This younger sibling to the world's biggest book continued raising funds for medical and educational projects "across the last Himalayan kingdom." Friendly Planet, a charity spinoff of M.I.T., raised money in an innovative fashion, as digital photography and bookbinding skill combined with high-tech expertise under a team led by Professor Michael Hawley, who ran the campus' Media Lab's special projects division. The big brother book, 5' by 7' and weighing 150 lbs., dwarfed the two Bhutanese schoolchildren the team "adopted" on their initial November 2001 visit, when displayed at Harry Winston's gallery in Manhattan. This 2003 book symbolized the meeting of high rollers with a worthy cause, and demonstrated how a $15,000 volume could further other schoolchildren and families in the remote areas of this region, reached only by trails, far from the touristed areas the book documents.
For the smaller companion, itself considerable at a foot by two feet and 15 lbs., this expands the original. It reproduces the immense photos and doubles their number, if in less stupendous manner, by explaining how the original was assembled, and how the team returned to Bhutan in 2003 to bring aid to villages and schools from the moneys raised by the big book. Now out-of-print, this follow-up 2004 volume also contributed its profits to Friendly Planet, and Hawley's text and captions, garnered from a cooperative of eleven photographers, conveys the appeal of the Buddhist kingdom and people.
Highlights include: David Macauley's handsome endpaper map; colorful masks, costumes, and dancers from a Trongsa "tsechu" or "ten-day" annual festival; shots of monastic celebrations normally forbidden to photograph; marvelous expanses from Jholmohari's snowy range bordering Tibet; and encounters with the Merak and Sakteng's Brokpa yak herders that conclude this elegant presentation.
There's little about the history or current events beyond an itinerary following (if in reverse contrary to other versions) the sole east-west route dominating most travel narratives, understandably given the necessity to follow this to get across the mountainous domain, however slowly by jeep. It ventures off-road in two memorable sections, even as these may therefore romanticize portions of the experience, and the urbanizing and modernizing pressures on Thimphu the capital, or the demographic increases by both the southern bordering Nepali and Indian-backed peoples are barely glanced at. But readers wanting more can look elsewhere for such coverage. It's easy to get caught up in the marvels of a fabled place. The intention here is to provide visual splendor, and that goal is met.
This volume may only be in a large library, for reference or in a rare-book room. (The big book is even rarer, naturally). It's worth spending a few hours with, to enjoy what a well-prepared text (despite a few typos--"abbot" is misspelled every time) and collection of images provide about a realm often mythologized by past and present visitors. This may prolong the myth-making, but it also addresses the practical shortcomings of everyday education and medical care too many still suffer.
(Amazon US 11-18-12)
Friday, January 11, 2013
Wednesday, January 9, 2013
Robert Dompnier's "Bhutan: Kingdom of the Dragon": Book Review
This offers a French photographer's array of images taken during many visits in the 1990s, emphasizing tradition and crafts. While short on text--the prefatory words are helpful but brief regarding Bhutan's history and each thematic chapter--it's handsomely arranged. The colors leap out and the size allows a map far larger than in most books on Bhutan--even if a tiny caption warns: "The borders as shown on this map are neither authentic or correct."
Originally published in 1999, this allows you to see more of the varied terrain and costumes, varied landscapes and faces. The natural range of tropical, hilly, mountainous, and valley settings covers nearly three-dozen pages of photos. Architecture of dzongs, houses, and shops follows, and the format allows you to peer into details. This also offers more examples from across the country than some other photographic collections.
The "great Punakha procession" with its symbolic commemoration of victory over the Tibetan invaders gains coverage. Next, the chapter on society takes you to markets, schools, looms, and hearths as well as the many historic dzongs, the district fortresses combining monastic control with administrative power. You see more of their interiors than usual, as other books tend to shoot their splendid exteriors atop dramatic, strategic positions. Dompnier's survey enters the walls, and reveals the monks and workers at their daily tasks.
More dances follow, and then it's off to very remote but truly captivating raw northern vistas of high Lunana, Laya, and the eastern lands of the Brokpa yak herders. A glossary of terms and a short reading list conclude this volume. The dimensions are not as overwhelming as, say, Michael Hawley's Friendly Planet Bhutan: A Visual Odyssey Across the Last Himalayan Kingdom from the early 2000s, but they are more comprehensive than the older The Dragon Kingdom: Images of Bhutan (1984) which cover similar ground and a similar time period.
This complements John Wehrheim's black-and-white photography and comprehensive narrative from 2011, Bhutan: Hidden Lands of Happiness. Dompnier's color matches Wehrheim's focus on people inside the landscape, and both fit into a more human presentation. For more on artifacts and crafts, the Bhutan: Fortress of the Mountain Gods (1998) large, scholarly book treats in-depth the history and culture of this kingdom. (Amazon US 12-3-12)
Originally published in 1999, this allows you to see more of the varied terrain and costumes, varied landscapes and faces. The natural range of tropical, hilly, mountainous, and valley settings covers nearly three-dozen pages of photos. Architecture of dzongs, houses, and shops follows, and the format allows you to peer into details. This also offers more examples from across the country than some other photographic collections.
The "great Punakha procession" with its symbolic commemoration of victory over the Tibetan invaders gains coverage. Next, the chapter on society takes you to markets, schools, looms, and hearths as well as the many historic dzongs, the district fortresses combining monastic control with administrative power. You see more of their interiors than usual, as other books tend to shoot their splendid exteriors atop dramatic, strategic positions. Dompnier's survey enters the walls, and reveals the monks and workers at their daily tasks.
More dances follow, and then it's off to very remote but truly captivating raw northern vistas of high Lunana, Laya, and the eastern lands of the Brokpa yak herders. A glossary of terms and a short reading list conclude this volume. The dimensions are not as overwhelming as, say, Michael Hawley's Friendly Planet Bhutan: A Visual Odyssey Across the Last Himalayan Kingdom from the early 2000s, but they are more comprehensive than the older The Dragon Kingdom: Images of Bhutan (1984) which cover similar ground and a similar time period.
This complements John Wehrheim's black-and-white photography and comprehensive narrative from 2011, Bhutan: Hidden Lands of Happiness. Dompnier's color matches Wehrheim's focus on people inside the landscape, and both fit into a more human presentation. For more on artifacts and crafts, the Bhutan: Fortress of the Mountain Gods (1998) large, scholarly book treats in-depth the history and culture of this kingdom. (Amazon US 12-3-12)
Monday, January 7, 2013
"The Dragon Kingdom: Images of Bhutan": Book Review
This 1983 large-format book combines a Buddhist-infused commentary by Blanche Christine Olschak with photographs by Ursula Markus-Gansser and Augusto Gannser. The Swiss-based trio of scholars reports from the earlier stages of the kingdom's connections with the West, and the analysis is therefore very light on modernization, which had just begun in the period they visited. It can be perused in a sitting, as a quick introduction to the traditional mindset of the region.
You do get a sense of the vast landscapes and mountain vistas. The photos of Lunana prove, as the text by Gansser underlines, the haunted quality of the far-off frontiers. Olschak's comments on the dances and rituals that dramatize Bon and Buddhist overlaps of stories and ideals also match the images effectively. What you won't get a sense of are the people themselves, in conversation or close-ups in the text. More from a distance, this shows the sights. It's brief, but fine for those who do not require an in-depth study of the realm.
Chapters on the religious myths and culture (attending well to spiritual themes, as this book comes from Shambhala Press in English translation), the topography (lovely photos from remote areas and well as dzongs and folk artifacts), dance (good on symbolism), "the coronation of the youngest king in the world" in 1972, and a small overview of transitions into the wider world. By now it may feel dated. It may be consulted as more "lightweight" in heft and content by those wanting a less comprehensive, but academically based survey than the 1998 Shambhala Press edition of the 1997-98 Vienna museum exhibition with scholarship, Bhutan: Fortress of the Mountain Gods, eds. Christian Schicklgruber and Francoise Pommaret. (Amazon US 11-24-12)
You do get a sense of the vast landscapes and mountain vistas. The photos of Lunana prove, as the text by Gansser underlines, the haunted quality of the far-off frontiers. Olschak's comments on the dances and rituals that dramatize Bon and Buddhist overlaps of stories and ideals also match the images effectively. What you won't get a sense of are the people themselves, in conversation or close-ups in the text. More from a distance, this shows the sights. It's brief, but fine for those who do not require an in-depth study of the realm.
Chapters on the religious myths and culture (attending well to spiritual themes, as this book comes from Shambhala Press in English translation), the topography (lovely photos from remote areas and well as dzongs and folk artifacts), dance (good on symbolism), "the coronation of the youngest king in the world" in 1972, and a small overview of transitions into the wider world. By now it may feel dated. It may be consulted as more "lightweight" in heft and content by those wanting a less comprehensive, but academically based survey than the 1998 Shambhala Press edition of the 1997-98 Vienna museum exhibition with scholarship, Bhutan: Fortress of the Mountain Gods, eds. Christian Schicklgruber and Francoise Pommaret. (Amazon US 11-24-12)
Saturday, January 5, 2013
"Bhutan: Taking the Middle Path to Happiness": Film Review
"Gross National Happiness" increasingly grows familiar as a catchphrase to sum up Bhutan's ambitions to orient its Himalayan fastness within harmonious precepts as taught by Buddhism and shared equitably among its peoples to assure mutual comfort, educational advancement, and spiritual progress. This project comprises this one-hour video produced by Thomas Vendetti and John Wehrheim. With Dr. Vendetti's experience with mental health outreach for the Hopi and now the residents of Maui, and Mr. Wehrheim's career as a hydroponics engineer who has worked in Hawai'i and Bhutan, one understands their professional connections that linked them to explore this kingdom's initiative under its benign monarchy to promote entry into the modern world while keeping traditional lifestyles, and as they are perched between a covetous China and a teeming India.
