'd learn the next day, for Ellis Island already had departed, leading me to a false expectation that there'd be no wait. I didn't know "airport-style security" loomed as well. So, another Mick newly docked gets fooled.
Speaking of half-Irish, I wondered around there if the Mitzvah Tank might pick me out on this lengthening pre-Shabbat afternoon (it was getting late for driving if you're Orthodox, but I suppose Chabadniks had all the getaways covered). I'd heard an amplified "yay-yay-yay" blasting the intersection where State St. and Broadway and Battery Place meet, near the Museum of Jewish Heritage (which seemed more like a Holocaust one, given the empty Student Workbook I found on a bench from it). Before I saw the Tank, I wondered if it was that (I'd never seen one in L.A. given I live far from any Jewish neighborhood) and not somebody cranking up reggae.
It stopped at a light, and a tall, fit, thirtyish man with a shaved head and a very slight beard walked by. He could have passed for a M.O.T. A young man with payes leaned out of the passenger window to ask him in a loud, inflected (that accent) voice if he wanted to lay tefillin. The man declined, the van turned, and I lost whatever nuances might have been exchanged due to traffic and those "yay-yay-yays." The man walked towards me and told his petite female companion about what that conversation was all about, at least from the snatch of speech I could pluck from the air full of that tune, as annoying as an ice-cream truck's jingle.
I told my wife this as I'd been speculating when hearing the tune before I even saw the Tank, what if they saw me? What would I say if asked? "Not Jewish enough for you?" But she insisted they'd never pick me anyway.
In front of the Castle, a group of black men, in their late-twenties or early-thirties, gathered in a half-circle. They appeared to challenge one of their own. One man posed as if beating down on another unseen figure. "I saw it. You were punchin' rocks through his head when he was down." I kept walking, head down.
The next day on the Ferry as it left the Statue of Liberty for Ellis Island, the seats were still few and the standees many. I offered twice my seat, but each time the elderly women declined. One confided, if in a loud local accent redolent of a character in, well, any Woody Allen or Martin Scorsese film: "you're a lost breed." She went on that such chivalry had ended partly as "they"-- her fellow feminists of the days of rage, I suppose?-- "really brought it on themselves," so that we gentlemen felt as if we offended the fairer sex if we implied they couldn't stand on their high heels or sensible flats as sturdily as we oafs. I thanked her for her courtesy as she had my attempted display of chauvinist etiquette, and I agreed tactfully.
On my way to Battery Park that day before, still, I did three good deeds. I say this not to appease my Recording Angel for the Book of Life, but to assure my doubting wife that I am not always the misanthrope I seem, at least out of her purview. An Irish-looking gent in his sixties asked me as I left the hotel where Walker's Restaurant was near Varick and Moore Streets. I knew already where both were, and I gestured to that location a few blocks away. I was not positive where the eatery itself was, of course, as I'd never seen it, so I took him back inside the hotel with me to confirm with the helpful bellhop.
(We'd go to Walker's with its worn wood floors, friendly staff, and packed tables for decent fish and chips with a good local Blue Point Spring Fling pint, a great Original Sin bottled cider for her the following night, as the alternative, a greasy if genuine dive bar across from the hotel, Nancy Whiskey's Pub, from my net research appeared too insulting and too much attitude. I feared they'd spit in my Guinness. They had but five dull other brews if a couple bucks cheaper. I figured the nearby NYPD First Precinct, whose van we saw pulled up two nights later, could keep their haunt to themselves if they wanted to mock us blow-ins.)
Anyway, I also helped an elderly Chinese lady whose groceries spilled out as she tried to cross the vast expanse of West Street on my way back to the river after seeing WTC following the Irish site. I caught her apple rolling down the crosswalk, others picked up other sundries, so all was restored to her sack. I then crossed against the light alongside similarly wary pedestrians under the "go ahead, I dare you" eye of the policeman doing traffic duty.
On my way up the river walk from Battery Park, I tossed back a large rubber ball. A Chinese-American man had been hoisting his daughter up on a wall above the esplanade. She'd been waiting, I guess, for somebody to come along and see it and retrieve it. I obliged.
Passing Stuyvesant High School as it let out, I heard a girl shout "Taylor, call me later!" Given the prevalence of that name for this cohort, I wondered how many heads would turn. A student's frisbee slid perfectly into my foot as I waited for a light, legally. I bent to pick it up but a boy politely apologized and came over to grab it. Along the way nearing and past the school, I noticed the crowds of young people out of school: chess, handball, basketball all occupied them, and Indian and Asian faces predominated the ranks, with few white and fewer black faces. Throughout my stay in Manhattan, the number of Indians stood out, far more, or at least far more concentrated, than I'd see in Southern California. Not to mention nearly every taxi driver.
Speaking of cabbies, I passed the Irish memorial on my way back up the river and I visited it again. Then, just north of it, I noticed a "Relieve World Hunger Action Center" building. Coincidental? It promised that whether one visited a few moments or a few hours, one could help. Scientology?
As I mused about this juxtaposition, a cabbie, I presumed African from his demeanor and features, made a sharp and sudden u-turn in front of me. He hit the sidewalk at the next building, sharing space with the Hunger one as Poets' House. He mounted the curb in his hasty move. I heard a loud pop, and it looked as if the front right tire had exploded, but I could not see that side. I glanced at him with a sort of "wtf?" look, but he just acted as if it was a normal event in his daily commute. Yet, the taxi slowed in front of another one as I walked past both. I passed the taxis and didn't look back. Scientology?
After breakfast at The Kitchenette late next morning, Niall and I decided to walk down to go to Ellis Island, as we were halfway to Battery Park already from Chambers St. It was noon by the time we started. We stopped at St. Paul's and took in briefly the 9/11 memorials accumulated by the volunteers and firefighters who camped out there in the aftermath. Photos of the lost and missing and dead filled one display. I felt then a glimmer of what the city had endured. So, it was half-past by the time we got tickets at the Castle Garden.
Our wait crept by inch by inch, a quiet, genial black man from Texas in his thirties ahead of us (his elderly mother had sat way ahead before the railings and lines narrowed), and three loud Turkish men in their twenties yammered incessantly behind me, raucously laughing and doubling over every other second. They'd replaced four aging walrus-mustached somewhat still muscular ruddy men of a certain age, one of whom flamboyantly boasted of his unemployment and his desire to take a cruise to Italy and then the Greek islands on his income. I'm not sure if I'd have preferred hearing them emote for two hours compared to a language jabbered incessantly and shrilly from leather-jacketed louts from a nearby sun-baked nation less touristed. Maybe that scene in "Midnight Express" dissuades most today, despite Giorgio Moroder's disco-era score.
Not much to report otherwise; the busker entertaining the inching throngs made up a ditty for those near him after he asked each group their civic or ethnic origins. Luckily I got past him as he inquired from a pair of British students on the other side of the line. Reflecting the city, we were from everywhere else, it seemed, once again on the dock.
Ellis Island, after we passed but passed up the Statue of Liberty while I crouched down to see it from the window, proved as interesting as the first time. Nearly three o'clock by the time we disembarked. Thanks to an excellent guided tour, by park ranger Victoria B. Scott, Niall and I spent forty-five minutes learning about the luggage sorting, the medical inspections, the lines and sorting, the myth of the name changes, the future of those 2/3 who never landed in NY but went straight to Jersey's shore for trains inland, and the fates of the 2% who were eventually sent home for mental or physical or financial limitations.
A chart in 1900 tallies 15% of Jewish arrivals as tailors and seamstresses, while the same percentage of Irish toiled as "laborers." Song sheets regaled us with images of what the public bought as caricatures of every ethnicity, or a few popular (or unpopular?) varieties. I could have stayed there all day.
We ran out of time, literally, from the detailed exhibits on immigrant life, to catch the ferry. Ahead of me, a young Indian pair. Behind me, four Italian students. Then, young Canadian Mennonites, the girls in modest wear, the man with a closely trimmed beard without a mustache. More Indians, then Spanish-speakers. All in line fondled cellphones. I tugged mine out to check e-mail while waiting for the next ferry. Globalization. I was third in line when the gangplank gate had slammed shut, so I stayed to think about my fate on the docks, in sight of Lady Liberty. I wondered who in my family had immigrated exactly when, as I remain clueless and likely given current states of affairs will go to my grave now as such. Niall went back in to try to look up records on his maternal side. Another ferry, the last. We neared Battery Park and watched the skyline grow.
Our trek up Church Street let us look east down Warren to the gleaming gold-statue topped City Hall. A demonstration had ended, full of gray-haired activists, many women with close-cropped hair, wearing vests with badges and slogans, in their sixties and seventies boarding a pair of coach buses (oddly labeled limousines). Their placards stacked up in the holding bin: "Stop Islamophobia. Israel out of Gaza. Free Palestine. End Zionist Apartheid." (I learned today in the Forward how Judith Butler, a queer theorist from Berkeley of Jewish descent, praised Hamas and Hezbollah as "progressive" organizations of the "global left." The paper's contributors, two LGBT campaigners, wondered how Butler'd fare under a Muslim theocracy.) With more hair, if dyed of course golden, we passed a worse-case scenario. Botox, nose job, and tanning straight off of Real Housewives of Jersey Shore: strutting and yapping as she strode out of a hotel, logoed bags filling each hand, proving there's always a sequel for coiffed and scary admirers of "Sex and the City."
Speaking of earlier civic demonstrations, we wondered how close was the old Irish ghetto Five Points, featured in "Gangs of New York." We saw a good deal of the Financial District. This was Niall's favorite area, being an intrepid walker while his brother slumbered, as I predicted. The next night, they opted for Katz's Deli despite or in spite of combined parental warnings that it'd not live up to their expectations, as they'd feasted at Langer's in L.A., which we all know's the best. (For once, Mom and Dad proved right, as the boys confessed by cellphone during our own, considerably more refined, fare that following evening.)
After the ferry, the four of us ventured to the former Meatpacking District at the West Village's north border. Two Indian women, early twenties, wrangled drunkenly with an Indian man about the same age. "I love you more than both of you," he shouted in equivalent powers of control as they bumped and ground lasciviously against each other, one up against the wall, the two women grappling as the man egged them on. They were loud. It was seven p.m. I realized I did not get out much on the town. I never get out much in any town.
We were there in this hip, but somehow appealingly gentrified, stretch of the beautiful and the damned to meet Layne's film colleague Rosemary at La Gazzetta. Even though I noticed we'd been seated at the back booth next to another family, while blondes and babes filled the window tables and a considerable din, alcohol-fueled, increased as our meal and their cocktails continued from a party of six single white females, I resigned myself to my elder statesman eminence grise. I found no Italian beer that appealing, so I was happy to drink the tap water again as throughout my stay. It lacks the sediment that makes L.A.'s sink drainings so unappealing, and my hair turned out much better under the shower, as it does anywhere else but at home.
Leo and Rosemary talked impressively about cinema, and Niall and I tried to hang in there. Later, we walked starting at Gansevoort St. on the High Line, a former railroad used by the warehouses, now an urban mini-park built on the right-of-way. An elevated promenade for about eight blocks, this impressed me. We could see the dark Hudson, of course, and lit skyscrapers peeked above silent apartments. The photo above taken by Leo's my favorite from many that night there, as if the viewers silhouetted can see the "picture" glass framed as city life below the line, above near16th or 17th Streets, as an endlessly changing flow of images.
Later, we took a cab slanting to the Village's other edge, past Henry James' Washington Square all tree-lined and silent, past NYU, into the once beatnik still hipster enclave. Leo noted Justin Theroux, who happened to be in the just-released dreadful stoner flick "Your Highness," sitting in a cafe window. Along such beats, there I suppose the just-deceased former girlfriend of Bob Dylan depicted on the album cover, Suzi Rotolo, had strolled with the troubadour (about as old as the guitarist on the shuttle bus?), arm in arm, nearly five decades ago. Caffe Reggio (1927), all green paint, was too jammed; Caffe Dante (1915), down MacDougal St. past Bleecker, drew us in. My first cannoli, recommended by our Boston Italian-raised host, pleased me there.
My third full day in the city, hammered by three nights of shouting and carousing by hotel guests slamming doors and yelling guffaws deep into the night and early into the morning, my sleep was off. But, off we went via the Grey Dog and two subways to the MoMA, as I've written about separately so you can see the eight works of art I liked best. After a rest in the hotel, time for our final meal (see my wife's post linked above for a rundown) at Colicchio's and Sons in that same High Line-adjacent district. An appealing place to watch the river and ales both flow. Our waiter, Ryan, was training as a "cicerone," a counterpart to a sommelier, so he knew his brews. We overlooked the river, and sunset accompanied our lovely salmon and standout beers.
The flight home was preceded by a very officious gatekeeper scrutinizing our carry-ons. This would be repeated before we re-boarded in Chicago: neither departure was particularly soothing. I felt sorry for the woman in a wheelchair moved directly in front of me into the "airport-style security" line. That we all had to subject ourselves to such patting and pawing makes me wonder how Professor Butler would lecture us for our imperial, Zionist sins vs. the sacrifices inflicted as well as endured by indigenous, "progressive" saints.
I'm reviewing Atheist Manifesto: The Case Against Christianity, Judaism and Islam. French philosopher Michel Onfray argues that God won't go away soon given our wish-fulfillment fantasies. But, monotheism based on denial of the material and flight to the spiritual should erode: lest we increase ignorance and blood sacrifice. Onfray contrasts how monotheisms born from desert sands conjure lush paradises. Celestial visions lure crusaders, raise or raze walls, seduce suicide bombers. "By aiming for paradise, we lose sight of earth. Hope of a beyond and aspiration to an afterlife engender a sense of futility in the present. If the prospect of getting taken up to paradise generates joy, it is the mindless joy of a baby picked up from his crib."
One worker I passed as he left his shift from the WTC site had embroidered on his day-glo green safety vest over his heart and flag patch "9-11-01: I didn't forgive. I didn't forget." I watched a composed young woman, resembling Natalie Portman, davening out of a tiny blue book she held near her face as she recited softly the prayers for over half an hour; the flight from Newark had many travelers in full Orthodox garb.
I sat next to a man in a modest suit, aging, white, silent. I figured a businessman. No word the entire flight, no book in his hand. Near the end of the flight, he pulled out a humble, stapled booklet in three dozen languages. No illustrations; brochures stuffed in showed a colorful message aimed at passersby or children. One looked as if titled in Tagalog; another for all I know Albanian, Esperanto, or Ruritanian. Vaguely Slakan cognates stumped me. Each page of his polyglot pamphlet repeated an appeal for a Jehovah's Witness to recite while proselytizing. Even Hebrew. The script in English to which he turned was composed in a confident, confiding tone. The last paragraph had a place for the speaker to tell the listener his or her own name, and then to ask the listener for his or her name. This led to an gentle invitation to learn more about the missionary's message.
On the second half of the flight home, I was set among a hijab-clad contingent from O'Hare to LAX. Albeit randomly, this may have marked me as undesirable if not alien, Ellis novel in my hidden hand. Certainly this narrative's devoid of God, but no better for it. A swarthy, bearded but in that icky hirsute way, hipster lay ostentatiously on his tray table a new copy of the late David Foster Wallace's unfinished "The Pale King," all about alienation in a midwestern IRS office, all 560 pages cobbled together from thousands of scattered notes when the author committed suicide. Wallace would have been exactly the same age, born the same year, as Patrick Bateman, Ellis' protagonist. The chairman of the elite college English department where Wallace had tenure (replaced now by Brooklynite fabulist Jonathan Lethem) was a few years ahead of me in grad school, anointed for his ability to charm his elders if not his classmates. The bearded one did not get very far into Wallace's evocation of acedia-- it was bookmarked at the start-- before opting for his I-Pod.
