How the Christian Irish regarded their island's pagan divinities,
in medieval and modern times, comprises the two halves of Ireland's Immortals: A History of the Gods of Irish Myth. Mark
Williams, an Oxford medievalist, unravels the tangled threads in texts that
challenge even the skilled interpreter. Old Irish remains formidable for
scholars, and the fact that the evidence exists only in copies centuries after
its first renditions onto parchment, deep within already Catholic times,
complicates any explicator's task. Dr. Williams remains steady throughout this
study. His accessible style remains academic but blessedly free of jargon or
cant. His glossaries summarize key concepts and his footnotes address arcane
debates.
His history of the gods of Irish myth
examines key writings left by the monks and scribes, from the period after
conversion. Williams estimates that within a half-century after the Patrician
period, Ireland would have been effectively under Christian control. Although
pre-Christian practices may have endured, they diminished rapidly, despite the
imaginations of later bards eager to insist on secret continuity with centuries
nearly up to our own. Williams separates the archaic from the innovative
elements inserted into these stories and chronicles preserved within
monasteries. Although these tales and accounts were tamed, a "ferocious
weirdness" persists in surreal or juxtaposed scenes, distinguishing
imagery from the dour scenarios in Anglo-Saxon sagas such as {Beowulf},
for instance.
These Irish pre-Christian versions
resemble (as in the Book of Invasions, a chronological
origin myth of successive waves of those landing on the nation's shores) the
configurations of Romanesque architecture. Williams compares the sagas to
these simple, repeating structures which are decorated with teeming surface
details. The medieval corpus, furthermore, rises as a massive edifice, if
resting on slender foundations. Pseudo-scholarship at its most ingenious
labored to match biblical lore with Celtic supposition. This tension,
concentrating around the meaning of the "god-people" the Túath Dé sustains itself within the literature Williams
examines. As a blend of inherited narratives with concocted alterations shaped
into a Christian mindset, these tales' impact faded by the end of the Middle
Ages. The Irish seemed to lose interest. Only in the nineteenth century did
curiosity revive about gods.
Part two delves into more recent re-workings
of the myths of the Irish gods and goddesses. Romanticism, antiquarianism and
the occult all generated speculation. W.B. Yeats and George Russell epitomized
the poetic turn of the Celtic Revival at the end of the Victorian period, in
the wake of a British passion for the classics and the pagan to counter the
tamed, the scriptural and the stolid. Gods, as redefined by the Irish
revivalists, emerge as "spiritual entities." Among the Anglo-Irish
gentry emerge intellectuals eager to fabricate a past for their country, rooted
in wisdom of the earth and appeals to the forces lingering, despite the reign
of Christendom, supposedly on fringes of the Celtic homeland.
The ninth chapter introduces William Sharp
(1855-1905). Taking on the feminine alter ego of Fiona Macleod, Williams
engagingly shares this fantasist of Gaelic Scotland. In Fiona, we encounter a
fabled "self-sequestered Highland visionary." Williams labels her as
"an imaginary personage, albeit an alarmingly insistent one."
Characteristic of this author's tone, he keeps his investigations lively even
as he grounds them in careful judgment. He counters the bent suppositions and
fey imagination lavished upon sources that, in modern times, create a
"feedback loop." Williams analyzes distortions within American
anthropologist Walter Evans-Wentz's The Fairy Faith in Celtic Countries. He adapted his Oxford
dissertation oddly; this 1911 compendium persists as a New Age "crank
piece."
For Mark Williams' predecessor at his
university proved both an "exorbitant Celtophile" and a misled
eccentric. Evans-Wentz conjured up the peasantry as informants for a pan-Celtic
fairy belief system. He incorporated an unnamed mystic's testimony. Yet this
was none other than George Russell. Williams reasons that Evans-Wentz betrayed
a "spiritual crush on Russell." Testifying as to the endurance of this
account lies beyond the scope of Williams' work, but he admits he had to cut a
third of his own draft. The results remain impressive, even if the source of
that apt John Cowper Powys colophon beginning Chapter Nine lacks attribution to
that fabulist, as obsessive as many in this volume, of strange magic.
Nowadays, Williams tracks a second arc,
again with diminishing attention to the old gods, among Irish writers. The Túath
Dé and their replacements, the Túatha Dé Danann, as the Irish supernatural race, endure within
the "wide uptake" by creative classes outside the isle. The fine arts
alongside Celtic Paganism and Celtic Reconstructionism enshrine goddesses,
notably the fire spirit of Brigit.
Unfortunately, opposition to the ancient
forces still exists. Vandalism of historic sites and a modern sculpture to the
Celtic sea-god testifies to the powers of these representations as feared by
evangelicals. Unlike other cultures where monotheism replaced paganism,
Williams concludes that in Ireland, a "restless refusal to resolve"
the ambiguities of the survival of the venerable if often barely recalled
deities within a Christian context distinguishes that island's literary legacy
within the extant sources.
Fittingly, Williams ends his six-hundred
page survey with a tribute to the late John Moriarty, a philosopher and shaman
from County Kerry. Moriarty's "ecological and psychic sensitivity" to
summon up again the mythic terrain's specters signifies the restoration of
"imaginative vitality." In a nation divided by income inequality and
sectarian squabbles, Moriarty's vision and Williams' precision combine. This
learned volume contributes valuable insights that may guide all those who look
to the Irish tales and Celtic heritage as a relevant force of energy.
(Interview with Mark Williams here. Amazon US 1/11/17 and Amazon British 1/12/17)
1 comment:
Thanks very much for this John! Very kind. :) I hope you're well.
Post a Comment