This geographical situation demands caution. Its ecological treasures require caretaking. Compared to the recent fate of other Buddhist realms, Tibet, Ladakh, Mustang, and Bhutan's neighbor, Sikkim, the need to preserve ancient wisdom, careful tourism, and economic growth makes this land a unique case study, the last jurisdiction where Tantric Buddhism enters into the governance of the nation.
Part 1 introduces the environmental imperative, and then segues into culture, water, and governance. The feel is very much what you'd see on public television or as an educational film. That is, there's no dramatization or re-enactments, no need to pump up an inherently worthy subject. The Prime Minister, Lyinpo Yeshey Zimba, and a musician-Performing Arts director, Jigme Drukpa, take turns narrating their country's plans. The Dalai Lama's prescriptions for happiness append this as a short feature. All agree: the pleasures of this world can be beneficial, but their best attainment is by that which limits greed and sustains nature.
I watched this prefaced by a bit of familiarity from books. (See my reviews of Radio Shangri-La by Lisa Napoli, Beyond the Sky and the Earth by Jamie Zeppa, So Close to Heaven: the Vanishing Buddhist Kingdoms of the Himalayas by Barbara Crossette, Bradley Mayhew's Lonely Planet and Francoise Pommaret's Bhutan: Himalayan Mountain Kingdom (Odyssey Guides) guidebook.) But like most Westerners, I lacked direct sight of this place. Color within native costumes, the architecture sustained in the old style for all new buildings, and the soft scenes of mist and scree all unfurled. Robert C. Stone's cinematography conveys some of the vastness of high peaks and narrow valleys, ravines and rivers cutting into sheer stone.
Out of this landscape, after learning of John Wehrheim's expertise (besides the script, he's written and photographed well his 1991-2006 stints there in "Bhutan: Hidden Lands of Happiness"--some of its evocative black-and-white images enrich the film), I can better relate to why hydro-electric energy takes up part 3 of the running time. Its facilities largely out of sight underground and in narrow gorges, they now harness but 5% of the potential power. More than the zero of a few years ago, but far more could be used to sell off to India, neatly capturing the snowmelt and profiting the inhabitants of a land needing revenue with so little arable land in such a vertically dominant spot.
My wife wondered as she watched if there was more to Bhutan's story; she hinted it seemed too simple. Hints of tension arise elsewhere; part 2 mentions that the advent of television in 1999 sparked a rise in crime and strife, so this piqued my curiosity. It's natural not to want to highlight this in a film about the pursuit of happiness, but more might have been given to the problems that modernity brings, as well as the trap that Bhutan may feel as it's aiming for freedom while positioned between two superpowers bent on making this century their own in a globalized, more heartless, system.
The 2008 film ends in an open-ended manner. The four parts or "pillars" of the Happiness plan along the Middle Path of moderation preached by the Buddha organize it, and after each, some music is shown. Western musicians join in as a celebration for the King's birthday occurs, and this concludes the documentary. I was not sure why the film wrapped itself up when it did, but this may suggest the striving of the kingdom will always be softened by the chance for festivity and community, aspects again necessary along with electrification, healthcare, literacy, and education (delightful that birth control is often taught to villagers by monks--a great touch!) as must-haves on the four-part plan. (Amazon US, 10-24-12; film's website. See also his book of photos and narrative on "Taylor Camp")
This geographical situation demands caution. Its ecological treasures require caretaking. Compared to the recent fate of other Buddhist realms, Tibet, Ladakh, Mustang, and Bhutan's neighbor, Sikkim, the need to preserve ancient wisdom, careful tourism, and economic growth makes this land a unique case study, the last jurisdiction where Tantric Buddhism enters into the governance of the nation.
Part 1 introduces the environmental imperative, and then segues into culture, water, and governance. The feel is very much what you'd see on public television or as an educational film. That is, there's no dramatization or re-enactments, no need to pump up an inherently worthy subject. The Prime Minister, Lyinpo Yeshey Zimba, and a musician-Performing Arts director, Jigme Drukpa, take turns narrating their country's plans. The Dalai Lama's prescriptions for happiness append this as a short feature. All agree: the pleasures of this world can be beneficial, but their best attainment is by that which limits greed and sustains nature.
I watched this prefaced by a bit of familiarity from books. (See my reviews of Radio Shangri-La by Lisa Napoli, Beyond the Sky and the Earth by Jamie Zeppa, So Close to Heaven: the Vanishing Buddhist Kingdoms of the Himalayas by Barbara Crossette, Bradley Mayhew's Lonely Planet and Francoise Pommaret's Bhutan: Himalayan Mountain Kingdom (Odyssey Guides) guidebook.) But like most Westerners, I lacked direct sight of this place. Color within native costumes, the architecture sustained in the old style for all new buildings, and the soft scenes of mist and scree all unfurled. Robert C. Stone's cinematography conveys some of the vastness of high peaks and narrow valleys, ravines and rivers cutting into sheer stone.
Out of this landscape, after learning of John Wehrheim's expertise (besides the script, he's written and photographed well his 1991-2006 stints there in "Bhutan: Hidden Lands of Happiness"--some of its evocative black-and-white images enrich the film), I can better relate to why hydro-electric energy takes up part 3 of the running time. Its facilities largely out of sight underground and in narrow gorges, they now harness but 5% of the potential power. More than the zero of a few years ago, but far more could be used to sell off to India, neatly capturing the snowmelt and profiting the inhabitants of a land needing revenue with so little arable land in such a vertically dominant spot.
My wife wondered as she watched if there was more to Bhutan's story; she hinted it seemed too simple. Hints of tension arise elsewhere; part 2 mentions that the advent of television in 1999 sparked a rise in crime and strife, so this piqued my curiosity. It's natural not to want to highlight this in a film about the pursuit of happiness, but more might have been given to the problems that modernity brings, as well as the trap that Bhutan may feel as it's aiming for freedom while positioned between two superpowers bent on making this century their own in a globalized, more heartless, system.
The 2008 film ends in an open-ended manner. The four parts or "pillars" of the Happiness plan along the Middle Path of moderation preached by the Buddha organize it, and after each, some music is shown. Western musicians join in as a celebration for the King's birthday occurs, and this concludes the documentary. I was not sure why the film wrapped itself up when it did, but this may suggest the striving of the kingdom will always be softened by the chance for festivity and community, aspects again necessary along with electrification, healthcare, literacy, and education (delightful that birth control is often taught to villagers by monks--a great touch!) as must-haves on the four-part plan. (Amazon US, 10-24-12; film's website. See also his book of photos and narrative on "Taylor Camp")
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Thursday, January 3, 2013
John Wehrheim's "Bhutan: Hidden Lands of Happiness": Book Review
That is, after fifteen years as a hydropower consultant working in Bhutan, 1991-2006, what he presents peers into the Bhutanese, many of whom he honors as "my friend" in the calm, steady narrative. As in his similar pairing of story and image, "Taylor Camp" from Kaua'i, the clash of the recent with the traditional underlies his perspective, allowing him to record patiently the varying reactions from the natives to a world that wants to barge in, attracted to an Asian area's remote charms and natural wonders. But this does not mean he romanticizes a place where television in 1999 brings unwelcome temptations, and advertising tempts people away from the Buddhist admonition to let go of desires.
Fittingly, after a deftly conveyed history of Bhutan and its context within Indian-fueled border struggles where the nation its novel way wins a recent war on terror, the geographically east-west path begins in Paro, where one lands at the airport. Wehrheim explores the Drukpa heartlands, in western and central regions, and treks follow drives into the northern interior near Tibet. A climb up to Taktshang doesn't seem to faze him. We learn of the Divine Madman and patron saint Drukpa Kinley, and the girl turned goddess Yeshe Tsogyal.
In the Thimphu chapter, we visit his hosts Jack and Karma; she relates her family's saga which shows the difficulties of many in this land where subsistence farming exacts its toll, and which in its abandonment the capital lures some young folks eager for civil service and bright lights. "TV ruined my life," laments a bumper sticker. Wehrheim as an engineer observes astutely how the modern buildings in traditional style gloss over concrete and steel the folk patterns but the structures cannot sustain the shapes that have evolved gracefully with organic materials.
In Punakha, Wangchu takes him into the forests. A yellow dog, one of the ubiquitous barkers, hassles him one night. A yelp is heard later. A leopard has taken off the cur, like a cat with a rat, the beast hanging limp in firm jaws.
Bhutan's predicament might be akin to that of small prey between big beasts. Glacial melts worsen conditions; the fate of Nepal and its deforestation, and of Tibet with the loss of its timber, overshadows this nation as it tries to balance sustainable growth with a reluctance or eagerness (the capitulation of Sikkim lingers as its doomed neighbor) to rule one's self. The central regions of Wangdi, Trongsa, and Bumthang give the author a chance to join a royal celebration, that goes on for weeks it seems. The king having abdicated at fifty for his son's reign, the son urges his people to further democracy. But, they fear the corruption and graft of their neighbors will infect the Bhutanese polity.