I thought about my wife reading James's droll comedy of mores 150 years before "American Psycho." It's set near the end of the 1980s in that same city. The callow, well-educated but callous (a challenge to convey) protagonist-- in all his pornographic paranoia and grim greed, if leavened for a discerning few who might endure this impersonal, dehumanized, incisive (yes, all the more for its alienated rhetoric and numbed litany) tragicomedy of terrors with deadpan dialogue and gobbets of gallows humor-- turns out to be born a year after me. A terrible story of inflicted pain and endured estrangement, told chillingly and tautly. Its anomic plot unfolds around the same time my wife and I met, ending a year or so before we first landed in Gotham.
A crowded way, both ways. Chicago's layover however brief did not endear me to an airport I've suffered before. The trashcans still had the old mayor's name on it, not the newest, whose profanity levels exceeded even those yuppie scum as Ellis's preppie brokers. But, I was happy to sit next to Layne again the last leg. I ate my pistachios. I piled up the shells neatly bagged in my empty plastic cup for the dour blue-nailed stewardess to pick up with a sneer, as Ellis's narrator hacked up and jacked up his body count in Manhattan.
My family had never been there together. We'd been as a couple there twice around 1990. I don't recall much. I saw Claude Monet's "Water Lilies" at the Museum of Modern Art. I noticed the amount of pro-Palestinian pamphlets on sale at the UN. Seeing at last not only the Metropolitan Museum of Art but so much more arrayed up the river along The Cloisters turned out the high points for medievalist me.
We back then took a ferry to that same Ellis Island while posing as the tourists we were for Layne's film colleague who used us as footage with an big old stand-up moving camera on a tripod. He took us for a great Chinese onion pancake dinner. A college pal of Layne's treated us to another dinner; he was a wine purchaser, so wherever it was must have been well-chosen. You can see my recall of these two excursions remained dim; I did go to the Strand and bought a little Modern Library Synge.
We stayed both of our visits at an old hotel, with tiny elevator and operator, near Central Park. I wore my long trench coat and gloves for the first time, and the only one outside NYC (except when I took it to Ireland last visit when the ice storm hit Dublin, and one time when I wore it to Dodger Stadium and got soaked in the rain). I declined to take her on a horse carriage ride around the park on Valentine's Day night due to the frigid temperature. She never forgave me, but we did get married the next year.
When younger, my wife and I discussed vaguely her wanting to go again. Logistics, expense, and difficulty of corralling the boys dissuaded at least me if not her. But, news in The New Yorker of an Edward Hopper exhibit at the Whitney impelled her to keep sighing "I wish I could see the Hopper before I die" for what seemed endless nights, ever since this year started, into her pillow, in earshot, mine.
So, a week before we departed, we announced it to the boys. Niall has long wanted to go; Leo as predicted seemed less enchanted. But, a family vacation after so much stress had been merited by my long-suffering spouse, and the combined tickets, she assured me, were somehow in her calculations cheaper than if we'd booked the airfare and hotel separately. Despite my frugality, I capitulated somewhat gracefully.
The flight over? My wife and I sat together, the kids ahead: non-stop and seats free between us made this a quick trip and an easy one. I started the novel I'd been advised by my son to take, Bret Easton Ellis's "American Psycho." Its branding, relentlessly cynical and brutally witty accumulation of status, worry, and insanity all appealed to me as a Reagan years artifact from the city I'd visit. As my son also warned, given the explicit violence and a couple of sexual passages, I was glad nobody else sat next to me or saw the cover. My wife started the only NYC novel I could find from my stacks unread, Henry James' "Washington Square." As this was given to me, and as I "prefer not to" (as Manhattanite Bartleby might chime) read the Master, at least the book earned a reader after sitting on my shelf about as long as the time since we'd last seen NYC.
With my phone and a few music files, the arrival in Newark happened swiftly. Our driver in the shared van we'd booked looked Russian, with a silver coiffure that had to be seen to be believed, but we heard him speak Spanish. He seemed befuddled, and the passengers, a frumpy woman who seemed to have delayed our departure as she just showed up after we'd been waiting a long time, a Celtic-looking black curly-haired but American-accented guitarist, and a younger black woman headed for Long Island, took awhile to assemble. The driver kept vanishing with a clipboard; I figured people called the service just as the plane landed but then took forever to actually get to wherever they were to be picked up by the shuttle van.
The guitarist spoke on his phone the whole time, so I learned of his many cross-country friends and gigs, even if to his father he talked about two terse minutes (apologizing at one point for waking him up, so I wondered what time zone dad lived in, it being about 6 p.m. EST) compared to nearly an hour with pal(s). I am sure my sons would treat me and do treat me no different on the phone. Not much else to occupy my thoughts. The driver kept leaving with his clipboard at stops in the airport lanes, and it took a while to get out of the place, and then face a cliche come to life, a Garden State panorama of refineries, ruins (abandoned multiplex overlooking decaying multistory factories in the evening haze), and rush-hour traffic. If this was heading against it into Manhattan, I could only imagine, or I did not want to imagine, the other way out of the tunnel.
We descended into the Holland Tunnel from Jersey City, naturally. Very slowly as the radio played The Boss, Springsteen's "Dancing in the Dark." I learned the other day he incorporated his nearby (but doubtlessly farther from Asbury Park than he used to be) manse as a farm to avoid taxes. Layne likes him; all I can say is that I bought some of his records back when and never upgraded from vinyl, "Nebraska" excepted.
We emerged already nearly at our Hilton Garden Hotel in Tribeca. It is within earshot of the Tunnel, very close. So much that the driver fooled us by pretending he was lost when we pulled up in front, clueless as to where we were. It's a great location, with a patient staff, right at the "triangle-below-Canal" Street that gives this gentrified neighborhood its name. The film festival running all month rose on a nearby marquee.
Dinner at Cinque, a menu divided into fives as choices, proved decent. As we sat down, I noticed a boy about ten chattering away in a booth all by himself on a cellphone. My wife wrote about all of our meals on Chowhound, so I will not repeat what she better documents at "Long weekend with frugal husband and hungry teens". Suffice to say this was the other raison d'être for her destination. I add only that I liked the beer better than some meals. Read her typically informative post to find out about both bills of fare.
I append that the oatmeal, at respectively Bubby's (fake farmhouse with cow outside) in Tribeca ("18th c style" as granular) with raisins and brown sugar, The Kitchenette (gingham nightmare welcome to the dollhouse) on Chambers St. in the Financial District ("Irish" as flaked) with a nice fruit compote, and at the Grey Dog's Coffee (raw walls, hip art as I stared at a large painting by Laura Cuillé, "Revolution," most of an hour, a naked woman semi-frontal, photographed in two-tone and appliquéd with her hands raised, repeated four times and then reversed facing the other four, under a spray painted descent of golden globes and blue circles. Any artwork sticks with me after an hour, especially if attractive female nudes are involved) on 16th St. in Chelsea ("Baked" as if bread pudding) turned out well-chosen each breakfast. Prices for meals and drink were about a third higher than L.A. overall. I used to eat corned beef hash on the rare times I went out to breakfast on the rare trips I'd make, but since I converted to pescetarianism, I've switched dietary allegiances. I prefer a simple, no-nonsense food to test my meals by; compare my fish-and-chips habit!
We walked down Greenwich Street from Cinque that first night to the World Trade Center site. Not much to see as the tarps around the fence obscure the view from pedestrians. But seeing St. Paul's Church with its once-ash covered colonial gravestones as the witness to death across the street reminded me of the impact.
The next day, I roused myself from jet-lag enough to wonder where to go in search of Irish New York City. A search brought up to my mild surprise no local Hiberno-museum, given that the Italians and Chinese and even Ukrainians had theirs, but I did learn where the Irish Hunger Memorial was, close enough to walk. I learned later it opened the summer after 9/11. This Wikipedia entry links to the brochure and the insightful "Architectural Record" photo-essay by Roger Shepherd which for me sums up the effect of this half-passage tomb, half-reconstructed ruined home atop a mound of native Irish flora. Together it looks as if a piece of the old sod dropped out of the sky. Which, for a few million hit by the great hunger, and then landing in the New World, it might have felt like, for both observers and participants.
As the Irish memorial's but two blocks from the WTC ruins, I walked around the site again, on my way down and around the Hudson River parkway that led me to Battery City Park's esplanade. This site was built on land excavated from the WTC's original construction. I welcomed the fresh air, the quiet atmosphere, and what I first could view from atop the Famine memorial, the prospect of the Statue of Liberty and Ellis Island.
On my way, I listened. Coming out onto Vesey St. near the Irish half-acre site, I heard a foreman tell a group of departing hard-hats: "Here's one you haven't heard for a while. 'If we ain't got it, you don't need it.'" He then went on to explain this again. "That is, 'if I don't have it, you don't need it.'"
Later, on the Esplanade, an Asian-American woman was told by her blonde-dyed companion, both in their late-twenties and in office clothes: "So I tried it out.... He was so attentive! He listened to everything!!!" She related this revelation half-mockingly, half-marveling, in a typical, slightly Yiddishified inflection that I suppose any native New Yorker or new arrival must soon enough adapt as articulated camouflage.
I kept on walking. It was less than fifty degrees; the river air revived me. It took about fifty minutes to get from my hotel to Castle Clinton, the round fort which in "The Gangs of New York" unforgettably records another throng of Irish arrivals, and their immediate citizenship and inducting into the military for the lads off the boat and onto another for the Civil War. Meanwhile, the camera tracks to show coffins of the Union casualties unloading at the port. Only Pier A remains, soon to be restored, which is where the following day I heard while in line with my own half-Irish son the line that titles this entry.
But that first day, there were no lines. The last ferry, I'd learn the next day, for Ellis Island already had departed, leading me to a false expectation that there'd be no wait. I didn't know "airport-style security" loomed as well. So, another Mick newly docked gets fooled.
Speaking of half-Irish, I wondered around there if the Mitzvah Tank might pick me out on this lengthening pre-Shabbat afternoon (it was getting late for driving if you're Orthodox, but I suppose Chabadniks had all the getaways covered). I'd heard an amplified "yay-yay-yay" blasting the intersection where State St. and Broadway and Battery Place meet, near the Museum of Jewish Heritage (which seemed more like a Holocaust one, given the empty Student Workbook I found on a bench from it). Before I saw the Tank, I wondered if it was that (I'd never seen one in L.A. given I live far from any Jewish neighborhood) and not somebody cranking up reggae.
It stopped at a light, and a tall, fit, thirtyish man with a shaved head and a very slight beard walked by. He could have passed for a M.O.T. A young man with payes leaned out of the passenger window to ask him in a loud, inflected (that accent) voice if he wanted to lay tefillin. The man declined, the van turned, and I lost whatever nuances might have been exchanged due to traffic and those "yay-yay-yays." The man walked towards me and told his petite female companion about what that conversation was all about, at least from the snatch of speech I could pluck from the air full of that tune, as annoying as an ice-cream truck's jingle.
I told my wife this as I'd been speculating when hearing the tune before I even saw the Tank, what if they saw me? What would I say if asked? "Not Jewish enough for you?" But she insisted they'd never pick me anyway.
In front of the Castle, a group of black men, in their late-twenties or early-thirties, gathered in a half-circle. They appeared to challenge one of their own. One man posed as if beating down on another unseen figure. "I saw it. You were punchin' rocks through his head when he was down." I kept walking, head down.
The next day on the Ferry as it left the Statue of Liberty for Ellis Island, the seats were still few and the standees many. I offered twice my seat, but each time the elderly women declined. One confided, if in a loud local accent redolent of a character in, well, any Woody Allen or Martin Scorsese film: "you're a lost breed." She went on that such chivalry had ended partly as "they"-- her fellow feminists of the days of rage, I suppose?-- "really brought it on themselves," so that we gentlemen felt as if we offended the fairer sex if we implied they couldn't stand on their high heels or sensible flats as sturdily as we oafs. I thanked her for her courtesy as she had my attempted display of chauvinist etiquette, and I agreed tactfully.
On my way to Battery Park that day before, still, I did three good deeds. I say this not to appease my Recording Angel for the Book of Life, but to assure my doubting wife that I am not always the misanthrope I seem, at least out of her purview. An Irish-looking gent in his sixties asked me as I left the hotel where Walker's Restaurant was near Varick and Moore Streets. I knew already where both were, and I gestured to that location a few blocks away. I was not positive where the eatery itself was, of course, as I'd never seen it, so I took him back inside the hotel with me to confirm with the helpful bellhop.
(We'd go to Walker's with its worn wood floors, friendly staff, and packed tables for decent fish and chips with a good local Blue Point Spring Fling pint, a great Original Sin bottled cider for her the following night, as the alternative, a greasy if genuine dive bar across from the hotel, Nancy Whiskey's Pub, from my net research appeared too insulting and too much attitude. I feared they'd spit in my Guinness. They had but five dull other brews if a couple bucks cheaper. I figured the nearby NYPD First Precinct, whose van we saw pulled up two nights later, could keep their haunt to themselves if they wanted to mock us blow-ins.)
Anyway, I also helped an elderly Chinese lady whose groceries spilled out as she tried to cross the vast expanse of West Street on my way back to the river after seeing WTC following the Irish site. I caught her apple rolling down the crosswalk, others picked up other sundries, so all was restored to her sack. I then crossed against the light alongside similarly wary pedestrians under the "go ahead, I dare you" eye of the policeman doing traffic duty.
On my way up the river walk from Battery Park, I tossed back a large rubber ball. A Chinese-American man had been hoisting his daughter up on a wall above the esplanade. She'd been waiting, I guess, for somebody to come along and see it and retrieve it. I obliged.
Passing Stuyvesant High School as it let out, I heard a girl shout "Taylor, call me later!" Given the prevalence of that name for this cohort, I wondered how many heads would turn. A student's frisbee slid perfectly into my foot as I waited for a light, legally. I bent to pick it up but a boy politely apologized and came over to grab it. Along the way nearing and past the school, I noticed the crowds of young people out of school: chess, handball, basketball all occupied them, and Indian and Asian faces predominated the ranks, with few white and fewer black faces. Throughout my stay in Manhattan, the number of Indians stood out, far more, or at least far more concentrated, than I'd see in Southern California. Not to mention nearly every taxi driver.
Speaking of cabbies, I passed the Irish memorial on my way back up the river and I visited it again. Then, just north of it, I noticed a "Relieve World Hunger Action Center" building. Coincidental? It promised that whether one visited a few moments or a few hours, one could help. Scientology?
As I mused about this juxtaposition, a cabbie, I presumed African from his demeanor and features, made a sharp and sudden u-turn in front of me. He hit the sidewalk at the next building, sharing space with the Hunger one as Poets' House. He mounted the curb in his hasty move. I heard a loud pop, and it looked as if the front right tire had exploded, but I could not see that side. I glanced at him with a sort of "wtf?" look, but he just acted as if it was a normal event in his daily commute. Yet, the taxi slowed in front of another one as I walked past both. I passed the taxis and didn't look back. Scientology?
After breakfast at The Kitchenette late next morning, Niall and I decided to walk down to go to Ellis Island, as we were halfway to Battery Park already from Chambers St. It was noon by the time we started. We stopped at St. Paul's and took in briefly the 9/11 memorials accumulated by the volunteers and firefighters who camped out there in the aftermath. Photos of the lost and missing and dead filled one display. I felt then a glimmer of what the city had endured. So, it was half-past by the time we got tickets at the Castle Garden.
Our wait crept by inch by inch, a quiet, genial black man from Texas in his thirties ahead of us (his elderly mother had sat way ahead before the railings and lines narrowed), and three loud Turkish men in their twenties yammered incessantly behind me, raucously laughing and doubling over every other second. They'd replaced four aging walrus-mustached somewhat still muscular ruddy men of a certain age, one of whom flamboyantly boasted of his unemployment and his desire to take a cruise to Italy and then the Greek islands on his income. I'm not sure if I'd have preferred hearing them emote for two hours compared to a language jabbered incessantly and shrilly from leather-jacketed louts from a nearby sun-baked nation less touristed. Maybe that scene in "Midnight Express" dissuades most today, despite Giorgio Moroder's disco-era score.
Not much to report otherwise; the busker entertaining the inching throngs made up a ditty for those near him after he asked each group their civic or ethnic origins. Luckily I got past him as he inquired from a pair of British students on the other side of the line. Reflecting the city, we were from everywhere else, it seemed, once again on the dock.
Ellis Island, after we passed but passed up the Statue of Liberty while I crouched down to see it from the window, proved as interesting as the first time. Nearly three o'clock by the time we disembarked. Thanks to an excellent guided tour, by park ranger Victoria B. Scott, Niall and I spent forty-five minutes learning about the luggage sorting, the medical inspections, the lines and sorting, the myth of the name changes, the future of those 2/3 who never landed in NY but went straight to Jersey's shore for trains inland, and the fates of the 2% who were eventually sent home for mental or physical or financial limitations.
A chart in 1900 tallies 15% of Jewish arrivals as tailors and seamstresses, while the same percentage of Irish toiled as "laborers." Song sheets regaled us with images of what the public bought as caricatures of every ethnicity, or a few popular (or unpopular?) varieties. I could have stayed there all day.
We ran out of time, literally, from the detailed exhibits on immigrant life, to catch the ferry. Ahead of me, a young Indian pair. Behind me, four Italian students. Then, young Canadian Mennonites, the girls in modest wear, the man with a closely trimmed beard without a mustache. More Indians, then Spanish-speakers. All in line fondled cellphones. I tugged mine out to check e-mail while waiting for the next ferry. Globalization. I was third in line when the gangplank gate had slammed shut, so I stayed to think about my fate on the docks, in sight of Lady Liberty. I wondered who in my family had immigrated exactly when, as I remain clueless and likely given current states of affairs will go to my grave now as such. Niall went back in to try to look up records on his maternal side. Another ferry, the last. We neared Battery Park and watched the skyline grow.
Our trek up Church Street let us look east down Warren to the gleaming gold-statue topped City Hall. A demonstration had ended, full of gray-haired activists, many women with close-cropped hair, wearing vests with badges and slogans, in their sixties and seventies boarding a pair of coach buses (oddly labeled limousines). Their placards stacked up in the holding bin: "Stop Islamophobia. Israel out of Gaza. Free Palestine. End Zionist Apartheid." (I learned today in the Forward how Judith Butler, a queer theorist from Berkeley of Jewish descent, praised Hamas and Hezbollah as "progressive" organizations of the "global left." The paper's contributors, two LGBT campaigners, wondered how Butler'd fare under a Muslim theocracy.) With more hair, if dyed of course golden, we passed a worse-case scenario. Botox, nose job, and tanning straight off of Real Housewives of Jersey Shore: strutting and yapping as she strode out of a hotel, logoed bags filling each hand, proving there's always a sequel for coiffed and scary admirers of "Sex and the City."
Speaking of earlier civic demonstrations, we wondered how close was the old Irish ghetto Five Points, featured in "Gangs of New York." We saw a good deal of the Financial District. This was Niall's favorite area, being an intrepid walker while his brother slumbered, as I predicted. The next night, they opted for Katz's Deli despite or in spite of combined parental warnings that it'd not live up to their expectations, as they'd feasted at Langer's in L.A., which we all know's the best. (For once, Mom and Dad proved right, as the boys confessed by cellphone during our own, considerably more refined, fare that following evening.)
After the ferry, the four of us ventured to the former Meatpacking District at the West Village's north border. Two Indian women, early twenties, wrangled drunkenly with an Indian man about the same age. "I love you more than both of you," he shouted in equivalent powers of control as they bumped and ground lasciviously against each other, one up against the wall, the two women grappling as the man egged them on. They were loud. It was seven p.m. I realized I did not get out much on the town. I never get out much in any town.
We were there in this hip, but somehow appealingly gentrified, stretch of the beautiful and the damned to meet Layne's film colleague Rosemary at La Gazzetta. Even though I noticed we'd been seated at the back booth next to another family, while blondes and babes filled the window tables and a considerable din, alcohol-fueled, increased as our meal and their cocktails continued from a party of six single white females, I resigned myself to my elder statesman eminence grise. I found no Italian beer that appealing, so I was happy to drink the tap water again as throughout my stay. It lacks the sediment that makes L.A.'s sink drainings so unappealing, and my hair turned out much better under the shower, as it does anywhere else but at home.
Leo and Rosemary talked impressively about cinema, and Niall and I tried to hang in there. Later, we walked starting at Gansevoort St. on the High Line, a former railroad used by the warehouses, now an urban mini-park built on the right-of-way. An elevated promenade for about eight blocks, this impressed me. We could see the dark Hudson, of course, and lit skyscrapers peeked above silent apartments. The photo above taken by Leo's my favorite from many that night there, as if the viewers silhouetted can see the "picture" glass framed as city life below the line, above near16th or 17th Streets, as an endlessly changing flow of images.
Later, we took a cab slanting to the Village's other edge, past Henry James' Washington Square all tree-lined and silent, past NYU, into the once beatnik still hipster enclave. Leo noted Justin Theroux, who happened to be in the just-released dreadful stoner flick "Your Highness," sitting in a cafe window. Along such beats, there I suppose the just-deceased former girlfriend of Bob Dylan depicted on the album cover, Suzi Rotolo, had strolled with the troubadour (about as old as the guitarist on the shuttle bus?), arm in arm, nearly five decades ago. Caffe Reggio (1927), all green paint, was too jammed; Caffe Dante (1915), down MacDougal St. past Bleecker, drew us in. My first cannoli, recommended by our Boston Italian-raised host, pleased me there.
My third full day in the city, hammered by three nights of shouting and carousing by hotel guests slamming doors and yelling guffaws deep into the night and early into the morning, my sleep was off. But, off we went via the Grey Dog and two subways to the MoMA, as I've written about separately so you can see the eight works of art I liked best. After a rest in the hotel, time for our final meal (see my wife's post linked above for a rundown) at Colicchio's and Sons in that same High Line-adjacent district. An appealing place to watch the river and ales both flow. Our waiter, Ryan, was training as a "cicerone," a counterpart to a sommelier, so he knew his brews. We overlooked the river, and sunset accompanied our lovely salmon and standout beers.
The flight home was preceded by a very officious gatekeeper scrutinizing our carry-ons. This would be repeated before we re-boarded in Chicago: neither departure was particularly soothing. I felt sorry for the woman in a wheelchair moved directly in front of me into the "airport-style security" line. That we all had to subject ourselves to such patting and pawing makes me wonder how Professor Butler would lecture us for our imperial, Zionist sins vs. the sacrifices inflicted as well as endured by indigenous, "progressive" saints.
I'm reviewing Atheist Manifesto: The Case Against Christianity, Judaism and Islam. French philosopher Michel Onfray argues that God won't go away soon given our wish-fulfillment fantasies. But, monotheism based on denial of the material and flight to the spiritual should erode: lest we increase ignorance and blood sacrifice. Onfray contrasts how monotheisms born from desert sands conjure lush paradises. Celestial visions lure crusaders, raise or raze walls, seduce suicide bombers. "By aiming for paradise, we lose sight of earth. Hope of a beyond and aspiration to an afterlife engender a sense of futility in the present. If the prospect of getting taken up to paradise generates joy, it is the mindless joy of a baby picked up from his crib."
One worker I passed as he left his shift from the WTC site had embroidered on his day-glo green safety vest over his heart and flag patch "9-11-01: I didn't forgive. I didn't forget." I watched a composed young woman, resembling Natalie Portman, davening out of a tiny blue book she held near her face as she recited softly the prayers for over half an hour; the flight from Newark had many travelers in full Orthodox garb.
I sat next to a man in a modest suit, aging, white, silent. I figured a businessman. No word the entire flight, no book in his hand. Near the end of the flight, he pulled out a humble, stapled booklet in three dozen languages. No illustrations; brochures stuffed in showed a colorful message aimed at passersby or children. One looked as if titled in Tagalog; another for all I know Albanian, Esperanto, or Ruritanian. Vaguely Slakan cognates stumped me. Each page of his polyglot pamphlet repeated an appeal for a Jehovah's Witness to recite while proselytizing. Even Hebrew. The script in English to which he turned was composed in a confident, confiding tone. The last paragraph had a place for the speaker to tell the listener his or her own name, and then to ask the listener for his or her name. This led to an gentle invitation to learn more about the missionary's message.
On the second half of the flight home, I was set among a hijab-clad contingent from O'Hare to LAX. Albeit randomly, this may have marked me as undesirable if not alien, Ellis novel in my hidden hand. Certainly this narrative's devoid of God, but no better for it. A swarthy, bearded but in that icky hirsute way, hipster lay ostentatiously on his tray table a new copy of the late David Foster Wallace's unfinished "The Pale King," all about alienation in a midwestern IRS office, all 560 pages cobbled together from thousands of scattered notes when the author committed suicide. Wallace would have been exactly the same age, born the same year, as Patrick Bateman, Ellis' protagonist. The chairman of the elite college English department where Wallace had tenure (replaced now by Brooklynite fabulist Jonathan Lethem) was a few years ahead of me in grad school, anointed for his ability to charm his elders if not his classmates. The bearded one did not get very far into Wallace's evocation of acedia-- it was bookmarked at the start-- before opting for his I-Pod.
I thought about my wife reading James's droll comedy of mores 150 years before "American Psycho." It's set near the end of the 1980s in that same city. The callow, well-educated but callous (a challenge to convey) protagonist-- in all his pornographic paranoia and grim greed, if leavened for a discerning few who might endure this impersonal, dehumanized, incisive (yes, all the more for its alienated rhetoric and numbed litany) tragicomedy of terrors with deadpan dialogue and gobbets of gallows humor-- turns out to be born a year after me. A terrible story of inflicted pain and endured estrangement, told chillingly and tautly. Its anomic plot unfolds around the same time my wife and I met, ending a year or so before we first landed in Gotham.
A crowded way, both ways. Chicago's layover however brief did not endear me to an airport I've suffered before. The trashcans still had the old mayor's name on it, not the newest, whose profanity levels exceeded even those yuppie scum as Ellis's preppie brokers. But, I was happy to sit next to Layne again the last leg. I ate my pistachios. I piled up the shells neatly bagged in my empty plastic cup for the dour blue-nailed stewardess to pick up with a sneer, as Ellis's narrator hacked up and jacked up his body count in Manhattan.
Labels:
9/11,
activism,
American Literature,
atheism,
beer,
globalization,
immigration,
Irish Americans,
Islam,
Israel,
Judaism,
My book reviews,
New York City,
popular culture,
travel
Monday, December 20, 2010
Choinne dhá pionta go céilí
Fhreastail Léna agus mé go céilí ómós a thabhairt do Pháidín Dé Domhnaigh seo caite. Bhí lá bréithe é aice. Thiomaint muid go teach tábhairne i bPairc Ghlassell in aice leis chomharsanacht againn.
Bheul, chonaic muid Teach Tábhairne Verdugo i dtús báire. Shiúl muid trí an doras tiubh isteach. Bhí sé níos dorcha istigh.
D'ól Léna gloine bpiorra den leann ar dtús. Rinne "Grúdlann Aonghus ag fánaíocht" ag imeall Naomh Didacus é. Bhain sult as aice é go leor.
D'ól mé pionta áitúil le "Grúdlann na gCarraig Iolar" ag glaoite "Forógra." Ach, ní raibh maith liom é, go cinnte. Bhlais mé é. Bhí ro-searbh é orm.
Lhabhairt Léna leis Máití, an stócach seasta Pháidín ar chúrsaí oibre scannán. Bhí mé tanall comhrá a dhéanamh leis sí faoi punk-roc doléir ina tamall fada. Bhí chuimhne léi níos mo de reir, gan amhras.
Chuaigh trucail loin ansin. D'ainmithe "Fostaitheoir Ribe Róibéis" é. D'íth Léna agus mé sceallóga leis iasc. D'alp muid siad is géarr, ceart go leor.
Faoi deireadh, bhí muid ag dulta ar ais faoi choinne pionta aríst isteach. Cheannaigh mé leann dorcha "Siúcra Dubh" le "Grúmlann Lochanna Beag" i gContae Marin i gCalifoirnea ar thuaisceart; roghnaithe Léna beoir Bheilgeach shamhraidh. Rinne sé le "Grúdlann na nGráin Seacht" i bPlacentia. Bhí breá linn beirt óil ann!
Getting a couple of pints at a party.
Layne and I attended a party in honor of Patty last Sunday. It was her birthday. We drove to the pub in Glassell Park near our neighborhood.
Well, we saw Verdugo Bar first of all. We walked in through the thick door. It was very dark inside.
Layne drank a pint of pear cider to start. "Wandering Aengus Brewery" around San Diego made it. She enjoyed it a lot.
I drank a local pint from "Eagle Rock Brewery" called "Manifesto." But, it did not please me, certainly. I tasted it. It was too sour for me.
Layne and Matt, Patty's steady boyfriend, talked about film work. I was making conversation with her about obscure punk-rock long ago. She had a very good memory on this account, no doubt.
A lunch truck came there. It was named "Shrimp Pimp." Layne and I ate fish and chips. We gobbled them rapidly, sure enough.
Later, we went for another pint again back inside. I bought a "Brown Sugar" dark ale from Lagunitas (~"little lakes") Brewery from Marin County in Northern California; Layne selected a Belgian summer beer (saison). It was made by "Seven Grains Brewery" in Placentia. We loved the pair of drinks there.
Bheul, chonaic muid Teach Tábhairne Verdugo i dtús báire. Shiúl muid trí an doras tiubh isteach. Bhí sé níos dorcha istigh.
D'ól Léna gloine bpiorra den leann ar dtús. Rinne "Grúdlann Aonghus ag fánaíocht" ag imeall Naomh Didacus é. Bhain sult as aice é go leor.
D'ól mé pionta áitúil le "Grúdlann na gCarraig Iolar" ag glaoite "Forógra." Ach, ní raibh maith liom é, go cinnte. Bhlais mé é. Bhí ro-searbh é orm.
Lhabhairt Léna leis Máití, an stócach seasta Pháidín ar chúrsaí oibre scannán. Bhí mé tanall comhrá a dhéanamh leis sí faoi punk-roc doléir ina tamall fada. Bhí chuimhne léi níos mo de reir, gan amhras.
Chuaigh trucail loin ansin. D'ainmithe "Fostaitheoir Ribe Róibéis" é. D'íth Léna agus mé sceallóga leis iasc. D'alp muid siad is géarr, ceart go leor.
Faoi deireadh, bhí muid ag dulta ar ais faoi choinne pionta aríst isteach. Cheannaigh mé leann dorcha "Siúcra Dubh" le "Grúmlann Lochanna Beag" i gContae Marin i gCalifoirnea ar thuaisceart; roghnaithe Léna beoir Bheilgeach shamhraidh. Rinne sé le "Grúdlann na nGráin Seacht" i bPlacentia. Bhí breá linn beirt óil ann!
Getting a couple of pints at a party.
Layne and I attended a party in honor of Patty last Sunday. It was her birthday. We drove to the pub in Glassell Park near our neighborhood.