Before this event, my favorite chapters take us nearer the northwest frontier with Tibet. First, Wangchu and companions escort Wehrheim into Gasa. A hot spring, and elegant portraits of its bathers, enhance a bawdy set of exchanges, as if the Wife of Bath reincarnated. The territory of Laya and then rival Lunana follow. The Layap, more laid-back, exemplify a "hidden" people tucked away out of sight of the Tibetan trade routes, 12,000 feet up. Conical hats perched on the women and the forthright, practical attitude of the locals make them a memorable bunch. Their "night-hunting" custom of matchmaking seems a twist on my Lao or Hmong students' tales of similar "abduction" where all the family are complicit!
As with the Lunap, the people over in Lunana, they seem far removed from what we know as neighbors. The Lunap have practiced polyandry as the men are away so long and this kept the population low in a harsh terrain. A more reticent and gruff lot, they contrast with the Layap.
In a moonscape, Wehrheim, a water expert, knows that he cannot get sick from a "sacred spring" that high up. He drinks a cold draft. He gives in as his heart stops and energy invades his body. He relates a terrible and powerful afternoon spent coping with the aftereffects of the "naga."
Reading these encounters, the vivid and textured photography interspersed to often comment directly or subtly on the narrative, you learn about the sensibility of the people. Gradually, your own time and space retreat, as with the impact of the "naga's water," if not so dreadfully. Receding from our own surroundings, the harsh and gentle notes mingled in this account merge and rise.
Unlike more heavily promoted reports from Bhutan, falling into New Age rapture or (see my reviews of "Radio Shangri-La" by Lisa Napoli and Jamie Zeppa's "Beyond the Sky and the Earth" for a relevant pair) "I went there and fell in love" revelations, "Bhutan: Hidden Lands of Happiness" allows a longer gaze than a first-person voice, through the camera. While limited of course to his choice, the added visions open up the reader to become a viewer. He tells us in an afterword: "The words and events are true but not always in the order and sequence implied."
In Wehrheim's last chapter, in a bar in Thimphu Town, he tells an ambitious Indian who wishes to push Bhutan twenty years forward that such a jolt will leave it like Sikkim: invaded by immigrants, overrun by India, touristed and commodified. Forty years behind Bhutan may be, but better that than the fate of Tibet after that period. In a parallel conversation with a Tibetan-descended man, whose family in part escaped, Wehrheim sums up his subject jauntily. "Happy peasants in bountiful fields. A King who's too good to be true. The usual. I'm making photos, shooting video and collecting stories. Everybody in Bhutan's got a story--some of them might even be true." (Amazon US 11-1-12)
Tuesday, January 1, 2013
John Wehrheim's "Taylor Camp": Book Review
Taylor gave it out of spite (the county wanted the land for a park) to the campers, who had been jailed after settling in a another island park. They were very young mainlanders, often from California, often well-off, and in March 1969, they took possession. They tried to go native: treehouses, plastic sheeting, and a beachfront property. Food stamps, a garden, and cultivation of "pakalolo" (the last endearing them to a few otherwise wary locals) sufficed. An eclectic chapel, happily naked parents and kids cavorting on the sands, many smiles--these fill the pages along with recollections of the residents, decades later. I was impressed how satisfied and healthy, given what I reckoned would be conditions of squalor and sloth, they look.
Then, as Liz visited, the puka shell craze began, and Surfer Magazine featured the shore on a cover and lavish page spread, the idyll ended. At its height, three hundred hippies and other wanderers and beach-bums flocked to a place too fragile to endure. The state in 1977 ordered Sam Lee to burn the camp, after evictions, although all left without resistance. The people are still waiting for their park on the site of the camp, even as other areas nearby get snapped up for development of condos and second homes. Let's hope it stays in the public domain.
And, as the mini-essays appended to the photos document (there's also a DVD released separately in 2008), the sunny smiles portrayed over and over in this well-designed book did not endure for all the campers. The jungle hid its own secrets among the treehouses by the end of the road. Paradise's costs took their toll. While many of those who came to stay there for a while or forever testify movingly, the young children raised there relate the difficulty to grow up so quickly, where few outsiders attended school or were accepted, and among the counter-cultural mores and casual relationships that tended to be the Camp lifestyle.
Suzanne "Bobo" Bollin, one of many examples, typifies the profile. She left San Diego after run-ins with the police over pot. She jumped probation and fled with her girls to Kaua'i. She partied, she indulged, and she inhaled. Yet she bemoans the changes that her own arrival accelerated: "Go watch the sunset. People are getting so far away from what God wants us to do, we really need to get back to nature, and I am hoping that this book will help people do that."
Vietnam sent some there for peace--Calvin Kuamo'o tells his story, raised on the Big Island, fighting as an Asian for America, coming back from hell; "Taylor Camp gave me heaven." Spirituality, sexuality, and a lack of materialism attracted many to the allure of this unfrequented hideaway. Many stayed, one reason the population is three times that in 1969 on the island. Most of those interviewed reside somewhere throughout Hawai'i, although some--showing the changes once upon a time--had left the Camp for the Big Island as back then land was cheaper. D. Keakealani Ham Young describes conflicts between incomers and locals, how those around the Camp tended to keep their distance.
Many islanders tell of the passing of the old ways, the loss of respect for land passed down, as newcomers rushed in. They themselves often defend the island they have adopted: they respect the customs that their own enthusiastic presence has complicated by the entry of so many from elsewhere. Now, many whose roots are in the islands cannot afford to stay where their families raised them--I think of some of my own dorm mates back in college who had left O'ahu to study in L.A. I teach a few students now, in Southern California, who have since left that "rock" for the mainland, to find work and an affordable home.
John Wehrheim himself came to the islands in 1969, and married into a local family; his wife became mayor of the County of Kaua'i. Her opponent, also interviewed, lobbied for the hotels and houses that now dominate some of the island; she had wanted more farming. You can judge the results yourself.
His portrait, fair-minded and elegiac, begins with his deft survey of the squabbles and idealism that infused the Camp. His photos arrange towards "mauka" inland moving up from "makai," as he follows the pattern of sea to mountain. He shows us the residents living there near the end of the commune, 1976 or so in the village, as if on a guided tour. Photos and quotes comprise the main section. This then introduces the essays, from those who watched, battled, supported, and became Taylor Camp. The results stand as an eloquent picture of the hippie dream before it faded into the darkening ocean at twilight. (Amazon US 10-24-12; compare photos in Wehrheim's "Bhutan" book.)
Monday, December 31, 2012
Ulchabhán nó siogairlín?
Thug Léna dom seo ar feadh leathanta saoire faoi deireadh. Mheas mé go raibh a fheicéail chomh ulchabán. Ar ndóigh, mbeadh sé chomhtharlú ann.
D'inis sí orm go bhfuil é mona ó Bhútáin. Is cosúil é go deich bpingin. Tú ábalta a scrúdú a dhéanamh é ar beagán níos mó méid iarbhír ar dheis.
Maisith sé leis giotán ó choréil agus glasghorm/gormghlas/turcaid. Is cuimhne liom go raibh dá chomh clocha lómhara ag imeall Tibéid. Sílím go raibh choréil a thabhairt go An tÁigean Indiach go dtí na Himíleach.
D'fhóghlaim eolas ó suíomh ar an ghreasán na díoltóra. Tá sé faoi ina bosca chun cinn a choinneáil paidir nó briocht ann. Tá sé ar taispeáint mar sheoid go minic.
Tá sé ainmnithe bosca urnaí "Gau" i Tibéid. Thug sé beannacht mar is gnách. Mar sin féin, is maith liom a shamhlú chomhartha dathúil seo chomh ulchabhán ciallmhar beag "leis sochair i bhfolach"!
Owl or pendant?
Layne gave me this during the holidays lately. I reckon that it may look like an owl. Of course, it may be a coincidence there.
She told me that it is a coin from Bhutan. It's similar to a tenpence. You are able to examine it at a little more than actual size at the right.
It's decorated with bits of coral and turquoise (green-blue/blue-green). I recall that both are like precious stones around Tibet. I think that coral is taken from the Indian Ocean to the Himalayas.
I learned information from the site on the web of the seller. It is a box to keep a prayer or amulet. It is displayed as jewelry often.
The prayer-box is called a "Gau" in Tibet. It carries a blessing, customarily. All the same, it pleases me to imagine this handsome token as a wise little owl "with hidden benefits"!
Siogairlín bosca paidir urnaí leis mona ó Bhútáin/ Bhutanese coin Ghau prayer-box pendant
D'inis sí orm go bhfuil é mona ó Bhútáin. Is cosúil é go deich bpingin. Tú ábalta a scrúdú a dhéanamh é ar beagán níos mó méid iarbhír ar dheis.
Maisith sé leis giotán ó choréil agus glasghorm/gormghlas/turcaid. Is cuimhne liom go raibh dá chomh clocha lómhara ag imeall Tibéid. Sílím go raibh choréil a thabhairt go An tÁigean Indiach go dtí na Himíleach.
D'fhóghlaim eolas ó suíomh ar an ghreasán na díoltóra. Tá sé faoi ina bosca chun cinn a choinneáil paidir nó briocht ann. Tá sé ar taispeáint mar sheoid go minic.
Tá sé ainmnithe bosca urnaí "Gau" i Tibéid. Thug sé beannacht mar is gnách. Mar sin féin, is maith liom a shamhlú chomhartha dathúil seo chomh ulchabhán ciallmhar beag "leis sochair i bhfolach"!
Owl or pendant?
Layne gave me this during the holidays lately. I reckon that it may look like an owl. Of course, it may be a coincidence there.