Well, we saw Verdugo Bar first of all. We walked in through the thick door. It was very dark inside.
Layne drank a pint of pear cider to start. "Wandering Aengus Brewery" around San Diego made it. She enjoyed it a lot.
I drank a local pint from "Eagle Rock Brewery" called "Manifesto." But, it did not please me, certainly. I tasted it. It was too sour for me.
Layne and Matt, Patty's steady boyfriend, talked about film work. I was making conversation with her about obscure punk-rock long ago. She had a very good memory on this account, no doubt.
A lunch truck came there. It was named "Shrimp Pimp." Layne and I ate fish and chips. We gobbled them rapidly, sure enough.
Later, we went for another pint again back inside. I bought a "Brown Sugar" dark ale from Lagunitas (~"little lakes") Brewery from Marin County in Northern California; Layne selected a Belgian summer beer (saison). It was made by "Seven Grains Brewery" in Placentia. We loved the pair of drinks there.
Wednesday, December 8, 2010
Chögyam Trungpa's "The Heart of the Buddha": Book Review
Trungpa Rinpoche's controversial "crazy wisdom" methods of cutting through "spiritual materialism" to penetrate the superficially captivated, shopping-mall mentality of his Western audiences with the essence of Tibetan Buddhism aroused much attention before his early death in 1987. However, the calmer moods of his philosophical and doctrinal instructions, addressing both those practicing and those unfamiliar with the stages on the path, may have been overlooked by those not his patient followers. Fifteen talks and essays, compiled from previously published articles and edited by Judith L. Lief, present an accessible overview of the relevance of the diamond-hard Vajrayana "vehicle" of Tibetan practice that follows the "Hinayana" approach to one's own transformation and the "Mahayana" expansion from one's self to the concerns of other sentient beings.
Edited along the model of these three varieties of Buddhism, the division of these talks and articles begins with those oriented towards the individual. The "Hinayana" aspect expresses the "heart of the Buddha." That is, an intrinsic nature of goodness that humans are automatically born with. New wisdom does not enter by revelation from above or imposition by dogma; Chögyam Trungpa insists that awakening to one's own freedom is how humans discover their own inner "buddha-nature."
He compares this liberation into possibility to a gifted child, whose genius found itself constantly undermined by a society bent on reducing young talent to mediocrity. Parents embarrassed by a prodigy might shut down the expression of a little one's unconventionality. Trungpa tells his listeners that they are like these parents, and then the cowed child, who suppresses innate capabilities. Buddhism urges people to break out of habits and to seek mindfulness that connects one to the larger world, to ease suffering of all beings, and to contribute to the development of one's equanimity, with precision, compassion, and joy.
Such mindfulness shatters the feeling of suffering and dissatisfaction that appears so natural: "Life has the quality of a game of ours that has trapped us." Trungpa by teaching the "Vajrayana" path draws the seeker out of one's self, once the necessity of awareness of the liberating potential of Buddhism has been accepted. The "sharpness" that is at the root of the "vajra" term cuts through illusion. It forces the meditator to face reality not as projected from one's own mistaken perceptions of solidity, but reality as transitory.
A wide-ranging chapter on devotion, to a guru, to a discipline, to a commitment to change one's attitude through the guidance of a spiritual friend, conveys the reaching out from self to others on a level that Tibetan Buddhism exemplifies. The transmission of dharma began orally, from master to disciple, and over generations, this chain of how the historical Buddha's words have been shared thus connects those two-and-a-half thousand years apart. Trungpa's spoken words, here recorded, continue this ancient and durable form of how the dharma in Tibet and Asia has been preserved in face-to-face discussions.
He notes how these dharma teachings have been channeled, expanded, and tested between practitioners for thousands of years. If the Buddha, born mortal, could gain enlightenment by his own willpower, so, Trungpa reasons, can any human. While books accumulate these sayings, intellectuals may put texts aside. Scholars may seek out beggars to understand how the dharma evolves into everyday practice. The example of such a skilled teacher helps the new student.
Trungpa makes the analogy of a spiritual friend to a fine baker from a long line of bakers. The secrets for good bread get passed on over many years. The baker today continues the tradition. "The loaf he gives us to sample was not preserved throughout the generations as an antique; it is not a museum piece. This loaf has been baked fresh and is now hot, wholesome, and nourishing. It is an example of what freshness can be."
Buddhism therefore is both venerable and lively. Later, in a discussion of "taking refuge" in accepting dharma, Trungpa imagines this advanced vow taken to follow Buddha's example, and to practice the precepts while part of the community, as indicative of the resources of which a newcomer can partake. The supportive fellowship extended to the "refugee" resembles yeast "put into a batch of hundreds of grains of barley. Each grain begins to fill up with yeast, until finally there is a huge, beautiful, gigantic vat of beer. Everything is yeasted completely; each one of the grains has become powerful individually--so the whole thing becomes a real world."
These wholesome metaphors enrich presentation of daunting concepts. When Trungpa expounds on "taking refuge," he warns of the loneliness that this entails. No savior, no help from above awaits. Yet this existential honesty, this non-theistic confrontation with the fear and reality of non-existence rather than eternity, impels the practitioner to "get on a train that is without reverse and without brakes." One boards the moving train, one that has been set in motion centuries ago. From now on, redemption and salvation, damnation and condemnation fade away. On the horizon? Facing confusion, and overcoming it. The path is there, the spiritual friend directs, and the journey continues along the same rugged but direct route laid out 2500 years ago.
Essays stretch out from here into higher realms. The boddhisattva vow of taking on the liberation of all other beings before one enters enlightenment pulls the "refugee" away from self-concern to the care for the wellbeing of everyone else. Trungpa warns of this demanding challenge, for one's privacy vanishes, and one's personal concerns give way to an uncertain, unending openness to the needs of others. Vajrayogini practices of the tantra, often misunderstood by Westerners, are here explained as symbolic.
This material precedes the third section of this anthology. Intriguingly, the more relevant to daily life the later talks turn, the more they may unsettle the worldly reader. Relationships, in Trungpa's iconoclastic outlook, deserve to fall apart. Good manners and dignity themselves get undermined as humanistic convention and mind-games; eternity in a theistic sense also dissolves. Death must be acknowledged without hope for our personal survival; sickness can be blamed on a lack of caring for ourselves, whether being hit by a car or catching a cold. Trungpa blames "some kind of loss of interest and attention" for those who become ill or injured. He claims a "psychological responsibility" by the sufferer who lets the appeal of the body go unheeded. "Illness brings us down to earth, making things seem much more direct and immediate."
Trungpa died at forty-seven, his end hastened by drinking. His reflection "Alcohol as Medicine or Poison" fifteen years previous, therefore, takes on significance. He refers to Gurdjieff's "conscious drinking" advice as a model. A yogi, Trungpa suggests, might need to be brought down from a trance about nonduality back into the mundane via a stiff libation. The world demands that he pay attention to it, so drinking may ease communication. Rather than stick to the Buddhist prohibition against intoxicants as a blanket ban, Trungpa perceives the attraction and temptation one has towards alcohol as the wrong; the effects, he conjectures, may prove more ameliorative as they ease pain and heighten pleasure. They may give the "conscious drinker" using "skillful means" a way to lose attachment to one's self, and hasten freedom--and perhaps glean a glimpse of "the cosmic orgasm of mahasukha," or ultimate delight.
Other talks discuss money's lure; dharma poetics; enlightenment and "first thought, best thought”; the Bön way of life in this pre-Buddhist Tibetan religion, and the intricacies of the Vajrayogini shrine's construction and elements. For a beginner, most of this material will be too advanced. While Trungpa surveys the essentials of Buddhism, he assumes for thirteen of these entries that his audience is well on their way along the path of the dharma teachings. An address to children lightens the tone with his good-natured questions and answers; a brief talk to Christian monastics offers a relaxed conversation with his contemplative counterparts.
No glossary is appended, but the index parenthetically (if tersely) defines terms. Lief's brief forward notes the inclusion of both introductory and technical essays but without elaboration. For instance, background on the context of Trungpa's two compositions on 1972 retreat, about alcohol and relationships, might explain their gnomic, enigmatic mood, which differs from more straightforward entries as spoken to audiences. Still, despite the scanty editorial apparatus, this collection succeeds in how Trungpa's entries "embody the living quality of oral transmission and the importance of discussion and dialogue between student and teacher."(Published Nov. 23, 2010 in the New York Journal of Books; posted to Amazon US in briefer form Nov. 30, 2010 & Lunch.com Dec. 5, 2010.)
Edited along the model of these three varieties of Buddhism, the division of these talks and articles begins with those oriented towards the individual. The "Hinayana" aspect expresses the "heart of the Buddha." That is, an intrinsic nature of goodness that humans are automatically born with. New wisdom does not enter by revelation from above or imposition by dogma; Chögyam Trungpa insists that awakening to one's own freedom is how humans discover their own inner "buddha-nature."
He compares this liberation into possibility to a gifted child, whose genius found itself constantly undermined by a society bent on reducing young talent to mediocrity. Parents embarrassed by a prodigy might shut down the expression of a little one's unconventionality. Trungpa tells his listeners that they are like these parents, and then the cowed child, who suppresses innate capabilities. Buddhism urges people to break out of habits and to seek mindfulness that connects one to the larger world, to ease suffering of all beings, and to contribute to the development of one's equanimity, with precision, compassion, and joy.
Such mindfulness shatters the feeling of suffering and dissatisfaction that appears so natural: "Life has the quality of a game of ours that has trapped us." Trungpa by teaching the "Vajrayana" path draws the seeker out of one's self, once the necessity of awareness of the liberating potential of Buddhism has been accepted. The "sharpness" that is at the root of the "vajra" term cuts through illusion. It forces the meditator to face reality not as projected from one's own mistaken perceptions of solidity, but reality as transitory.
A wide-ranging chapter on devotion, to a guru, to a discipline, to a commitment to change one's attitude through the guidance of a spiritual friend, conveys the reaching out from self to others on a level that Tibetan Buddhism exemplifies. The transmission of dharma began orally, from master to disciple, and over generations, this chain of how the historical Buddha's words have been shared thus connects those two-and-a-half thousand years apart. Trungpa's spoken words, here recorded, continue this ancient and durable form of how the dharma in Tibet and Asia has been preserved in face-to-face discussions.
He notes how these dharma teachings have been channeled, expanded, and tested between practitioners for thousands of years. If the Buddha, born mortal, could gain enlightenment by his own willpower, so, Trungpa reasons, can any human. While books accumulate these sayings, intellectuals may put texts aside. Scholars may seek out beggars to understand how the dharma evolves into everyday practice. The example of such a skilled teacher helps the new student.
Trungpa makes the analogy of a spiritual friend to a fine baker from a long line of bakers. The secrets for good bread get passed on over many years. The baker today continues the tradition. "The loaf he gives us to sample was not preserved throughout the generations as an antique; it is not a museum piece. This loaf has been baked fresh and is now hot, wholesome, and nourishing. It is an example of what freshness can be."
Buddhism therefore is both venerable and lively. Later, in a discussion of "taking refuge" in accepting dharma, Trungpa imagines this advanced vow taken to follow Buddha's example, and to practice the precepts while part of the community, as indicative of the resources of which a newcomer can partake. The supportive fellowship extended to the "refugee" resembles yeast "put into a batch of hundreds of grains of barley. Each grain begins to fill up with yeast, until finally there is a huge, beautiful, gigantic vat of beer. Everything is yeasted completely; each one of the grains has become powerful individually--so the whole thing becomes a real world."
These wholesome metaphors enrich presentation of daunting concepts. When Trungpa expounds on "taking refuge," he warns of the loneliness that this entails. No savior, no help from above awaits. Yet this existential honesty, this non-theistic confrontation with the fear and reality of non-existence rather than eternity, impels the practitioner to "get on a train that is without reverse and without brakes." One boards the moving train, one that has been set in motion centuries ago. From now on, redemption and salvation, damnation and condemnation fade away. On the horizon? Facing confusion, and overcoming it. The path is there, the spiritual friend directs, and the journey continues along the same rugged but direct route laid out 2500 years ago.
Essays stretch out from here into higher realms. The boddhisattva vow of taking on the liberation of all other beings before one enters enlightenment pulls the "refugee" away from self-concern to the care for the wellbeing of everyone else. Trungpa warns of this demanding challenge, for one's privacy vanishes, and one's personal concerns give way to an uncertain, unending openness to the needs of others. Vajrayogini practices of the tantra, often misunderstood by Westerners, are here explained as symbolic.
This material precedes the third section of this anthology. Intriguingly, the more relevant to daily life the later talks turn, the more they may unsettle the worldly reader. Relationships, in Trungpa's iconoclastic outlook, deserve to fall apart. Good manners and dignity themselves get undermined as humanistic convention and mind-games; eternity in a theistic sense also dissolves. Death must be acknowledged without hope for our personal survival; sickness can be blamed on a lack of caring for ourselves, whether being hit by a car or catching a cold. Trungpa blames "some kind of loss of interest and attention" for those who become ill or injured. He claims a "psychological responsibility" by the sufferer who lets the appeal of the body go unheeded. "Illness brings us down to earth, making things seem much more direct and immediate."
Trungpa died at forty-seven, his end hastened by drinking. His reflection "Alcohol as Medicine or Poison" fifteen years previous, therefore, takes on significance. He refers to Gurdjieff's "conscious drinking" advice as a model. A yogi, Trungpa suggests, might need to be brought down from a trance about nonduality back into the mundane via a stiff libation. The world demands that he pay attention to it, so drinking may ease communication. Rather than stick to the Buddhist prohibition against intoxicants as a blanket ban, Trungpa perceives the attraction and temptation one has towards alcohol as the wrong; the effects, he conjectures, may prove more ameliorative as they ease pain and heighten pleasure. They may give the "conscious drinker" using "skillful means" a way to lose attachment to one's self, and hasten freedom--and perhaps glean a glimpse of "the cosmic orgasm of mahasukha," or ultimate delight.
Other talks discuss money's lure; dharma poetics; enlightenment and "first thought, best thought”; the Bön way of life in this pre-Buddhist Tibetan religion, and the intricacies of the Vajrayogini shrine's construction and elements. For a beginner, most of this material will be too advanced. While Trungpa surveys the essentials of Buddhism, he assumes for thirteen of these entries that his audience is well on their way along the path of the dharma teachings. An address to children lightens the tone with his good-natured questions and answers; a brief talk to Christian monastics offers a relaxed conversation with his contemplative counterparts.
No glossary is appended, but the index parenthetically (if tersely) defines terms. Lief's brief forward notes the inclusion of both introductory and technical essays but without elaboration. For instance, background on the context of Trungpa's two compositions on 1972 retreat, about alcohol and relationships, might explain their gnomic, enigmatic mood, which differs from more straightforward entries as spoken to audiences. Still, despite the scanty editorial apparatus, this collection succeeds in how Trungpa's entries "embody the living quality of oral transmission and the importance of discussion and dialogue between student and teacher."(Published Nov. 23, 2010 in the New York Journal of Books; posted to Amazon US in briefer form Nov. 30, 2010 & Lunch.com Dec. 5, 2010.)
Tuesday, July 6, 2010
Our road trip, Summer '10
We left for our semi-annual road trip north with what's become a ritual. This time, after a few hours on the freeway, we departed, found the back road that is strangely Highway One at its southerly stretch, and then after a dozen miles of calming farms we stopped. La Simpatica being closed for seismic repairs as was our second choice, El Tapatio, in the farmworker town of Guadalupe at La Fogata. That my family walked a half-mile (the Bataan death march for my teen sons) back to where I'd insisted I'd seen a yellow building and a sign promising homemade tortillas testifies to their appetites after a long stint in the car. My mahi-mahi lacked beans and the rice was blah, but the fish proved fine and the Negra Modelo refreshing. There was a drive-in lane outside but a truck parked in front of a sign made it look abandoned. I noted for all its "Dog Burger" option, but that was a frankfurter-enhanced patty, I admit.
Niall did not find, this a few days after doomed defeat of my non-hometown Celtics to my hometown Lakers, his size for the t-shirt celebrating those tiresome champs, but I noted at Masimoto market an elderly Japanese man shuffling back to the door next to said apparel on the sidewalk. I wondered if he was the owner, as a younger Asian man in this totally Latino town worked the counter. I figured odds were very good. I wondered how long the family had been there in this place, and what they'd seen from their spot on the main road over the decades where little seemed to change.
But it surely did. Central coastal California fills with those like us weary of L.A. Each visit, it seems there's a bit less farmland and yet more concrete.
More subdivisions sprout even in Guadalupe, let alone golf-linked Nipomo behind the eucalyptus at the right-angled turn, and each trip sprawl spreads along the 101 and the 5. The stores in the interior we pass this time, Camarillo, Oxnard, Ventura, Orcutt, Atascadero, Paso Robles, King City, Greenfield, Soledad, Salinas: they turn identical. Only the grocery stores shift to Safeway from Vons, the one regional quirk among the Applebee's, Starbucks, Taco Bells, Jamba Juices, Carl's Jrs., and the same gas stations that we must patronize, despite our mandated (largely by me by paternal dictate) dislike for chains and franchises.
When it comes to filling up tanks and carts, markets and oil companies seem to compel all but the few holdouts affluent enough and/or living outside the law, who ride bikes in the sylvan college towns, like Davis, Berkeley, or Santa Cruz. A few principled sorts can resist the Combine, saving their money for designer eco-gear, artisan eclairs, or raw-vegan organica. The rest of us suck up fossil fuels, push through aisles stocked with preservers on pallets, and return to less quirky, mostly less funky or even less hi-tech, jobs requiring often oddly more formal wear.
We stayed to give the kids a treat in San Luis Obispo at the pink-daubed faux-fairy tale fake-turreted Madonna Inn, but that edifice now adjoined a shopping mall on land the crafty owners had developed among the horse pastures and rolling landscape called Irish Hills. Now, as for most of the inland, sunbaked year, those slopes looked more like scorched muffins than gentle drumlins. In our themed room, as they all are but on hundreds of different motifs, we had a comfortable nook to unwind. Although I could hear 101's traffic, the site felt less kitschy and more endearing than I'd remembered. We noticed, or my wife did, Asian lesbians in the coffee shop; informants who know more than even she about such told us Cambria for fishing and Morro Bay for bikers attracts the sapphic set. Our Sky Room featured delicate clouds as stencils, and the Alpine washed blue blended well into the Gothic stone feel of the place. It reminded me of "The Sound of Music" meets La Grande Chartreuse, the motherhouse of Carthusians in that most strict of all monastic orders.
We, unlike at an ascetic hermitage, encountered a strong shower, a bidet, and heated toilet seat. I forgot to use the latter two, but my family surely did as I could hear their squeals behind the bathroom door. We elders had a loft forced to occupy as the kids insisted on the tv and king-size bed below. As the upstairs beam was poorly placed for those wayfarers over six feet tall (beware, booted and/or heeled lesbians) I kept slamming my head, as my wife dutifully chronicled in her own blog entry. Winded by the fourth blow, I lay down on the floor, but no bumps, oddly. Thus I celebrated my birthday, seven-squared so I figured it was luck, if inverted.
We made it north of Santa Cruz, hit the New Leaf with its high-priced fare, but I did find an ethical tea as advertised from Ceylon that I tried varieties of, Dilmah. I read William McGowan's harrowing account of Sri Lanka, "Only Man Is Vile," not too long ago. I wanted to support the resurgency-- not of Tamil Tigers or Sinhalese troops, but of the native tea industry devastated by civil war. I looked as is my want in strange markets for beers I'd never sipped. I bought a few.
To our friends Chris and Bob, we arrived, and my birthday dinner featured a special limited edition brew from (speaking of monks) an imitation Belgian-type Lost Abbey purveyor from San Marcos, CA (the same place as the great Stone brewers, which made me wonder about a shared plant). The most expensive bottle I'd ever had, but as I rationalized, the fanciest beer in the world can be bought at the price of a decent (for my tight budget) wine. It resembles Sam Adams bock in the blue bottles, that is, brandy. You'd never mistake it for beer if blindfolded. Complex concoction, but not really what you'd expect as ale. I bet it's more sipped than quaffed.
Leo and our hosts went off to hear Pavement on their reunion tour up at Berkeley, a long rush-hour drive. Niall and Layne and I hung out and relaxed. I kept eating cherries from the Prunedale market we'd bought on the way over; they were the best I'd ever tasted. Otherwise, I had no recollection of what we did that night. I pawed back issues of the New York Review of Books, played with the dogs, and wandered the net. Don't blame the brew for my vagueness as we all waited up for the other trio to return. For the record from the next day, the Eel River Tangerine wheat beer, three adults agreed, kept admirably a balance of fruit and tartness that often fails in blends, and I recommend it.
Around this time, I finished Martin Amis' "The Information" (1995). I found its remarks about the end of the novel appropriate even before the rise of this medium you and I share now. The narrator relates seasons to literary genres. He tells how the novel's weary of itself, reduced in its dotage to writing about writers. The tale veers from astronomical analogies to revenge thriller to satire of, yes, the publishing, promotional, and reviewing sides of bookselling. Hundreds of pages passed with you finding out nearly nothing of the protagonist's wife or the antagonist's prose style which in his superficial utopian story sent him into the literary stratosphere. Amis crams three novels into one. While it started off with the proverbial bang, it fizzled and sputtered long before its climax, when the sexual surprise revealed itself to be for me a damp squib rather than a payoff shot full of fireworks. But perhaps this was a metaphor for the whole narrative enterprise, which felt flaccid, lackluster, and bored of itself.
Next night, Niall got to stay home again, but the rest of us went to hear one of our favorite bands. For my money the most consistently talented and longest successful (not in acclaim or sales but in solid records) band of the era, Yo La Tengo. This indie rock trio from New Jersey played at Left Coast Live, a San Jose street fair very underadvertised. We got within three or four people of the front, and watched them as the moon rose behind the bassist. While my bad knee ached as the amps pounded into my legs that could not move much, and my ears rumbled as I never could take concert-level sound, I enjoyed seeing them, despite their recent forays into bossa-nova. That was a respite from their trademark folkie-jangle meets guitar feedback + pounding drums + steady bass delivery of extended riffs based on the Velvets or the Kinks or punk-pop that never get bored of themselves.
The next day we drove up to Sacramento. For the car, I borrowed Bob and Chris's copy of Cormac McCarthy's "The Road," which I'd fantasized resembled the decaying lane near their house, more below about that. The titular thoroughfare did not match the eroded byway as the interstates in the apocalyptic aftermath survived better at least in the short term of the horrific tale, but it did put my own worries into perspective as I'd angled after a notification e-mailed from my work threw me off my hard-earned relative balance. Unlike Amis, McCarthy relished telling his simpler story, and it stayed alive. Its prose-poetry stayed powerful, and the book left me curious how the movie did or did not live up to the harrowing saga McCarthy crafted.
As our pre-apocalyptic predicament, I watched the endless raw incursions of Contra Costa, the exurbs of the Bay Area, full of tall homes and sheared hills. Dublin looked as lackluster as Joseph O'Connor commemorated it in his excursion to all U.S. places named after his hometown, in "Sweet America." Pleasanton defies its name, a monument to ugly corporate buildings plonked as if by toddlers in lots among fields of stubble and brush. Danville, Martinez, Dixon, Vacaville, Fairfield, Roseville, Rocklin, Auburn may have enchanted emigrants making their way from the coast to the mines 150 years ago, but they all looked the same.
Did whatever the miners jerry-build look as out of place among hacked stumps and trashed meadows? All Californian stake a claim to the Gold Rush mentality, the eagerness to build a cabin, hammer a fence, cash it in. Forty million of us, and most of us still demand open space, a lush estate, a grand carriage. In a century, will we regard office parks and big-box stores as nostalgic? Lots erected as if yesterday, the same lack of context or culture that covers our colonized continent, outside of the shiny courthouse dome and the brave attempt at a preserved street in that last town where we left the interstate, a remnant of Gold Rush treasures.
The streets were empty and we saw the State Capitol's golden, yes, dome. We entered the city on a golden-painted bridge over the American River. We walked under searing heat in Sacramento's Old Town restored, peeked at the Wells Fargo Museum, marvelled at the artifacts, and ate a surprisingly solid meal (given a tourist-trap risk) at Fat City, on the site of the first market in the city, 1849, founded by one Samuel Brennan, undoubtedly an Hibernian emigre. That's how Levi Strauss got rich-- selling denim to the miners rather than chasing down another measly grubstake. The Fat family runs, the menu mentioned, half-a-dozen eateries around the capital, and my Old Thumper English Ale was excellent, wherever it came from up the delta to the hot valley.
A coupon for a free sample of candy lured us in to the mercantile emporium that may be for now as lucrative as was the stagecoach and Pony Express for earlier strollers there. I tried maple and rum taffy and a Mary Jane, which tasted sort of like my favored Bit o' Honey, which my wife bought for me along with other mysterious brands she then kept to herself. I never got any. I found wrappers in bed and in the washing machine.
Off to Grass Valley next, to see my wife's niece and her husband. The last time I'd been to this historic foothill town, their daughter was still a teen, and the weather was near a hundred. The temperature was the same now, but she's now engaged and living not far from us in L.A., where she works with the Upright Citizen's Brigade comedy improv ensemble at their theater. We stayed at a motel up Main Street and walked down a steep decline into the heart of its intact Gold Rush district.
Lola Montez, a captivating Irish-born (as Eliza Gilbert) companion to the nobility and long-reigning chanteuse, an formidably astute "actress-model-whatever" who'd now have her own reality show, lived down Mill Street 1852-55. Bruce Seymour, as my blog on the right lists this among my favorite reads, masterfully tells her saga. No relation to the Italian-Swiss innkeeper family, Madonna-- and Lady Gaga-- owe Lola shout-outs. She danced the "Black Widow," and I wondered how erotic it was compared to a gal festooned with rosaries over lace bustiers, or another Italian American tarted up in gawky fashion disasters. I walked past the house where that earlier paragon of reinventing one's sexual persona as a vamping, knowing, voracious celebrity had kept a bear. The gate was slightly ajar.
Up the block, three brothels survived into at least the Depression to serve the miners; not to mention the "houses of joy" in the large Chinatown-- a feature of many small hamlets turned boomtowns, ten thousand or so in the pioneer heyday about the same as the numbers today. Now, commuters endure the three-hour drive each way to the Bay Area so as to be able to live in these handsome Victorians-- if somewhat I trust cheaper than the Painted Ladies in San Francisco. Silicon Valley money must infiltrate these counties, where we passed immense gated subdivisions nestled by lakes. For the rest of the folks, same as ever, it's tough to make a living in the hills. Even as I later found on this vacation, a relative of a host tried to grow pot in these mountains and live off the proceeds; like arriviste entrepreneurs then as now he forgot he lacked buds-as-customers to sell his stash to.
I wondered about this cash flow as we ate at three places in town. Another way to make it in a boom: sell food to those who follow you. Designated a charming town, tourists come. Recently fewer, I estimated. A boomlet-- fueled by Silicon Valley and Bay Area money in many cases-- in wineries courted trade, but the Holiday Inn on the site of the old Chinatown did little for me to arouse aesthetics or credit for blending in to the humbler facades around it. All the same, I welcomed the chance to enter 49'er-era buildings erected over a century before my own newly 49-year-old bones were assembled. Tofarelli's on the site of an 1859 market served good pasta, well flavored. My kids had half-touched bowls I wanted to finish.
But the beers, Sierra Nevada Summerfest and my wife's Alaska Summer Ale, or vice versa as the server did not bother to tell us the difference, tasted flat and lacked verve. A tiresome man boasted in a voice filling the mostly empty brick-lined room of his mechanical and financial exploits for what felt like hours. Two women of a certain age if not yet mine lingered at the bar and waited for what or whom I could not hear. An old couple came in as the distaff half squawked: "You never wait for me to sit down" even though he cradled a walker. There was a notice posted by its door by a businesswoman looking for legit, non-horizontal transactions: "in these economical hard times..." I did not read on.
At Diego's the next night, a short jaunt from the home of my wife's relatives, in turn a half-mile from the motel, it reminded me of what I had not experienced for many years, decades even: being able to navigate where you live to eat, shop, and work without needing a car or public transit. My wife's niece walks to work, a few blocks away. I wondered how my life would slow in such a town as I ate hearty Chilean-based cuisine; the Lagunitas IPA predictably's bold. Chris later gave me a Wilco Tango Foxtrot Stimulus Recovery Ale that true to the brand packed a wallop, as Lagunitas tends to deliver.
Evening three we passed a women's softball game at the park. We walked to the building across the street. It had been, our hosts told us, formerly the Duck Inn, a joint where pool tables rested on crooked wooden floors. Now it was spotless, airy, and spacious. We trooped upstairs. Spain-Portugal World Cup game flashed in silence. Even for a soccer fan like me, the only one at the table, a dull match. Our tattooed, lively, punkish waiter anticipated the Giants game but we informed him that (at least some of us) were Dodger loyalists, and he cringed. The game the previous night saw the boys in blue triumphant, as would this one. I recalled two years ago to nearly the day: we in the park in SF, magnificent view of the bay, as 40,000 screamed all around us "BEAT L.A.!" And that came to pass.
Well, at Goomba's: pizza emerged truly rustic, no weird imprint of the pan on the bottom of pre-fab dough. I liked Oregon's Deschutes Mirror Pond pale ale, reminding me of a Belgian Duvel almost in its red-brick depth. Made me wish for real Cascadian climates as the summer heat endured and the game ended, with revellers looking like firemen with great miner-era mustaches, requesting rounds of Coors or some swill.
Our residence was set near a field. It looked as if stakes for vines were being set up. A cross loomed over the back window from the Lutheran church. My sons saw a deer over the fence as we left; a novelty for us. Formerly Sierra Motor Inn from the key, now boosted into Sierra Mountain Inn, the place looked immaculate. Even if the proprietress had no conditioner for my children's demands, no bath gel, and only two forks and two knives to accompany the one bowl and plate that supplied our kitchen. The sheets were not changed, but towels were replaced. I could hear the neighbors coughing all night behind the thin wall. A third way you make money in a boom: sell rooms to those who show up looking for get-rich or back-to-nature quick fixes. My wife's niece told us this site was a homeless shelter before its conversion.
One night in our room, diversions being less than in Gold Rush days for us sober married types, we watched a show I'd never seen, it being the dregs for us of no cable: "To Catch a Predator." Some episodes took place in the city where I teach, and I reflected on how the males trapped could have been my students. The program capitalizes on men who after chatting online with girls who claim to be thirteen set up a rendezvous at "her house," complete with suburban hot tub. They enter, go around back, she as decoy retreats after brief greetings to "change." Then the blazered host-- with a lockjaw accent that I in my Angeleno ignorance imagine sounds like Tom Wolfe's Yale classmates, "Love Story," early Philip Roth or all of John Cheever-- comes on to recite didactically said suspect's incriminating sex-talk transcribed by our enforcers of law and order. The sting made me uneasy; I don't like entrapment, and it preyed on lonely men if for purportedly just ends. As my wife observed, you don't go after the whores but the johns to clean up the block, but I wondered if these men's actions really constituted "attempting a lewd act upon a minor." I leave this to more conniving, judicial or calculating minds than my own.