She told me that it is a coin from Bhutan. It's similar to a tenpence. You are able to examine it at a little more than actual size at the right.
It's decorated with bits of coral and turquoise (green-blue/blue-green). I recall that both are like precious stones around Tibet. I think that coral is taken from the Indian Ocean to the Himalayas.
I learned information from the site on the web of the seller. It is a box to keep a prayer or amulet. It is displayed as jewelry often.
The prayer-box is called a "Gau" in Tibet. It carries a blessing, customarily. All the same, it pleases me to imagine this handsome token as a wise little owl "with hidden benefits"!
Siogairlín bosca paidir urnaí leis mona ó Bhútáin/ Bhutanese coin Ghau prayer-box pendant
Saturday, December 29, 2012
"Brilliant Moon": Film Review
Narrated by Richard Gere, this documentary calmly relates the long life (1910-1991) of Dilgo Khyentse Rinpoche, who fled Tibet for Bhutan. There, he taught the present Dalai Lama as well as Dzongsar Khyentse (aka the film director Khyentse Norbu), and Matthieu Ricard, who has served as a translator and exponent of Vajrayana Buddhism to the West from this same Himalayan kingdom. It's a very straightforward presentation, just under an hour.
I watched wondering about what motivates the appeal, expressed by all fervently in their on-camera testimony, of one said to be "perfect" and enlightened, who chooses to leave a life of potential retreat (and a family he later fathered if kept by a devout patriarch at seemingly somewhat of a distance) to sit before others and watch them pay him homage, as the transmitter of wisdom. During this hour, his dharma teachings remained simply expressed, if difficult to master. The tone of this film, reverent and in awe, is not be gainsayed, but it's more a respectful hagiography than a critical exploration of a Tibetan exemplar's evidently wide appeal and lasting impact.
Therefore, it may please those already committed to his influence, rather than convince those curious. I'd recommend Matthieu Ricard's 1998 film (reviewed by me Dec. 2012), "The Spirit of Tibet," which uses some of the same archival footage from the Rinpoche's 1985 visit and that of his cremation and reincarnation, but which conveys a deeper sense of the "spiritual energy" of the teacher, as the Dalai Lama sums it up, as well as the "boundless compassion" for all, enemies and friends, as the "dzogchen" message.
As with his audiobook reading (reviewed by me Oct. 2008) for "The Tibetan Book of the Dead," Richard Gere provides an assured narration. Lou Reed, by the way, is featured in credits, but from my ear, it seems he speaks only a couple of voiceovers for past Tibetan masters who testify to the Rinpoche's love and compassion. The soundtrack, none of it credited to Reed, remains a tasteful blend of East-West world music that stands for the meeting of cultures epitomized.
What stands out most: Branko Teslic's animation team. The guru's early years unfold in a folk-style Tibetan series of imagery that moves gently, as if a graphic novel's soft, pastel tones come to life. This drew me in most, and showed how a thoughtful application of technology can enhance a film's content. As I said, it's a very respectful homage to a teacher, but the secret of his pull over so many may remain, perhaps suitably if elusively on camera or in a script, subtle for those coming to this film without already being captivated by its subject. (Amazon US 12-13-12)
I watched wondering about what motivates the appeal, expressed by all fervently in their on-camera testimony, of one said to be "perfect" and enlightened, who chooses to leave a life of potential retreat (and a family he later fathered if kept by a devout patriarch at seemingly somewhat of a distance) to sit before others and watch them pay him homage, as the transmitter of wisdom. During this hour, his dharma teachings remained simply expressed, if difficult to master. The tone of this film, reverent and in awe, is not be gainsayed, but it's more a respectful hagiography than a critical exploration of a Tibetan exemplar's evidently wide appeal and lasting impact.
Therefore, it may please those already committed to his influence, rather than convince those curious. I'd recommend Matthieu Ricard's 1998 film (reviewed by me Dec. 2012), "The Spirit of Tibet," which uses some of the same archival footage from the Rinpoche's 1985 visit and that of his cremation and reincarnation, but which conveys a deeper sense of the "spiritual energy" of the teacher, as the Dalai Lama sums it up, as well as the "boundless compassion" for all, enemies and friends, as the "dzogchen" message.
As with his audiobook reading (reviewed by me Oct. 2008) for "The Tibetan Book of the Dead," Richard Gere provides an assured narration. Lou Reed, by the way, is featured in credits, but from my ear, it seems he speaks only a couple of voiceovers for past Tibetan masters who testify to the Rinpoche's love and compassion. The soundtrack, none of it credited to Reed, remains a tasteful blend of East-West world music that stands for the meeting of cultures epitomized.
What stands out most: Branko Teslic's animation team. The guru's early years unfold in a folk-style Tibetan series of imagery that moves gently, as if a graphic novel's soft, pastel tones come to life. This drew me in most, and showed how a thoughtful application of technology can enhance a film's content. As I said, it's a very respectful homage to a teacher, but the secret of his pull over so many may remain, perhaps suitably if elusively on camera or in a script, subtle for those coming to this film without already being captivated by its subject. (Amazon US 12-13-12)
Thursday, December 27, 2012
"The Spirit of Tibet": Film Review
This is one of two recent documentaries about the influential Tibetan teacher, Dilgo Khyentse Rinpoche (1910-1991). He taught the present Dalai Lama, as well as the director and writer of this 1998 forty-five minute film, Matthieu Ricard. The Rinpoche fled Tibet for Bhutan, but was able to return to his homeland in 1985 to start the restoration of the realm's oldest monastery at Samyé, ruined by the communists.
Most of his life, divided between Tibet and Bhutan, was spent exemplifying "boundless compassion." The Dalai Lama explains how his teacher's "spiritual energy" continued as lamas reincarnate to shepherd others along the Buddhist path. Certainly, the crowds that flocked to the Rinpoche demonstrate his genial, unruffled appeal. True, it's not a critical investigation, made by Buddhists for the same, so within these limits, it may narrow the audience to those curious about him.
Lots of this film comprises him sitting before those bowing respectfully. Yet, it's a challenge to see how the acclaim he generates for the teaching of the Buddha he embodies comes through on camera. Within a short span of a few minutes, cinematic "glimpses," as the subtitle promises, may be its rationale.
For Westerners or those unfamiliar with his reputation, this provides a more contextual--arguably less hagiographical if still unfailingly reverential--perspective compared to the 2010 "Brilliant Moon" documentary (see my Dec. 2012 review). Both are narrated smoothly by Richard Gere, and some of the footage repeats, understandably, concerning the visit to Tibet, the cremation of the teacher, and the recognition ceremony for his reincarnation.
"The Spirit of Tibet" relates more basic background on Buddhism and its Vajrayana school popular throughout the Himalayas. It offers a wider perspective than "Brilliant Moon," so it may be viewed first as an overview. Still, "Spirit" may best be suited to those already convinced of this jovial, big, smiling lama's compelling message. If not, it may spark interest in this man's venerable example.
(YouTube in English; Amazon 12-13-12)
Most of his life, divided between Tibet and Bhutan, was spent exemplifying "boundless compassion." The Dalai Lama explains how his teacher's "spiritual energy" continued as lamas reincarnate to shepherd others along the Buddhist path. Certainly, the crowds that flocked to the Rinpoche demonstrate his genial, unruffled appeal. True, it's not a critical investigation, made by Buddhists for the same, so within these limits, it may narrow the audience to those curious about him.
Lots of this film comprises him sitting before those bowing respectfully. Yet, it's a challenge to see how the acclaim he generates for the teaching of the Buddha he embodies comes through on camera. Within a short span of a few minutes, cinematic "glimpses," as the subtitle promises, may be its rationale.
For Westerners or those unfamiliar with his reputation, this provides a more contextual--arguably less hagiographical if still unfailingly reverential--perspective compared to the 2010 "Brilliant Moon" documentary (see my Dec. 2012 review). Both are narrated smoothly by Richard Gere, and some of the footage repeats, understandably, concerning the visit to Tibet, the cremation of the teacher, and the recognition ceremony for his reincarnation.
"The Spirit of Tibet" relates more basic background on Buddhism and its Vajrayana school popular throughout the Himalayas. It offers a wider perspective than "Brilliant Moon," so it may be viewed first as an overview. Still, "Spirit" may best be suited to those already convinced of this jovial, big, smiling lama's compelling message. If not, it may spark interest in this man's venerable example.
(YouTube in English; Amazon 12-13-12)
Tuesday, December 25, 2012
John O'Hanlon's "The Buddhist of Castleknock": Book Review
Guess who's coming for Christmas? This Irish tragicomedy of manners as culture clash, set in a changing Dublin, features Jim O'Hanlon's twist on this storyline. John returns from London to introduce his new girlfriend to his family, the Sullivans. Mother Edie and father Seán, brothers Edward and DJ, and sister Tara meet Rai, "English, of African extraction," as the notes of this play indicate, and as Tara repeats at one tense point in the dramatic tensions that ensue. Despite the initial set-up and the dustjacket blurb, it's not racism per se which kicks this play into high gear so much as the fear of what the multicultural couple's stance represents to the Irish Catholic family.
John, like Rai, has embraced Buddhism. So, their renunciation of meat, alcohol, and Midnight Mass adds up to perceived insults in the eyes of some of the Sullivans. This complicates the traditional celebrations the family clings to at the holiday. Over Christmas Eve, Christmas, and St. Stephen's Day, O'Hanlon's play shows the conflicts that result when customs are challenged by John and Rai.