A few minutes from that motel, you can find Lotta Crabtree's house; she was the protege of Madonna as Lola, who lived on the same street. Lotta's first appearance as the Lady Gaga of the mid-19c supposedly was dancing on the anvil at Flippin's Blacksmith, in nearby Rough & Ready. She grew up to become her own famous performer, and I wondered in Gold Rush times how miners and mulers regarded their versions of "Toddlers in Tiaras," comely come-ons from minors.
Off camera, two cats rested outside, free of hot tub props or Internet trolls, under an umbrella against the foothill glare. Perhaps they were feline descendants of those who sidled around the ankles of Lola or Lotta, dashing away from a bear. Air conditioners whirred as Main Street hissed of tires that never stopped until the middle of the night. This on a byroad to the highway for Marysville, I could not figure out why so many cars and trucks took this route. Maybe they were commuters to the gated lakeside stucco mansions.
Our journey up into the Sierras and maybe nicer weather took us first through the Rough and Ready, a hamlet back in 1850 that briefly seceded from the Union over a miner's tax reminiscent of the Tea Party's reactions today. We passed those lakeside new mansions and more dismal construction. I glimpsed a sign for Ananda, the breakaway sect of the New Age SRF who occupies the hillside estate a mile from our house. Then on down a curving declivity to the 250-foot covered bridge over the Yuba River, where Layne took this blog's photo of me looking out as I rested in the cool interior. I gazed out over a vista nearly identical to that seen by Gold Rush riders, who paid Wells Fargo-equivalents of bullion for the steep crossing fare.
We saw French Corral, with its Wells Fargo ruin of an office. Did the Pony Express stop here in 1856? Equestrian countryside surrounded us. I then recalled a cyberfriend lived nearby; I wondered which horses might be his.
Slowly, we drove up the well-named Pleasant Valley Road back to Highway 49 at North San Juan, near the pot growers and Gary Snyder's own homestead, the Beat guru whom I blame or name for alerting hippies, dealers, and dot.commers about this region. I'd been up here once, to the Malakoff Diggings torn out of the mountains for gold, hearing the Anita Hill-Clarence Thomas proceedings on the radio back then, surreally. Back then, we got a flat tire on the rental car; three separate cars stopped to ask if we needed help. I hope people would be as friendly now twenty years on, or that I'd be to them.
Sierra County even at the end of June, high up around 8000 feet on its buttes showed some snow, and we followed the Yuba's fork for most of the drive. We passed a Sierra Shangri La so named that appealed to me, cabins by the creek, and then another Sierra something with a rope-bridge over the less-than-rapids. Chris later told me that this was the height of the water, which I did not expect, so I guess the Yuba does not get that turbulent. But from the still-standing snowplow markers, with their own height, I reckoned that snow gets pretty deep up here in a long winter. The weather that day, even under fifty-odd miles of trees roadside, stayed warm.
We dipped into Downieville's tidy bends, Sierra City's faintly Swiss echoes, and down Yuba Pass (6,600 feet) into Sierra Valley, the largest Alpine meadow on the continent, where Sierraville (get the drift?) languished despite a sign for pies I wistfully noted, and then to lunch in Loyalton, pop. 850 or so, where we looked in vain for a bathroom at City Park and Museum, but where we ate, without bathroom, at the only place open in this half-inviting, half-forlorn ranching stop founded by Swiss-Italians, Rhonda's Lil' Frosty.
The sun beat down. This felt more like the Old West than the Sierras. We had crossed the Pacific Crest and the divide between coast and mountain, interior and range, had given way to the other side before whatever the Gold Rush pioneers had come west to find. The desert neared on the harsher air and in the wide-open landscape.
Road workers lined up for burgers; kids wheeled by for drinks; men scarfed soft-serve; we waited nearly half an hour for what were indeed flavorful fries, and my cod basket no matter how far from the ocean proved worthy of my patience. We'd watched one dog chase another, led on a leash by her owner as she biked down the main street. Then, a few minutes later, that free dog ran back up the street, on his own. Loyalton's little children played, summer at last. They teased each other, two boys vs. two girls, and I reflected how in caretaker nanny L.A. that in many neighborhoods you'd sit a long time before seeing kids on bikes all alone anymore.
You'd see dogs and bikes and grown-ups, but kids? Not out "unsupervised" without their guardians, or strapped in seats in SUVs. Compare the death march of our two sons in Guadalupe. A half-mile, and I walked back alone to get the car to put it in the lot so as to pick them and their mother up before the meal even arrived!
We returned to Grass Valley, and the next day we left after we bought veggie pasties (it being a local specialty from the days of Cornish miners who may not have hankered for non-meat varieties) on our way back to Santa Cruz. We had to split our stay due to concerts and accommodation demands; but I liked the change in scenery and welcomed a return to cooler weather. It was easily twenty-five degrees less than Grass Valley. We got over the Bonny Doon hill from above SC and when shopping at the first-ever organic berry farm in the state, at Swanton, it was ten degrees lower, around the low 60s, the Pacific air blasting us like a giant fan. We got ready for a night out in another historic, if post-Gold Rush, downtown.
We walked through the Santa Cruz Boardwalk to the beach for a free showing of "The Lost Boys" on an inflatable screen alongside 8,500. We ate the pasties. Next to the screen we could see the Boardwalk's stately stretch in its neon glory, where that silly vampire flick was filmed circa '87. An odd juxtaposition of set with reality, stage with the real, however glamorized in that inimitable (I hope) mullet-haired, fey Goth, moussed and fussy Eighties style. Corey Feldman, one of the stars, sang with his band prior to the movie. The props on the platform with the musicians featured a girl in a hula hoop, a girl as a robot, a giant beach ball, and dry ice. They played their CD, "Technology Analogy" in its entirety. Suffice to say that it sounded like sub-Bowie meets prog the last and only time I'd been to the Boardwalk-- summer of 1976. Feldman explained: "This is a concept album. It has a beginning, middle, and end."
Still, the crowds cheered. It was so jammed I could barely walk along the promenade this time, much remodeled since the '89 quake, but still redolent of over a century now of energy and grease hawking this longest of American attractions, at least on the West Coast. Due belated thanks to its early mayor and astute promoter Swanton, named after which is where we'd bought a tart ollallaberry pie perches in the sea-pummelled wind the other side of Santa Cruz about twelve miles north. While deep-fried Twinkies remained the most noteworthy of current culinary delights on the strand, not that I tried them, we did have a fine picnic as darkness fell. I could barely smell the surf or the salt. Venus dipped below the scaffold where the band had blared. Then we remembered how uncomfortable the sand can be without a folding chair. I dug into the sand for a kind of seat, but nature allowed me only a few inches lowered tilted respite from my bony frame and my awkward pose.
We stayed at the cabin behind Chris and Bob's. We watched Wini be as bad as our Oprah in canine crime. The US lost to Ghana; Argentina lost to Germany. We sampled a dry, assertive Wandering Aengus cider named after Yeats's verse; the Mariposa-based owner had left us kindly a bottle of a mellow Butterfly Creek merlot '03. We liked as we did the Tangerine cousin Eel River's Acai Berry wheat beer which tasted neither like berries nor beer but a pleasant blend nonetheless. Definitely a brand to check out, and organic, a rarity for beer due to the difficulties in brewing. We read, we rested, we puttered. The cabin, as the guestbook told us, was around a century old; a great-granddaughter of the family who'd bought it in 1925 stayed there not long ago.
My favorite walk on the road that has been overtaken by the landslide I've written about before here. In 1968-69, a time of heavy rain, the subsiding hills around the quarry nearby advanced 4-6 inches at a time. As this was the main route in and out of what had been founded in 1907 as a Christian retreat center, the noise from quarry trucks drove those seeking peace among the forest into desperate pleas for divine intervention, or failing that, a road re-routed around Mt Hermon. Kay Gudnason's 1972 local history "Rings in the Redwoods" explains how this came to pass. Conference Road since that stormy winter comes to a halt, the sand and trees and soil covers up its middle. Another road, even more travelled I confess than Main Street, Grass Valley, takes a load of heavier traffic from Scotts Valley (talk about suburban strip mall blight) to Felton. You still hear it through the trees. At least it bypasses the Mount, which has its own desecration in erecting a "redwood canopy" attraction to account for at the lofty seat of its Creator.
The clamor of youngsters and oldsters who use pulleys to swing up and down these trees saddens me. They whoop and holler and I know for them it's like being on a ride on the Boardwalk. But, I wrote thoughtful letters years ago to the directors of the Mount Hermon Christian Center and never got any response to my concerns about the environmental and acoustic damage of this "attraction." It went in without permits, over objections of neighbors, and with disregard for the effect on the ecosystem. Profits matter more than principles to these stewards of what they call God's creation. Canopy rides bring in big bucks. Mount Hermon covets lucre.
So, I never turn towards the Christian camp anymore on my stroll. I move along the other direction of the stream, however short a distance. Dappled maple leaves shine brilliantly as day-glo under slants of sun speckling pools and rivulets rushing over fallen branches and raised rocks. I sit on slanted slate and let my mind rest.
I'm lucky to find a place relatively untouched, upstream if not always out of earshot from the yodeling youths. In that same year so momentous for our state and the Sierras and the trees, 1850, Bean Creek was settled by a family of that name a few miles nearer its source. We know nearly nothing of the Ohlone who foraged there; the difficulty of extracting felled timber from bottom of canyons preserved a few first growth redwoods despite fires nearly a century ago that devastated the Mount.
Later that day, I go with Leo, Layne, Bob and Chris to an art gallery. My attention focuses on "LA to San Berdoo" by Jim MacKenzie. He took shots of what he saw along the rail route that passes mainly industrial parks, warehouses (much of the 75% of truck-freighted items from China to the U.S. comes in via ships at Long Beach and then's loaded up the freeways to these vast distribution sites), and my lifelong pet rant, ticky-tacky little boxes as houses and malls and acedia. My favorite photo: "Gated Homes from 300k" bannered in front of a tagged, graffiti and trash-strewn end of a cul-de-sac with the San Gabriel Mountains behind it, barely visible. Fittingly, neither my wife nor I could afford the $395 or so displayed or the unframed $165 print of this image, but in our own recession-prone postures, we sympathized with this shot taken by a native of Mentone, near where Layne once lived, in the semi-rural (within our "living memory") Inland Empire that both she and I shared for many years, sometimes even overlapping if unknown then to each other across fifty-odd miles.
From that art exhibit Leo and I went next door to Streetlight record store on Santa Cruz's main drag, Pacific Avenue. I admired a Galaxie 500 DVD, as I've been listening to them a lot lately and got Leo interested in them too. I turned later to find it proffered, Bob's kind gift to me. I also turned to meet myself as the subject once of Chris's rapid photos. Leo and I wandered happily; Layne found some videos perfect for work. (Speaking of day-glo, I made a note to look up "The Perfumed Garden" CD set. 82 tracks of British psychedelia, '65-'72!)
We met up with friends of Bob and Chris at Hoffman's on the main drag of this quintessential college town enriching this now-upscale and progressive resort for intellectuals, surfers, trustafarians-- and bums. Jazz filled the restaurant. I had salmon accentuated by a bottle of Rautberger's sour but filling Dunkel beer. While I liked my meal, the waitress declining to serve a party of seven at a significantly priced dinner a second helping of bread gratis appeared churlish. As we left, the same woman came out to ask if we'd meant to take the remainder of the meat loaf; as it was Chris's friend who'd ordered it, he advised her that said male was in the bathroom to where she could deliver said leftovers.
We played Scattergories the last night together; I am notoriously ill-tempered when competition and timing are involved, a trait inherited by my eldest son as his ACT preparation has revealed to us. My overwrought performance might have diminished the ease of parting for Bob and Chris. But, next morning, we missed our hosts already.
Stuck in Fourth of July traffic near Salinas, we made it a long but uneventful trip back towards home. Amazingly, stocked with snacks in the car, nobody had to stop all the way down until a hundred miles from home at what's become a second ritual the past few trips (as it was not there before then) at Murray's Family Farm off the 5 at Copus Road near the Grapevine. First time there, I was angered by a couple who in a hundred degree heat had left their pooch in their SUV, no window opened even. I was about to go to the store to alert the owner when they came back, and I stared daggers at them, half-wishing I'd deflated a tire of the vehicle but knowing the dog would have suffered more. Next time there, I entered the Murray's bathroom and found a wallet left behind, which I took to the clerk, who found in it a South Carolina license and information he'd use to track down the owner, who'd left it a half-hour before, he estimated.
This time, I entered and while I was availing myself of the facilities, a woman opened the door. She told me, as I was immobilized, that the door had not been locked securely. No, not the waitress with the leftover meat loaf. Well, another odd encounter, and on the way out in the corridor I again apologized as did she, but we both handled it smoothly, I suppose!
That's about it for this journey. On the way back, I reflected on my reading the way down, Michael Downing's "Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco's Zen Center." (2001, about the scandal in 1983 caused by the successor to Shunryu Suzuki, Richard Baker. See my review of David Chadwick's biography of Suzuki, "Crooked Cucumber.") In the turbulent wake of these immigrants, who sailed to Gold Mountain not for wealth but wisdom, and forged a cultural vanguard and retail juggernaut for Western Buddhism, Downing examines who pays for those who dream.
Mount Hermon filled in a lake to build a field for campers and increase the parking lots to draw in more paying guests. They damaged their share of the Bean Creek watershed to lure thrill seekers rather than spiritual seekers. Other Christians, at La Grand Chartreuse, solved their "economical hard times" by brewing liqueur. This also kept the austere recluses isolated from their tippling customers.
Tassajara wrestled with how to sustain its own community of dreamers. It lies at the bottom of a very remote canyon. But unlike the distantly situated Carthusians, they are not celibate. Men and women join, unlike traditional monasteries Buddhist or Catholic. They meet, they mate, they breed. They live 150 miles from San Francisco. So, who cares for this brood of believers? These questions never faced Buddhists before, ever. How do you start a monastery from scratch with little water in harsh wilderness in the '60s, full of The City's impecunious dreamers? You pay them stipends to sit doing "zazen," baking bread, boiling soup, feeling groovy in the search for enlightenment. But, sites must be bought; bills must be paid.
I've found myself intrigued by the challenges of running Tassajara as the first non-Asian, co-ed, non-celibate foundation of Buddhists in history. By the way, Gary Snyder appears. He and Allen Ginsberg bought that Nevada County site-- as a mooted alternative early on to Tassajara. The third point in this NorCal Zen triangle, Marin County's Green Gulch Farm across the hills and bay from Contra Costa, earns this pause early on from Downing: "maybe we all are at odds with where we live. Rich soil, clean water, and cool air nurture a landscape's wild and ramshackle nature." (xvi)
Back in the city, back at work, I cannot carry away the stream, the summit, or the breezes from more temperate or less peopled terrains with me. I've never visited a Buddhist shrine. I sidle away from the Christian campers. And I haven't tried Chartreuse. But I can try to incorporate Zen's lessons from nature, and how we can tame our own wills to more peacefully live within wherever we must toil, far from affluent Marin, arid Tassajara, or San Francisco's Painted Ladies. Or Victorians in Grass Valley, creeks in the Santa Cruz watershed. If nearer the asphalted and franchised horizons of half of California, for my weary eyes. Tastes stick with me, and smells, and textures.
So, I've been eating lots of cherries the past month. Tangerines fill winters, cherries and berries summer. Can't pass them up. Those Bings from Murray's filled me today along with my oatmeal; the blackberry flat's already recruited into my wife's cake. Spring passes, fruits ripen, and I grow older.