Adding to this, Edie's sister, Kathleen, and her husband Jimmy arrive for their usual visit, although Rai's predicament introduces a not altogether unexpected plot complication--or perhaps setting up a tidy resolution--in the middle of the action. This did not surprise me much, and it seemed too standard a subplot, but it allows the domestic situation to unfold as DJ's machinations stir up more of this seasonal scuffling. O'Hanlon arranges parts of this similar to a situation comedy with a moral, and this style does not allow nuance.
I found Jimmy's patriotic barstool rebel defense also very predictably handled, far too stereotypical to allow much nuance, but perhaps on stage depth might emerge from what's unsaid on the page. Whatever counterargument might be given for the sustenance of Irish culture or its ancient language in the midst of unprecedented globalization and migration does not get its own say here, at least from the script in my hand. The play works best when it's more sensitive, as in a scene where Rai, John, Seán, and Edward try meditation under her guidance; Tara watches with a vodka bottle nearby, bemusedly.
O'Hanlon, whose British writing-directing credits include episodes of the venerable "Coronation Street," handles this play with expected verve. Premiered by Fishamble in Dublin, 2003, it was published by New Island in 2007. The book version moves neatly, hitting the beats in what appears dependable fashion. For all its comforting craft, it handles the Irish Tara coincidence with Tibetan Buddhism's manifestations of compassion, Green and White Tara, neatly as a fitting symbol of harmony that may unite the (post-)Catholic with the globalizing present and future of Ireland. (Amazon US, 12-10-12)
John, like Rai, has embraced Buddhism. So, their renunciation of meat, alcohol, and Midnight Mass adds up to perceived insults in the eyes of some of the Sullivans. This complicates the traditional celebrations the family clings to at the holiday. Over Christmas Eve, Christmas, and St. Stephen's Day, O'Hanlon's play shows the conflicts that result when customs are challenged by John and Rai.
Adding to this, Edie's sister, Kathleen, and her husband Jimmy arrive for their usual visit, although Rai's predicament introduces a not altogether unexpected plot complication--or perhaps setting up a tidy resolution--in the middle of the action. This did not surprise me much, and it seemed too standard a subplot, but it allows the domestic situation to unfold as DJ's machinations stir up more of this seasonal scuffling. O'Hanlon arranges parts of this similar to a situation comedy with a moral, and this style does not allow nuance.
I found Jimmy's patriotic barstool rebel defense also very predictably handled, far too stereotypical to allow much nuance, but perhaps on stage depth might emerge from what's unsaid on the page. Whatever counterargument might be given for the sustenance of Irish culture or its ancient language in the midst of unprecedented globalization and migration does not get its own say here, at least from the script in my hand. The play works best when it's more sensitive, as in a scene where Rai, John, Seán, and Edward try meditation under her guidance; Tara watches with a vodka bottle nearby, bemusedly.
O'Hanlon, whose British writing-directing credits include episodes of the venerable "Coronation Street," handles this play with expected verve. Premiered by Fishamble in Dublin, 2003, it was published by New Island in 2007. The book version moves neatly, hitting the beats in what appears dependable fashion. For all its comforting craft, it handles the Irish Tara coincidence with Tibetan Buddhism's manifestations of compassion, Green and White Tara, neatly as a fitting symbol of harmony that may unite the (post-)Catholic with the globalizing present and future of Ireland. (Amazon US, 12-10-12)
Sunday, December 23, 2012
Michel Peissel's "Mustang: The Forbidden Kingdom": Book Review
As a child, I learned about this thumb-shaped projection of an independent, feudal principality in Nepal that stuck into the Chinese-occupied Tibetan frontier. Michel Peissel, a French-born, English-raised explorer, wrote for National Geographic his account, as the first Westerner allowed to visit this tiny realm in 1964. Since Mustang for me meant in the late 1960s the fantastic Ford model, and secondarily a horse as I grew up, I wondered about connections--there aren't any.
Mustang derives here from Lo Mantang, the walled capital of a thousand people that at this time (since Nepal's Maoists took over in 2008, it's no more) continued medieval European equivalents into the modern era. Peissel, the first European who slept within its confines, takes two months to wander the land, looking for clues as to the origins of its kings in neglected chronicles. It took him two weeks to hike to the kingdom of Lo from Nepal, and few of its intelligent but isolated inhabitants had ever seen a "long nose" foreigner before.
His colloquial Tibetan, gleaned from a grammar abroad and then years of study, affords this Oxford-educated, Harvard Business School dropout a chance to enter the country, after a prime minister's assassination in similarly cautious Bhutan (he wrote about trekking across it in 1970's "Lords and Lamas") foils his plan to stay there. He longs to go deeper into the peaks and plateaus. Lo sits in the "great Himalayan breach" north of Annapurna and Dhalulagiri ranges, facing the funneled winds that bake it up to 90 in the day but freeze it at night. Given Tibet's capitulation, he cannot enter that territory, but he comes as close as possible. Mustang itself, patrolled by Khampas fighting a guerrilla war (see Peissel's later "The Secret War in Tibet") against the communists, proves an edgy outpost.
Even though he does not mention he's a diplomat's son, his negotiations enable him to elude trouble. He and his Tibetan comrade, Tashi, manage to figure out the background of the dynasty that hosts them, and parallels between medieval mindsets of Peissel's ancestors and those of the Lobas he gets to know during his residence can be insightful. He tends as in his later books to boost the advantages of the primitive over the jet-set, but he offers a patient view of the advantages the rest of us forget.
"The fortlike appearance of Kag spoke of a more valiant and warlike race, expressing in the majesty of geometrical sturdiness a taste more robust and less over-richly refined." (69) This as he broaches the divide between Hindu Nepal's "sickly mystery" and enters "the land of Lamas and Buddhism." Later, he spends a restless sleep in a Khampa "samar" war camp, and after Tashi confides his beliefs in spirits, Peissel ruminates. His uneasiness dominates his reflections, with no distractions in the tent, and medieval devils at night seem as real as a similarly outmoded God might in the day to protect him from avalanches and robbers. The next morning, "I had learned the meaning of fear as a direct product of faith. The fear of God, the fear of demons, the fear of famine, of cold, of fire, and of war. In Tibet faith equals fear; this inspires hope and religion." (83)
He continues: "It is faith free of doubt and questioning, it is the capacity to believe in the supernatural as a reality that is the foundation stone of a society of the medieval type. In such a society the incredible is believed, the unusual is not questioned, and the amazing is regarded as commonplace. I was now in the world of the 1,086 Tibetan demons that haunt man and beast and that are realities to the peasants and to Tashi, as they would have to be for me if I was to share the life and culture of Mustang." (84)
Peissel does fall hard for this little enclave, and his affection infuses this account. While he tires at the elevation and fatigue seems to do him in on his later forays away from the capital into the caves (I wanted to learn more about them, as at Yara, and the villages he passed through rather abruptly), it's a valuable reminder of what we miss as we evolve. "In fact we in the modern world all become half blind and half deaf from necessity if we are to admire beauty." (225) He observes how the Taj Mahal so photogenic is next to a "monstrous steel bridge," and how only the careful camera can rescue some places we admire from, say, the fate of the Acropolis, seen by him behind a chicken-wire fence.
The book (subtitled in its 1992 reprint "A Lost Tibetan Kingdom" or "The Forbidden Kingdom" in the edition I read from 1967) tends to rush the latter portion of his stay. He must have taken enormous amounts of notes. For a month's stay and two weeks trek in, it's a substantial report, although the rest of Lo outside the walls of Lo Mantang gets rushed and Peissel's health and stamina may have weakened his attention. Like an earlier, multinational English resident-author in or near these mountains Marco Pallis in Peaks and Lamas (see my March 2011 review), Peissel undergoes a subtle but telling change by the end. He is given a Buddhist name by a lama, Shelkagari, in his fragile state, and his awareness for all his Westernized skepticism appears to alter, after the title he inherits "Crystal Clear Mountain." (11-30-12 to Amazon US)
Mustang derives here from Lo Mantang, the walled capital of a thousand people that at this time (since Nepal's Maoists took over in 2008, it's no more) continued medieval European equivalents into the modern era. Peissel, the first European who slept within its confines, takes two months to wander the land, looking for clues as to the origins of its kings in neglected chronicles. It took him two weeks to hike to the kingdom of Lo from Nepal, and few of its intelligent but isolated inhabitants had ever seen a "long nose" foreigner before.
His colloquial Tibetan, gleaned from a grammar abroad and then years of study, affords this Oxford-educated, Harvard Business School dropout a chance to enter the country, after a prime minister's assassination in similarly cautious Bhutan (he wrote about trekking across it in 1970's "Lords and Lamas") foils his plan to stay there. He longs to go deeper into the peaks and plateaus. Lo sits in the "great Himalayan breach" north of Annapurna and Dhalulagiri ranges, facing the funneled winds that bake it up to 90 in the day but freeze it at night. Given Tibet's capitulation, he cannot enter that territory, but he comes as close as possible. Mustang itself, patrolled by Khampas fighting a guerrilla war (see Peissel's later "The Secret War in Tibet") against the communists, proves an edgy outpost.
Even though he does not mention he's a diplomat's son, his negotiations enable him to elude trouble. He and his Tibetan comrade, Tashi, manage to figure out the background of the dynasty that hosts them, and parallels between medieval mindsets of Peissel's ancestors and those of the Lobas he gets to know during his residence can be insightful. He tends as in his later books to boost the advantages of the primitive over the jet-set, but he offers a patient view of the advantages the rest of us forget.