Niall did not find, this a few days after doomed defeat of my non-hometown Celtics to my hometown Lakers, his size for the t-shirt celebrating those tiresome champs, but I noted at Masimoto market an elderly Japanese man shuffling back to the door next to said apparel on the sidewalk. I wondered if he was the owner, as a younger Asian man in this totally Latino town worked the counter. I figured odds were very good. I wondered how long the family had been there in this place, and what they'd seen from their spot on the main road over the decades where little seemed to change.
But it surely did. Central coastal California fills with those like us weary of L.A. Each visit, it seems there's a bit less farmland and yet more concrete.
More subdivisions sprout even in Guadalupe, let alone golf-linked Nipomo behind the eucalyptus at the right-angled turn, and each trip sprawl spreads along the 101 and the 5. The stores in the interior we pass this time, Camarillo, Oxnard, Ventura, Orcutt, Atascadero, Paso Robles, King City, Greenfield, Soledad, Salinas: they turn identical. Only the grocery stores shift to Safeway from Vons, the one regional quirk among the Applebee's, Starbucks, Taco Bells, Jamba Juices, Carl's Jrs., and the same gas stations that we must patronize, despite our mandated (largely by me by paternal dictate) dislike for chains and franchises.
When it comes to filling up tanks and carts, markets and oil companies seem to compel all but the few holdouts affluent enough and/or living outside the law, who ride bikes in the sylvan college towns, like Davis, Berkeley, or Santa Cruz. A few principled sorts can resist the Combine, saving their money for designer eco-gear, artisan eclairs, or raw-vegan organica. The rest of us suck up fossil fuels, push through aisles stocked with preservers on pallets, and return to less quirky, mostly less funky or even less hi-tech, jobs requiring often oddly more formal wear.
We stayed to give the kids a treat in San Luis Obispo at the pink-daubed faux-fairy tale fake-turreted Madonna Inn, but that edifice now adjoined a shopping mall on land the crafty owners had developed among the horse pastures and rolling landscape called Irish Hills. Now, as for most of the inland, sunbaked year, those slopes looked more like scorched muffins than gentle drumlins. In our themed room, as they all are but on hundreds of different motifs, we had a comfortable nook to unwind. Although I could hear 101's traffic, the site felt less kitschy and more endearing than I'd remembered. We noticed, or my wife did, Asian lesbians in the coffee shop; informants who know more than even she about such told us Cambria for fishing and Morro Bay for bikers attracts the sapphic set. Our Sky Room featured delicate clouds as stencils, and the Alpine washed blue blended well into the Gothic stone feel of the place. It reminded me of "The Sound of Music" meets La Grande Chartreuse, the motherhouse of Carthusians in that most strict of all monastic orders.
We, unlike at an ascetic hermitage, encountered a strong shower, a bidet, and heated toilet seat. I forgot to use the latter two, but my family surely did as I could hear their squeals behind the bathroom door. We elders had a loft forced to occupy as the kids insisted on the tv and king-size bed below. As the upstairs beam was poorly placed for those wayfarers over six feet tall (beware, booted and/or heeled lesbians) I kept slamming my head, as my wife dutifully chronicled in her own blog entry. Winded by the fourth blow, I lay down on the floor, but no bumps, oddly. Thus I celebrated my birthday, seven-squared so I figured it was luck, if inverted.
We made it north of Santa Cruz, hit the New Leaf with its high-priced fare, but I did find an ethical tea as advertised from Ceylon that I tried varieties of, Dilmah. I read William McGowan's harrowing account of Sri Lanka, "Only Man Is Vile," not too long ago. I wanted to support the resurgency-- not of Tamil Tigers or Sinhalese troops, but of the native tea industry devastated by civil war. I looked as is my want in strange markets for beers I'd never sipped. I bought a few.
To our friends Chris and Bob, we arrived, and my birthday dinner featured a special limited edition brew from (speaking of monks) an imitation Belgian-type Lost Abbey purveyor from San Marcos, CA (the same place as the great Stone brewers, which made me wonder about a shared plant). The most expensive bottle I'd ever had, but as I rationalized, the fanciest beer in the world can be bought at the price of a decent (for my tight budget) wine. It resembles Sam Adams bock in the blue bottles, that is, brandy. You'd never mistake it for beer if blindfolded. Complex concoction, but not really what you'd expect as ale. I bet it's more sipped than quaffed.
Leo and our hosts went off to hear Pavement on their reunion tour up at Berkeley, a long rush-hour drive. Niall and Layne and I hung out and relaxed. I kept eating cherries from the Prunedale market we'd bought on the way over; they were the best I'd ever tasted. Otherwise, I had no recollection of what we did that night. I pawed back issues of the New York Review of Books, played with the dogs, and wandered the net. Don't blame the brew for my vagueness as we all waited up for the other trio to return. For the record from the next day, the Eel River Tangerine wheat beer, three adults agreed, kept admirably a balance of fruit and tartness that often fails in blends, and I recommend it.
Around this time, I finished Martin Amis' "The Information" (1995). I found its remarks about the end of the novel appropriate even before the rise of this medium you and I share now. The narrator relates seasons to literary genres. He tells how the novel's weary of itself, reduced in its dotage to writing about writers. The tale veers from astronomical analogies to revenge thriller to satire of, yes, the publishing, promotional, and reviewing sides of bookselling. Hundreds of pages passed with you finding out nearly nothing of the protagonist's wife or the antagonist's prose style which in his superficial utopian story sent him into the literary stratosphere. Amis crams three novels into one. While it started off with the proverbial bang, it fizzled and sputtered long before its climax, when the sexual surprise revealed itself to be for me a damp squib rather than a payoff shot full of fireworks. But perhaps this was a metaphor for the whole narrative enterprise, which felt flaccid, lackluster, and bored of itself.
Next night, Niall got to stay home again, but the rest of us went to hear one of our favorite bands. For my money the most consistently talented and longest successful (not in acclaim or sales but in solid records) band of the era, Yo La Tengo. This indie rock trio from New Jersey played at Left Coast Live, a San Jose street fair very underadvertised. We got within three or four people of the front, and watched them as the moon rose behind the bassist. While my bad knee ached as the amps pounded into my legs that could not move much, and my ears rumbled as I never could take concert-level sound, I enjoyed seeing them, despite their recent forays into bossa-nova. That was a respite from their trademark folkie-jangle meets guitar feedback + pounding drums + steady bass delivery of extended riffs based on the Velvets or the Kinks or punk-pop that never get bored of themselves.
The next day we drove up to Sacramento. For the car, I borrowed Bob and Chris's copy of Cormac McCarthy's "The Road," which I'd fantasized resembled the decaying lane near their house, more below about that. The titular thoroughfare did not match the eroded byway as the interstates in the apocalyptic aftermath survived better at least in the short term of the horrific tale, but it did put my own worries into perspective as I'd angled after a notification e-mailed from my work threw me off my hard-earned relative balance. Unlike Amis, McCarthy relished telling his simpler story, and it stayed alive. Its prose-poetry stayed powerful, and the book left me curious how the movie did or did not live up to the harrowing saga McCarthy crafted.
As our pre-apocalyptic predicament, I watched the endless raw incursions of Contra Costa, the exurbs of the Bay Area, full of tall homes and sheared hills. Dublin looked as lackluster as Joseph O'Connor commemorated it in his excursion to all U.S. places named after his hometown, in "Sweet America." Pleasanton defies its name, a monument to ugly corporate buildings plonked as if by toddlers in lots among fields of stubble and brush. Danville, Martinez, Dixon, Vacaville, Fairfield, Roseville, Rocklin, Auburn may have enchanted emigrants making their way from the coast to the mines 150 years ago, but they all looked the same.
Did whatever the miners jerry-build look as out of place among hacked stumps and trashed meadows? All Californian stake a claim to the Gold Rush mentality, the eagerness to build a cabin, hammer a fence, cash it in. Forty million of us, and most of us still demand open space, a lush estate, a grand carriage. In a century, will we regard office parks and big-box stores as nostalgic? Lots erected as if yesterday, the same lack of context or culture that covers our colonized continent, outside of the shiny courthouse dome and the brave attempt at a preserved street in that last town where we left the interstate, a remnant of Gold Rush treasures.
The streets were empty and we saw the State Capitol's golden, yes, dome. We entered the city on a golden-painted bridge over the American River. We walked under searing heat in Sacramento's Old Town restored, peeked at the Wells Fargo Museum, marvelled at the artifacts, and ate a surprisingly solid meal (given a tourist-trap risk) at Fat City, on the site of the first market in the city, 1849, founded by one Samuel Brennan, undoubtedly an Hibernian emigre. That's how Levi Strauss got rich-- selling denim to the miners rather than chasing down another measly grubstake. The Fat family runs, the menu mentioned, half-a-dozen eateries around the capital, and my Old Thumper English Ale was excellent, wherever it came from up the delta to the hot valley.
A coupon for a free sample of candy lured us in to the mercantile emporium that may be for now as lucrative as was the stagecoach and Pony Express for earlier strollers there. I tried maple and rum taffy and a Mary Jane, which tasted sort of like my favored Bit o' Honey, which my wife bought for me along with other mysterious brands she then kept to herself. I never got any. I found wrappers in bed and in the washing machine.
Off to Grass Valley next, to see my wife's niece and her husband. The last time I'd been to this historic foothill town, their daughter was still a teen, and the weather was near a hundred. The temperature was the same now, but she's now engaged and living not far from us in L.A., where she works with the Upright Citizen's Brigade comedy improv ensemble at their theater. We stayed at a motel up Main Street and walked down a steep decline into the heart of its intact Gold Rush district.
Lola Montez, a captivating Irish-born (as Eliza Gilbert) companion to the nobility and long-reigning chanteuse, an formidably astute "actress-model-whatever" who'd now have her own reality show, lived down Mill Street 1852-55. Bruce Seymour, as my blog on the right lists this among my favorite reads, masterfully tells her saga. No relation to the Italian-Swiss innkeeper family, Madonna-- and Lady Gaga-- owe Lola shout-outs. She danced the "Black Widow," and I wondered how erotic it was compared to a gal festooned with rosaries over lace bustiers, or another Italian American tarted up in gawky fashion disasters. I walked past the house where that earlier paragon of reinventing one's sexual persona as a vamping, knowing, voracious celebrity had kept a bear. The gate was slightly ajar.
Up the block, three brothels survived into at least the Depression to serve the miners; not to mention the "houses of joy" in the large Chinatown-- a feature of many small hamlets turned boomtowns, ten thousand or so in the pioneer heyday about the same as the numbers today. Now, commuters endure the three-hour drive each way to the Bay Area so as to be able to live in these handsome Victorians-- if somewhat I trust cheaper than the Painted Ladies in San Francisco. Silicon Valley money must infiltrate these counties, where we passed immense gated subdivisions nestled by lakes. For the rest of the folks, same as ever, it's tough to make a living in the hills. Even as I later found on this vacation, a relative of a host tried to grow pot in these mountains and live off the proceeds; like arriviste entrepreneurs then as now he forgot he lacked buds-as-customers to sell his stash to.
I wondered about this cash flow as we ate at three places in town. Another way to make it in a boom: sell food to those who follow you. Designated a charming town, tourists come. Recently fewer, I estimated. A boomlet-- fueled by Silicon Valley and Bay Area money in many cases-- in wineries courted trade, but the Holiday Inn on the site of the old Chinatown did little for me to arouse aesthetics or credit for blending in to the humbler facades around it. All the same, I welcomed the chance to enter 49'er-era buildings erected over a century before my own newly 49-year-old bones were assembled. Tofarelli's on the site of an 1859 market served good pasta, well flavored. My kids had half-touched bowls I wanted to finish.
But the beers, Sierra Nevada Summerfest and my wife's Alaska Summer Ale, or vice versa as the server did not bother to tell us the difference, tasted flat and lacked verve. A tiresome man boasted in a voice filling the mostly empty brick-lined room of his mechanical and financial exploits for what felt like hours. Two women of a certain age if not yet mine lingered at the bar and waited for what or whom I could not hear. An old couple came in as the distaff half squawked: "You never wait for me to sit down" even though he cradled a walker. There was a notice posted by its door by a businesswoman looking for legit, non-horizontal transactions: "in these economical hard times..." I did not read on.
At Diego's the next night, a short jaunt from the home of my wife's relatives, in turn a half-mile from the motel, it reminded me of what I had not experienced for many years, decades even: being able to navigate where you live to eat, shop, and work without needing a car or public transit. My wife's niece walks to work, a few blocks away. I wondered how my life would slow in such a town as I ate hearty Chilean-based cuisine; the Lagunitas IPA predictably's bold. Chris later gave me a Wilco Tango Foxtrot Stimulus Recovery Ale that true to the brand packed a wallop, as Lagunitas tends to deliver.
Evening three we passed a women's softball game at the park. We walked to the building across the street. It had been, our hosts told us, formerly the Duck Inn, a joint where pool tables rested on crooked wooden floors. Now it was spotless, airy, and spacious. We trooped upstairs. Spain-Portugal World Cup game flashed in silence. Even for a soccer fan like me, the only one at the table, a dull match. Our tattooed, lively, punkish waiter anticipated the Giants game but we informed him that (at least some of us) were Dodger loyalists, and he cringed. The game the previous night saw the boys in blue triumphant, as would this one. I recalled two years ago to nearly the day: we in the park in SF, magnificent view of the bay, as 40,000 screamed all around us "BEAT L.A.!" And that came to pass.
Well, at Goomba's: pizza emerged truly rustic, no weird imprint of the pan on the bottom of pre-fab dough. I liked Oregon's Deschutes Mirror Pond pale ale, reminding me of a Belgian Duvel almost in its red-brick depth. Made me wish for real Cascadian climates as the summer heat endured and the game ended, with revellers looking like firemen with great miner-era mustaches, requesting rounds of Coors or some swill.
Our residence was set near a field. It looked as if stakes for vines were being set up. A cross loomed over the back window from the Lutheran church. My sons saw a deer over the fence as we left; a novelty for us. Formerly Sierra Motor Inn from the key, now boosted into Sierra Mountain Inn, the place looked immaculate. Even if the proprietress had no conditioner for my children's demands, no bath gel, and only two forks and two knives to accompany the one bowl and plate that supplied our kitchen. The sheets were not changed, but towels were replaced. I could hear the neighbors coughing all night behind the thin wall. A third way you make money in a boom: sell rooms to those who show up looking for get-rich or back-to-nature quick fixes. My wife's niece told us this site was a homeless shelter before its conversion.
One night in our room, diversions being less than in Gold Rush days for us sober married types, we watched a show I'd never seen, it being the dregs for us of no cable: "To Catch a Predator." Some episodes took place in the city where I teach, and I reflected on how the males trapped could have been my students. The program capitalizes on men who after chatting online with girls who claim to be thirteen set up a rendezvous at "her house," complete with suburban hot tub. They enter, go around back, she as decoy retreats after brief greetings to "change." Then the blazered host-- with a lockjaw accent that I in my Angeleno ignorance imagine sounds like Tom Wolfe's Yale classmates, "Love Story," early Philip Roth or all of John Cheever-- comes on to recite didactically said suspect's incriminating sex-talk transcribed by our enforcers of law and order. The sting made me uneasy; I don't like entrapment, and it preyed on lonely men if for purportedly just ends. As my wife observed, you don't go after the whores but the johns to clean up the block, but I wondered if these men's actions really constituted "attempting a lewd act upon a minor." I leave this to more conniving, judicial or calculating minds than my own.