"The fortlike appearance of Kag spoke of a more valiant and warlike race, expressing in the majesty of geometrical sturdiness a taste more robust and less over-richly refined." (69) This as he broaches the divide between Hindu Nepal's "sickly mystery" and enters "the land of Lamas and Buddhism." Later, he spends a restless sleep in a Khampa "samar" war camp, and after Tashi confides his beliefs in spirits, Peissel ruminates. His uneasiness dominates his reflections, with no distractions in the tent, and medieval devils at night seem as real as a similarly outmoded God might in the day to protect him from avalanches and robbers. The next morning, "I had learned the meaning of fear as a direct product of faith. The fear of God, the fear of demons, the fear of famine, of cold, of fire, and of war. In Tibet faith equals fear; this inspires hope and religion." (83)
He continues: "It is faith free of doubt and questioning, it is the capacity to believe in the supernatural as a reality that is the foundation stone of a society of the medieval type. In such a society the incredible is believed, the unusual is not questioned, and the amazing is regarded as commonplace. I was now in the world of the 1,086 Tibetan demons that haunt man and beast and that are realities to the peasants and to Tashi, as they would have to be for me if I was to share the life and culture of Mustang." (84)
Peissel does fall hard for this little enclave, and his affection infuses this account. While he tires at the elevation and fatigue seems to do him in on his later forays away from the capital into the caves (I wanted to learn more about them, as at Yara, and the villages he passed through rather abruptly), it's a valuable reminder of what we miss as we evolve. "In fact we in the modern world all become half blind and half deaf from necessity if we are to admire beauty." (225) He observes how the Taj Mahal so photogenic is next to a "monstrous steel bridge," and how only the careful camera can rescue some places we admire from, say, the fate of the Acropolis, seen by him behind a chicken-wire fence.
The book (subtitled in its 1992 reprint "A Lost Tibetan Kingdom" or "The Forbidden Kingdom" in the edition I read from 1967) tends to rush the latter portion of his stay. He must have taken enormous amounts of notes. For a month's stay and two weeks trek in, it's a substantial report, although the rest of Lo outside the walls of Lo Mantang gets rushed and Peissel's health and stamina may have weakened his attention. Like an earlier, multinational English resident-author in or near these mountains Marco Pallis in Peaks and Lamas (see my March 2011 review), Peissel undergoes a subtle but telling change by the end. He is given a Buddhist name by a lama, Shelkagari, in his fragile state, and his awareness for all his Westernized skepticism appears to alter, after the title he inherits "Crystal Clear Mountain." (11-30-12 to Amazon US)
Friday, December 21, 2012
Michel Peissel's "Lords and Lamas": Book Review
Subtitled "A Solitary Expedition across the Secret Himalayan Kingdom of Bhutan," this 1970 account of this renowned explorer's September 1968 trek over four hundred miles of footpaths reveals the realm at a crucial moment of transition from a feudal, medieval society to one finishing the first span of an east-west highway that will change the nation irrevocably. India's fear, in the Cold War, of Chinese threats south of Tibet caused them to fund a paved road to connect the shorter ones coming up steep valleys from India. Peissel, after six failed attempts to get royal and bureaucratic approval, finally is allowed in the country at this moment. Bhutan admits him as its first traveler to carry in foreign currency, and he resolves once inside to follow Captain Robert Boileau Pemberton's 1838 route across the six ranges and passes dividing the center of the difficult to traverse land.
As with this French-born, English-raised scholar-adventurer's 1967 report from a similar land, the nearby principality of Mustang, where he went with another breakthrough journey when he could not get into Bhutan back in 1964, Peissel emphasizes the comparisons with a peasant European past dominated by lords and clergy. Like Mustang, he finds Bhutan more in the company of its lords rather than its lamas. His knowledge of Tibetan enables him to more or less communicate well, and his guide Tensing forges ahead to lead the challenging way. He takes 650 lbs of luggage and over a hundred cartons of cigarettes, and he gives out fountain pens to win over lamas and lords on the way.
Peissel's testiness erupts. He rants against the West he loves and hates as much as parts of the East in equal doses. These qualities endear him to me, but others may find him boastful or irritable. He in Mustang and Bhutan opens up best as he connects the vanished customs of Europe with those still surviving fifty-odd years ago in the last feudal enclaves on the planet. He explains how not hereditary but acquired merit achieves status for many lords of the Law, those who rule the mountain fortresses alongside monastic figures, in the traditional Bhutanese model that places the administrative center and religious functions together, in great walled towers, in each district. It's a feudal democracy, he tries to show, in that peasants keep freedom while they must contribute labor and taxes to the state, and this equates even favorably, he surmises, with the harmony there recalling the medieval mentality and economy of Europe.
Wealth lacking, in what was then a barter economy, Peissel determines that "prestige and privilege are the true difference" between men. Rank is crucial, but a peasant can rise to be Lord of the Law if not the king. Each generation, therefore, could advance by an individual's own ambition. He also shows the more disturbing side of the old regime. "Zaps" as hostages or descendents of prisoners of war were made by the whip to dance at Tongsu, and twice he sees prisoners in chains at dzongs. Peissel muses on the efficacy of punishment carried out in public vs. locking up inmates as we do.
He notes how those he meets may be as excited to buy modern machinery and consumer goods as he is to leave them behind for a tent beyond that ever-expanding road, where at its end a human pace and not a jet or jeep still determines how the rugged landscape unfolds before him. At Wangdu Photrang, the frontier opens: "Beyond it stretched the immensity of our planet reduced to the dimensions of man, to the pace of his feet and the size of his body." (65) Living in Tibet or Bhutan in "permanent uncertainty," furthermore, he reasons, beats the relentless scheduling of the West. The hinges, tools, and fashion, too, shows how technology may evolve parallel in many items and gadgets to adapt to a terrain similar to Switzerland, even though no contact was made between the two regions.
The adventure over thirty-one days, as with that in Mustang, unfolds unevenly. While this book is much shorter than that on Mustang, it shares a slow build-up in a Hindu land first, tangles with meddling officials that delay his departure, and an itinerary that due to his problems accumulating with altitude and fatigue weeks on end shorten in the descriptions and pace the entry into the most faraway hamlets of another daunting place off the map. The harrowing Ruto-La pass at 12,600 feet signals a decline in many ways as the endless trudge wears him down mentally and physically, and one closes this wondering how much Peissel left out from weariness or despair on the last stages across the eastern ridges and gorges that he saw as the first European since Pemberton in 1838. (Amazon US 12-5-12)
As with this French-born, English-raised scholar-adventurer's 1967 report from a similar land, the nearby principality of Mustang, where he went with another breakthrough journey when he could not get into Bhutan back in 1964, Peissel emphasizes the comparisons with a peasant European past dominated by lords and clergy. Like Mustang, he finds Bhutan more in the company of its lords rather than its lamas. His knowledge of Tibetan enables him to more or less communicate well, and his guide Tensing forges ahead to lead the challenging way. He takes 650 lbs of luggage and over a hundred cartons of cigarettes, and he gives out fountain pens to win over lamas and lords on the way.
Peissel's testiness erupts. He rants against the West he loves and hates as much as parts of the East in equal doses. These qualities endear him to me, but others may find him boastful or irritable. He in Mustang and Bhutan opens up best as he connects the vanished customs of Europe with those still surviving fifty-odd years ago in the last feudal enclaves on the planet. He explains how not hereditary but acquired merit achieves status for many lords of the Law, those who rule the mountain fortresses alongside monastic figures, in the traditional Bhutanese model that places the administrative center and religious functions together, in great walled towers, in each district. It's a feudal democracy, he tries to show, in that peasants keep freedom while they must contribute labor and taxes to the state, and this equates even favorably, he surmises, with the harmony there recalling the medieval mentality and economy of Europe.
Wealth lacking, in what was then a barter economy, Peissel determines that "prestige and privilege are the true difference" between men. Rank is crucial, but a peasant can rise to be Lord of the Law if not the king. Each generation, therefore, could advance by an individual's own ambition. He also shows the more disturbing side of the old regime. "Zaps" as hostages or descendents of prisoners of war were made by the whip to dance at Tongsu, and twice he sees prisoners in chains at dzongs. Peissel muses on the efficacy of punishment carried out in public vs. locking up inmates as we do.
He notes how those he meets may be as excited to buy modern machinery and consumer goods as he is to leave them behind for a tent beyond that ever-expanding road, where at its end a human pace and not a jet or jeep still determines how the rugged landscape unfolds before him. At Wangdu Photrang, the frontier opens: "Beyond it stretched the immensity of our planet reduced to the dimensions of man, to the pace of his feet and the size of his body." (65) Living in Tibet or Bhutan in "permanent uncertainty," furthermore, he reasons, beats the relentless scheduling of the West. The hinges, tools, and fashion, too, shows how technology may evolve parallel in many items and gadgets to adapt to a terrain similar to Switzerland, even though no contact was made between the two regions.