A few minutes from that motel, you can find Lotta Crabtree's house; she was the protege of Madonna as Lola, who lived on the same street. Lotta's first appearance as the Lady Gaga of the mid-19c supposedly was dancing on the anvil at Flippin's Blacksmith, in nearby Rough & Ready. She grew up to become her own famous performer, and I wondered in Gold Rush times how miners and mulers regarded their versions of "Toddlers in Tiaras," comely come-ons from minors.
Off camera, two cats rested outside, free of hot tub props or Internet trolls, under an umbrella against the foothill glare. Perhaps they were feline descendants of those who sidled around the ankles of Lola or Lotta, dashing away from a bear. Air conditioners whirred as Main Street hissed of tires that never stopped until the middle of the night. This on a byroad to the highway for Marysville, I could not figure out why so many cars and trucks took this route. Maybe they were commuters to the gated lakeside stucco mansions.
Our journey up into the Sierras and maybe nicer weather took us first through the Rough and Ready, a hamlet back in 1850 that briefly seceded from the Union over a miner's tax reminiscent of the Tea Party's reactions today. We passed those lakeside new mansions and more dismal construction. I glimpsed a sign for Ananda, the breakaway sect of the New Age SRF who occupies the hillside estate a mile from our house. Then on down a curving declivity to the 250-foot covered bridge over the Yuba River, where Layne took this blog's photo of me looking out as I rested in the cool interior. I gazed out over a vista nearly identical to that seen by Gold Rush riders, who paid Wells Fargo-equivalents of bullion for the steep crossing fare.
We saw French Corral, with its Wells Fargo ruin of an office. Did the Pony Express stop here in 1856? Equestrian countryside surrounded us. I then recalled a cyberfriend lived nearby; I wondered which horses might be his.
Slowly, we drove up the well-named Pleasant Valley Road back to Highway 49 at North San Juan, near the pot growers and Gary Snyder's own homestead, the Beat guru whom I blame or name for alerting hippies, dealers, and dot.commers about this region. I'd been up here once, to the Malakoff Diggings torn out of the mountains for gold, hearing the Anita Hill-Clarence Thomas proceedings on the radio back then, surreally. Back then, we got a flat tire on the rental car; three separate cars stopped to ask if we needed help. I hope people would be as friendly now twenty years on, or that I'd be to them.
Sierra County even at the end of June, high up around 8000 feet on its buttes showed some snow, and we followed the Yuba's fork for most of the drive. We passed a Sierra Shangri La so named that appealed to me, cabins by the creek, and then another Sierra something with a rope-bridge over the less-than-rapids. Chris later told me that this was the height of the water, which I did not expect, so I guess the Yuba does not get that turbulent. But from the still-standing snowplow markers, with their own height, I reckoned that snow gets pretty deep up here in a long winter. The weather that day, even under fifty-odd miles of trees roadside, stayed warm.
We dipped into Downieville's tidy bends, Sierra City's faintly Swiss echoes, and down Yuba Pass (6,600 feet) into Sierra Valley, the largest Alpine meadow on the continent, where Sierraville (get the drift?) languished despite a sign for pies I wistfully noted, and then to lunch in Loyalton, pop. 850 or so, where we looked in vain for a bathroom at City Park and Museum, but where we ate, without bathroom, at the only place open in this half-inviting, half-forlorn ranching stop founded by Swiss-Italians, Rhonda's Lil' Frosty.
The sun beat down. This felt more like the Old West than the Sierras. We had crossed the Pacific Crest and the divide between coast and mountain, interior and range, had given way to the other side before whatever the Gold Rush pioneers had come west to find. The desert neared on the harsher air and in the wide-open landscape.
Road workers lined up for burgers; kids wheeled by for drinks; men scarfed soft-serve; we waited nearly half an hour for what were indeed flavorful fries, and my cod basket no matter how far from the ocean proved worthy of my patience. We'd watched one dog chase another, led on a leash by her owner as she biked down the main street. Then, a few minutes later, that free dog ran back up the street, on his own. Loyalton's little children played, summer at last. They teased each other, two boys vs. two girls, and I reflected how in caretaker nanny L.A. that in many neighborhoods you'd sit a long time before seeing kids on bikes all alone anymore.
You'd see dogs and bikes and grown-ups, but kids? Not out "unsupervised" without their guardians, or strapped in seats in SUVs. Compare the death march of our two sons in Guadalupe. A half-mile, and I walked back alone to get the car to put it in the lot so as to pick them and their mother up before the meal even arrived!
We returned to Grass Valley, and the next day we left after we bought veggie pasties (it being a local specialty from the days of Cornish miners who may not have hankered for non-meat varieties) on our way back to Santa Cruz. We had to split our stay due to concerts and accommodation demands; but I liked the change in scenery and welcomed a return to cooler weather. It was easily twenty-five degrees less than Grass Valley. We got over the Bonny Doon hill from above SC and when shopping at the first-ever organic berry farm in the state, at Swanton, it was ten degrees lower, around the low 60s, the Pacific air blasting us like a giant fan. We got ready for a night out in another historic, if post-Gold Rush, downtown.
We walked through the Santa Cruz Boardwalk to the beach for a free showing of "The Lost Boys" on an inflatable screen alongside 8,500. We ate the pasties. Next to the screen we could see the Boardwalk's stately stretch in its neon glory, where that silly vampire flick was filmed circa '87. An odd juxtaposition of set with reality, stage with the real, however glamorized in that inimitable (I hope) mullet-haired, fey Goth, moussed and fussy Eighties style. Corey Feldman, one of the stars, sang with his band prior to the movie. The props on the platform with the musicians featured a girl in a hula hoop, a girl as a robot, a giant beach ball, and dry ice. They played their CD, "Technology Analogy" in its entirety. Suffice to say that it sounded like sub-Bowie meets prog the last and only time I'd been to the Boardwalk-- summer of 1976. Feldman explained: "This is a concept album. It has a beginning, middle, and end."
Still, the crowds cheered. It was so jammed I could barely walk along the promenade this time, much remodeled since the '89 quake, but still redolent of over a century now of energy and grease hawking this longest of American attractions, at least on the West Coast. Due belated thanks to its early mayor and astute promoter Swanton, named after which is where we'd bought a tart ollallaberry pie perches in the sea-pummelled wind the other side of Santa Cruz about twelve miles north. While deep-fried Twinkies remained the most noteworthy of current culinary delights on the strand, not that I tried them, we did have a fine picnic as darkness fell. I could barely smell the surf or the salt. Venus dipped below the scaffold where the band had blared. Then we remembered how uncomfortable the sand can be without a folding chair. I dug into the sand for a kind of seat, but nature allowed me only a few inches lowered tilted respite from my bony frame and my awkward pose.
We stayed at the cabin behind Chris and Bob's. We watched Wini be as bad as our Oprah in canine crime. The US lost to Ghana; Argentina lost to Germany. We sampled a dry, assertive Wandering Aengus cider named after Yeats's verse; the Mariposa-based owner had left us kindly a bottle of a mellow Butterfly Creek merlot '03. We liked as we did the Tangerine cousin Eel River's Acai Berry wheat beer which tasted neither like berries nor beer but a pleasant blend nonetheless. Definitely a brand to check out, and organic, a rarity for beer due to the difficulties in brewing. We read, we rested, we puttered. The cabin, as the guestbook told us, was around a century old; a great-granddaughter of the family who'd bought it in 1925 stayed there not long ago.
My favorite walk on the road that has been overtaken by the landslide I've written about before here. In 1968-69, a time of heavy rain, the subsiding hills around the quarry nearby advanced 4-6 inches at a time. As this was the main route in and out of what had been founded in 1907 as a Christian retreat center, the noise from quarry trucks drove those seeking peace among the forest into desperate pleas for divine intervention, or failing that, a road re-routed around Mt Hermon. Kay Gudnason's 1972 local history "Rings in the Redwoods" explains how this came to pass. Conference Road since that stormy winter comes to a halt, the sand and trees and soil covers up its middle. Another road, even more travelled I confess than Main Street, Grass Valley, takes a load of heavier traffic from Scotts Valley (talk about suburban strip mall blight) to Felton. You still hear it through the trees. At least it bypasses the Mount, which has its own desecration in erecting a "redwood canopy" attraction to account for at the lofty seat of its Creator.
The clamor of youngsters and oldsters who use pulleys to swing up and down these trees saddens me. They whoop and holler and I know for them it's like being on a ride on the Boardwalk. But, I wrote thoughtful letters years ago to the directors of the Mount Hermon Christian Center and never got any response to my concerns about the environmental and acoustic damage of this "attraction." It went in without permits, over objections of neighbors, and with disregard for the effect on the ecosystem. Profits matter more than principles to these stewards of what they call God's creation. Canopy rides bring in big bucks. Mount Hermon covets lucre.
So, I never turn towards the Christian camp anymore on my stroll. I move along the other direction of the stream, however short a distance. Dappled maple leaves shine brilliantly as day-glo under slants of sun speckling pools and rivulets rushing over fallen branches and raised rocks. I sit on slanted slate and let my mind rest.
I'm lucky to find a place relatively untouched, upstream if not always out of earshot from the yodeling youths. In that same year so momentous for our state and the Sierras and the trees, 1850, Bean Creek was settled by a family of that name a few miles nearer its source. We know nearly nothing of the Ohlone who foraged there; the difficulty of extracting felled timber from bottom of canyons preserved a few first growth redwoods despite fires nearly a century ago that devastated the Mount.
Later that day, I go with Leo, Layne, Bob and Chris to an art gallery. My attention focuses on "LA to San Berdoo" by Jim MacKenzie. He took shots of what he saw along the rail route that passes mainly industrial parks, warehouses (much of the 75% of truck-freighted items from China to the U.S. comes in via ships at Long Beach and then's loaded up the freeways to these vast distribution sites), and my lifelong pet rant, ticky-tacky little boxes as houses and malls and acedia. My favorite photo: "Gated Homes from 300k" bannered in front of a tagged, graffiti and trash-strewn end of a cul-de-sac with the San Gabriel Mountains behind it, barely visible. Fittingly, neither my wife nor I could afford the $395 or so displayed or the unframed $165 print of this image, but in our own recession-prone postures, we sympathized with this shot taken by a native of Mentone, near where Layne once lived, in the semi-rural (within our "living memory") Inland Empire that both she and I shared for many years, sometimes even overlapping if unknown then to each other across fifty-odd miles.
From that art exhibit Leo and I went next door to Streetlight record store on Santa Cruz's main drag, Pacific Avenue. I admired a Galaxie 500 DVD, as I've been listening to them a lot lately and got Leo interested in them too. I turned later to find it proffered, Bob's kind gift to me. I also turned to meet myself as the subject once of Chris's rapid photos. Leo and I wandered happily; Layne found some videos perfect for work. (Speaking of day-glo, I made a note to look up "The Perfumed Garden" CD set. 82 tracks of British psychedelia, '65-'72!)
We met up with friends of Bob and Chris at Hoffman's on the main drag of this quintessential college town enriching this now-upscale and progressive resort for intellectuals, surfers, trustafarians-- and bums. Jazz filled the restaurant. I had salmon accentuated by a bottle of Rautberger's sour but filling Dunkel beer. While I liked my meal, the waitress declining to serve a party of seven at a significantly priced dinner a second helping of bread gratis appeared churlish. As we left, the same woman came out to ask if we'd meant to take the remainder of the meat loaf; as it was Chris's friend who'd ordered it, he advised her that said male was in the bathroom to where she could deliver said leftovers.
We played Scattergories the last night together; I am notoriously ill-tempered when competition and timing are involved, a trait inherited by my eldest son as his ACT preparation has revealed to us. My overwrought performance might have diminished the ease of parting for Bob and Chris. But, next morning, we missed our hosts already.
Stuck in Fourth of July traffic near Salinas, we made it a long but uneventful trip back towards home. Amazingly, stocked with snacks in the car, nobody had to stop all the way down until a hundred miles from home at what's become a second ritual the past few trips (as it was not there before then) at Murray's Family Farm off the 5 at Copus Road near the Grapevine. First time there, I was angered by a couple who in a hundred degree heat had left their pooch in their SUV, no window opened even. I was about to go to the store to alert the owner when they came back, and I stared daggers at them, half-wishing I'd deflated a tire of the vehicle but knowing the dog would have suffered more. Next time there, I entered the Murray's bathroom and found a wallet left behind, which I took to the clerk, who found in it a South Carolina license and information he'd use to track down the owner, who'd left it a half-hour before, he estimated.
This time, I entered and while I was availing myself of the facilities, a woman opened the door. She told me, as I was immobilized, that the door had not been locked securely. No, not the waitress with the leftover meat loaf. Well, another odd encounter, and on the way out in the corridor I again apologized as did she, but we both handled it smoothly, I suppose!
That's about it for this journey. On the way back, I reflected on my reading the way down, Michael Downing's "Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco's Zen Center." (2001, about the scandal in 1983 caused by the successor to Shunryu Suzuki, Richard Baker. See my review of David Chadwick's biography of Suzuki, "Crooked Cucumber.") In the turbulent wake of these immigrants, who sailed to Gold Mountain not for wealth but wisdom, and forged a cultural vanguard and retail juggernaut for Western Buddhism, Downing examines who pays for those who dream.
Mount Hermon filled in a lake to build a field for campers and increase the parking lots to draw in more paying guests. They damaged their share of the Bean Creek watershed to lure thrill seekers rather than spiritual seekers. Other Christians, at La Grand Chartreuse, solved their "economical hard times" by brewing liqueur. This also kept the austere recluses isolated from their tippling customers.
Tassajara wrestled with how to sustain its own community of dreamers. It lies at the bottom of a very remote canyon. But unlike the distantly situated Carthusians, they are not celibate. Men and women join, unlike traditional monasteries Buddhist or Catholic. They meet, they mate, they breed. They live 150 miles from San Francisco. So, who cares for this brood of believers? These questions never faced Buddhists before, ever. How do you start a monastery from scratch with little water in harsh wilderness in the '60s, full of The City's impecunious dreamers? You pay them stipends to sit doing "zazen," baking bread, boiling soup, feeling groovy in the search for enlightenment. But, sites must be bought; bills must be paid.
I've found myself intrigued by the challenges of running Tassajara as the first non-Asian, co-ed, non-celibate foundation of Buddhists in history. By the way, Gary Snyder appears. He and Allen Ginsberg bought that Nevada County site-- as a mooted alternative early on to Tassajara. The third point in this NorCal Zen triangle, Marin County's Green Gulch Farm across the hills and bay from Contra Costa, earns this pause early on from Downing: "maybe we all are at odds with where we live. Rich soil, clean water, and cool air nurture a landscape's wild and ramshackle nature." (xvi)
Back in the city, back at work, I cannot carry away the stream, the summit, or the breezes from more temperate or less peopled terrains with me. I've never visited a Buddhist shrine. I sidle away from the Christian campers. And I haven't tried Chartreuse. But I can try to incorporate Zen's lessons from nature, and how we can tame our own wills to more peacefully live within wherever we must toil, far from affluent Marin, arid Tassajara, or San Francisco's Painted Ladies. Or Victorians in Grass Valley, creeks in the Santa Cruz watershed. If nearer the asphalted and franchised horizons of half of California, for my weary eyes. Tastes stick with me, and smells, and textures.
So, I've been eating lots of cherries the past month. Tangerines fill winters, cherries and berries summer. Can't pass them up. Those Bings from Murray's filled me today along with my oatmeal; the blackberry flat's already recruited into my wife's cake. Spring passes, fruits ripen, and I grow older.
Labels:
beer,
Buddhism,
California,
Carthusians,
counterculture,
Gold Rush,
Grass Valley,
Inland Empire,
Martin Amis,
media,
monasticism,
Mount Hermon,
nature,
Santa Cruz,
tea,
travel
Subscribe to:
Posts (Atom)