The adventure over thirty-one days, as with that in Mustang, unfolds unevenly. While this book is much shorter than that on Mustang, it shares a slow build-up in a Hindu land first, tangles with meddling officials that delay his departure, and an itinerary that due to his problems accumulating with altitude and fatigue weeks on end shorten in the descriptions and pace the entry into the most faraway hamlets of another daunting place off the map. The harrowing Ruto-La pass at 12,600 feet signals a decline in many ways as the endless trudge wears him down mentally and physically, and one closes this wondering how much Peissel left out from weariness or despair on the last stages across the eastern ridges and gorges that he saw as the first European since Pemberton in 1838. (Amazon US 12-5-12)
Wednesday, December 19, 2012
The Earl of Ronaldshay's "Lands of the Thunderbolt": Book Review
The thunderbolt is the "dorje," the bell-like scepter wielded by lamas in the Vajrayana Tibetan tradition, the lands those of Sikkim, Chumbi, and Bhutan, the time, 1920. The Marquess of Zetland's account, while not free of the imperial qualities of its era, given the "practicing Presbyterian" author, nonetheless remains lively. His enthusiasm for leaving the humid plains of Bengal behind, and to begin his ascent at Darjeeling into what at that time was a series of Buddhist-ruled principalities separate from the rest of patchwork British India's jurisdictions, reveals one of the first visitors to the Eastern Himalayas who articulates a modern Western understanding of the mindsets he analyzes.
Lawrence John Lumley Dundas, the Earl (and later 2nd Marquess of Zetland), was the British governor of Bengal, and President of the Royal Geographic Society. His 1923 publication, part of a series on the subcontinent's culture, demonstrates a delicacy of style when delineating nature's colors and patterns over the hillside seasons, which he welcomes after one senses a long stint on the flat, sticky lowlands. He also evinces a sympathy for the atheistic, rationalistic teachings of the Buddha, opposed to the mystical and superstitious "catholicity" of Lamaism. He knows that only but a "stalwart rationalist who had succeeded on atrophying his emotional nature" will be comforted by the cold appeals of "pure" Buddhism's insistence on "an unchallenged self-reliance." (250-1) However, put off as he is by Lamaism's mad insistence on a "perversion of intelligence" (78) that reduces the Buddha's appeal to work out one's salvation one's self to a repetitive mantra, a riot of ritual, and an endless hierarchy of local gods, bureaucratic lamas, and folk practices, he admits the appeal of entering the lands of the thunderbolt, to learn how Lamaism took over Buddhism.
He's very much in the "faux-Protestant" reaction favored by British scholars a century ago who elevated Theravada teachings over a Mahayana panoply of deities, devotions, and disciples. He argues insightfully, within this orientation, for caution regarding the credence given by the unlettered to miracles, attributed once to the Buddha and in his own tenure to Gandhi. Given his own bias for a rigorous regard for Buddhism, he concludes his book with a consideration of its ethical emphasis. (I note that he never discusses Younghusband's massacre by machine guns in the 1904 British invasion of Tibet at Guru, but the Lord does nod to the need for peace in a post-Great War world.) His narrative can be consulted today as his take on how traditional practices survived into the twentieth century, in ways obliterated in Tibet, and altered in the regions where Hindu influence has spread--and, of course, many more trekkers have flocked in the jet-fueled, hyperlinked decades since the end of the Raj.
The author rarely notices the natives. When he does, it's as the Governor. "Our baggage packed and shouldered by the sturdy Bhutia women who obligingly undertake the duties of pack animals, nothing remained but to grasp our staves and set foot on the tortuous mountain path which we had decided to follow." (15) From our perspective, it's easy to scoff at this, but he avoids the romanticization common to later observers who elevate these same inhabitants to a mystical height.
Rather, the Earl of Ronaldshay prefers to balance, if in uneven fashion despite his literary skill and intellectual depth, a Sikhim-to-Chumbi (where Tibet juts between Sikkim and Bhutan) trek and then along the Nepal frontier exploration in the autumn of 1920, and a briefer foray through Bhutan from Tibetan Phari to Paro to Ha'a the next fall. At Taktsang, he mentions his party were preceded by only two Europeans to that iconic, and now must-see destination. The trip through a harsh and often unpeopled terrain, on both journeys, may account for the relative lack of encounters, as well as the need for interpreters. An enigmatic Elder ("a man of weight") and also The Cavalry Officer accompany him, but they are shadowy, if alluded to with wit.
So, it can be a detached report of the actual expeditions, but the passionate interest the Lord demonstrates in the natural beauties and bleak summits emerges: "Through a frame of fir trees rose the snow-white cone at Panding, pure and inaccessible like the heart of--a child." (170) In the "suffocating forests" of Sikkim, he compares to Walter Scott's medievalist tales the "tree sprites," "woodland elves," and "gnomes" of the Lepcha attendants in their finery, one as if a "knave of hearts." A man reminds him of "Friar Tuck" and his sturdy daughter a "stalwart wench." Similar to Michel Peissel's "Lords and Lamas" and "Mustang" (both reviewed by me Dec. 2012) in the 1960s, Ronaldshay views these Eastern Himalayan redoubts as feudal enclaves of a society which has vanished from Western Europe. He watches "mummers" at Gangtok in a Black Hat dance, and then it's into the "vault of blue," up into the Himalayas and even over into the disputed border of Tibet.
He notes, being a British official, the wrangles over the last century between the Crown and China, India, Bhutan, and local rulers over this strategic frontier, as around Chumbi. He passes into Bhutan "where the religious hierarchy vies the temporal government in pomp and circumstance," which charmed its first British visitors (see my review Nov. 2012 of Kate Teltscher's "The High Road to China") but repelled finicky Victorians. The Earl recounts in a spirited chapter on Bhutan's history its intricate contentions, and how those promoting the Raj met with liver-plucking, tendon-severing, morally "depraved" royals and serfs bent on practical jokes and diplomatic finagling.
The photos are handsome, the narrative style erudite and nimble, the scope limited but no more than many contemporary accounts narrowed by necessity, expense, and geography. It may be consulted by those wishing to contrast later visitors' reports with one of the first from the past century, at a time when few Europeans had entered these regions. While it documents the mindset of a sympathetic but skeptical British official, its mentality--no less than those books published today on the region--cannot help but preserve how these fabled lands have persisted in the popular imagination as eerie, difficult, and/or captivating. (In slightly altered form to Amazon US 12-15-12)
(P.S. This book cover is an Indian reprint, misspelling the once Lord, Earl, then Marquess' name, but it has a better picture [note the font size for the last of the three lands, tellingly] than the blue jacket with a heraldic design that I read as a 1987 reprint from Snow Lion Graphics, Berkeley CA. Unfortunately, while the author's b/w photos remain, the original's necessary fold-out map is absent. See: Lawrence Dundas, 2nd Marquess of Zetland [Wikipedia].
P.P.S. The Earl was unable to deliver the awarding of Knight Commander of the British Empire to Bhutan's first king, Ugyen Wangchuck, in 1921 as he was charged to do. As part of the Earl's string of surnames is "Lumley," given the Raj associations, I wonder. For, in 1931, Lt. Col. J.L.R. Weir and his wife returned to give the honor to the successor to the throne, the king's son Jigme. In 1997, their granddaughter, Srinigar-born Joanna Lumley of "Absolutely Fabulous" fame, followed their three-month-plus trek, in her BBC documentary and book "In the Kingdom of the Thunder Dragon.")
Lawrence John Lumley Dundas, the Earl (and later 2nd Marquess of Zetland), was the British governor of Bengal, and President of the Royal Geographic Society. His 1923 publication, part of a series on the subcontinent's culture, demonstrates a delicacy of style when delineating nature's colors and patterns over the hillside seasons, which he welcomes after one senses a long stint on the flat, sticky lowlands. He also evinces a sympathy for the atheistic, rationalistic teachings of the Buddha, opposed to the mystical and superstitious "catholicity" of Lamaism. He knows that only but a "stalwart rationalist who had succeeded on atrophying his emotional nature" will be comforted by the cold appeals of "pure" Buddhism's insistence on "an unchallenged self-reliance." (250-1) However, put off as he is by Lamaism's mad insistence on a "perversion of intelligence" (78) that reduces the Buddha's appeal to work out one's salvation one's self to a repetitive mantra, a riot of ritual, and an endless hierarchy of local gods, bureaucratic lamas, and folk practices, he admits the appeal of entering the lands of the thunderbolt, to learn how Lamaism took over Buddhism.
He's very much in the "faux-Protestant" reaction favored by British scholars a century ago who elevated Theravada teachings over a Mahayana panoply of deities, devotions, and disciples. He argues insightfully, within this orientation, for caution regarding the credence given by the unlettered to miracles, attributed once to the Buddha and in his own tenure to Gandhi. Given his own bias for a rigorous regard for Buddhism, he concludes his book with a consideration of its ethical emphasis. (I note that he never discusses Younghusband's massacre by machine guns in the 1904 British invasion of Tibet at Guru, but the Lord does nod to the need for peace in a post-Great War world.) His narrative can be consulted today as his take on how traditional practices survived into the twentieth century, in ways obliterated in Tibet, and altered in the regions where Hindu influence has spread--and, of course, many more trekkers have flocked in the jet-fueled, hyperlinked decades since the end of the Raj.
The author rarely notices the natives. When he does, it's as the Governor. "Our baggage packed and shouldered by the sturdy Bhutia women who obligingly undertake the duties of pack animals, nothing remained but to grasp our staves and set foot on the tortuous mountain path which we had decided to follow." (15) From our perspective, it's easy to scoff at this, but he avoids the romanticization common to later observers who elevate these same inhabitants to a mystical height.
Rather, the Earl of Ronaldshay prefers to balance, if in uneven fashion despite his literary skill and intellectual depth, a Sikhim-to-Chumbi (where Tibet juts between Sikkim and Bhutan) trek and then along the Nepal frontier exploration in the autumn of 1920, and a briefer foray through Bhutan from Tibetan Phari to Paro to Ha'a the next fall. At Taktsang, he mentions his party were preceded by only two Europeans to that iconic, and now must-see destination. The trip through a harsh and often unpeopled terrain, on both journeys, may account for the relative lack of encounters, as well as the need for interpreters. An enigmatic Elder ("a man of weight") and also The Cavalry Officer accompany him, but they are shadowy, if alluded to with wit.
So, it can be a detached report of the actual expeditions, but the passionate interest the Lord demonstrates in the natural beauties and bleak summits emerges: "Through a frame of fir trees rose the snow-white cone at Panding, pure and inaccessible like the heart of--a child." (170) In the "suffocating forests" of Sikkim, he compares to Walter Scott's medievalist tales the "tree sprites," "woodland elves," and "gnomes" of the Lepcha attendants in their finery, one as if a "knave of hearts." A man reminds him of "Friar Tuck" and his sturdy daughter a "stalwart wench." Similar to Michel Peissel's "Lords and Lamas" and "Mustang" (both reviewed by me Dec. 2012) in the 1960s, Ronaldshay views these Eastern Himalayan redoubts as feudal enclaves of a society which has vanished from Western Europe. He watches "mummers" at Gangtok in a Black Hat dance, and then it's into the "vault of blue," up into the Himalayas and even over into the disputed border of Tibet.
He notes, being a British official, the wrangles over the last century between the Crown and China, India, Bhutan, and local rulers over this strategic frontier, as around Chumbi. He passes into Bhutan "where the religious hierarchy vies the temporal government in pomp and circumstance," which charmed its first British visitors (see my review Nov. 2012 of Kate Teltscher's "The High Road to China") but repelled finicky Victorians. The Earl recounts in a spirited chapter on Bhutan's history its intricate contentions, and how those promoting the Raj met with liver-plucking, tendon-severing, morally "depraved" royals and serfs bent on practical jokes and diplomatic finagling.
The photos are handsome, the narrative style erudite and nimble, the scope limited but no more than many contemporary accounts narrowed by necessity, expense, and geography. It may be consulted by those wishing to contrast later visitors' reports with one of the first from the past century, at a time when few Europeans had entered these regions. While it documents the mindset of a sympathetic but skeptical British official, its mentality--no less than those books published today on the region--cannot help but preserve how these fabled lands have persisted in the popular imagination as eerie, difficult, and/or captivating. (In slightly altered form to Amazon US 12-15-12)
(P.S. This book cover is an Indian reprint, misspelling the once Lord, Earl, then Marquess' name, but it has a better picture [note the font size for the last of the three lands, tellingly] than the blue jacket with a heraldic design that I read as a 1987 reprint from Snow Lion Graphics, Berkeley CA. Unfortunately, while the author's b/w photos remain, the original's necessary fold-out map is absent. See: Lawrence Dundas, 2nd Marquess of Zetland [Wikipedia].
P.P.S. The Earl was unable to deliver the awarding of Knight Commander of the British Empire to Bhutan's first king, Ugyen Wangchuck, in 1921 as he was charged to do. As part of the Earl's string of surnames is "Lumley," given the Raj associations, I wonder. For, in 1931, Lt. Col. J.L.R. Weir and his wife returned to give the honor to the successor to the throne, the king's son Jigme. In 1997, their granddaughter, Srinigar-born Joanna Lumley of "Absolutely Fabulous" fame, followed their three-month-plus trek, in her BBC documentary and book "In the Kingdom of the Thunder Dragon.")
Monday, December 17, 2012
Kate Teltscher's "The High Road to China": Book Review
In 1780, the Panchen Lama asked the Qianlong Emperor of China to enter into friendship with the Governor of Hindostan (northern India), George Hastings. As he was also the head of the East India Company, which had been opposed by the same Chinese power in their attempts to trade more than tea with the profits the Company amassed after taking control of the Bengal markets, this appeal by the lama to the Emperor appeared bold or odd. Stymied by the imperial ruling, the Company had appealed to the lama and a diplomatic detour into the realm another way. Hastings and the Company reasoned that Tibet might afford a byway into China.
George Bogle's report on his 1774-5 expedition to the lama that sparked the amity between Tibet and Britain inspired Teltscher to assemble her retelling of this story, and how it prepared the way for the Lama's 1779-80 foray into the heart of the Chinese empire. (As the latest Dalai Lama was not an adult yet, the Panchen Lama reigned.) Bogle, a young Scotsman, had been chosen by Hastings as possessing the patience and acumen needed to cross Bhutan and win over a Tibet cautious about any alliance with the Company or the Crown, as the British peered north over Asian barriers. Out of cleverly chosen samples, the trade mission lobbied to sway the lama. "How else to seduce a nation than with a tempting display of luxury goods, scientific instruments and mechanical toys?" (21)
The ensuing 2006 account efficiently summarizes and cites Bogle's correspondence, and archives from the British Library and Indian government. It moves through the material carefully, and draws upon primary sources often (although to my frustration, one I wanted to track down is listed as an unpublished paper.) A London-based academic, Teltscher admirably avoids cant or jargon, although I wish she had given in certain endnotes precise references from the Enlightenment thinkers she nods to. As she had been intrigued by her main source, her quotes allow us to see him evolve on his great journey, the first Briton and the first European in decades to enter much of this remote and mysterious region. Getting acclimated to Tibet, Bogle wrote Hastings: "I assumed the Dress of the Country, endeavoured to imitate their Manners, to acquire a little of the Language, drank a deluge of Tea with Salt and Butter, eat Beetle [betel-nut] in Bootan took Snuff and smoked Tobacco in Thibet, & would never allow myself to be out of Honour." (qtd. 110) He adjusts happily to wearing Siberian furs and playing chess with Tartar pilgrims, settling in nicely.
The last third of the book, after Bogle ends his visit to the Panchen Lama, relates a lot of Company bickering and diplomatic negotiations over the Lama's eventual plan to lobby for Chinese-Company trade routes that could revive exchange that did not depend on tea, or entrance via Canton. He also wanted to reconnect Tibet with the cradle of Buddhism, India, where since 1192 it had been eliminated by the invading Moghuls. Bogle, by 1779, was invited back to see the Lama in Tibet.
This coincided with the Lama's plan to visit the Chinese emperor for his seventieth birthday at the imperial palace, the Xanadu-like Chengde, just north of the Great Wall. The monarch had built there between 1767 and 1771 a version (a third the size, a false facade) of the Dalai Lama's residence. The emperor regarded the Lama's visit as a sign of fealty; the Lama interpreted the Chinese monarch as a patron, backing the mission of his spiritual superior--a cognitive mismatch with long-term impact.
A year away, the Tibetan procession eastward took time. Smallpox loomed, Mongolia stretched, and the Qing dynasty lavished funds and presents on the retinue as it advanced. The Chinese were bent on making the Panchen Lama's approach a sign of submission to the grandeur of the Qing hegemony. Even the initial gesture at their meeting, an attempted kneeling in the Tibetan version, a prostration in the Manchu, demonstrates the symbolic meaning underlying the power of the two leaders, a bow of respect for one, a kowtow for the other.
For the Lama, a model monastery had been erected. A few months later, the entourage together entered Peking. The go-between long employed by the Company, Purangir, reported that the Lama and emperor had discussed Hastings and the possibility of trade, but the Lama suddenly sickened and soon died from the dreaded smallpox.
Bogle, who had been waiting for his passport, had to return to Calcutta amidst "office politics." He sent back to Britain a mixed-race daughter to be schooled. His career was rising when he too died suddenly, drowning of a hemorrhage at thirty-four.
Hastings selected Samuel Turner for the next mission through Bhutan to Tibet, where he met the infant Panchen Lama, the Fourth incarnation. Turner grabbed the chance to remind the toddler of his predecessor's friendship with Hastings! But, relations deteriorated as Nepal sought expansion. The new Governor General, Lord Cornwallis, did not want to get involved, but the Qing army rushed into Tibet to subdue the Gurkhas; the Company stayed clear of the conflict.
Meanwhile, the British with a warship arrived at Canton's harbor, determined to impress the Qing. This 1793 display failed. But the British spread a rumor that the late Lama had been poisoned by a perfidious ruler who hated the British and those who tried to advance the interests of the Company.
The Qing cracked down on Tibet, justifying their suppression as a mistrust of British skulduggery. The Manchu cut the line between Bengal and Tibet, blocking trade at the Bhutanese frontier. Purangir died defending the Panchen Lama's monastery against robbers.
Bogle's three "natural-born" children were baptized, and two survived. These girls were raised in Scotland. For the next eighty years, their father's journal and papers were unedited, while his memory faded.
Teltscher revives his friendship with the Lama, and she traces in her epilogue the Indian and British echoes of his journal's "valedictory image of Tibet" after it was published in 1876. One who read it was Sarat Chandra Das, the model for Rudyard Kipling's "Kim," (see my June 2012 review) where the "Teshoo Lama" also repeated from Bogle's own rendering. Teltscher senses that the relationship of the orphaned Irish boy Kim and the Lama may find its evolution from the Bogle-Panchen Lama's bond. She also finds in the bloody, bold Francis Younghusband incursion commanding 1903 Sikh forces into Tibet a fantasy that the leader imagined, the first (in his erring knowledge) to enter the realm since Bogle on "an official Mission." His team justified their invasion with Bogle's journal.
So does China today, as Teltscher cites a 2000 statement quoting the Panchen Lama's submission when Bogle had tried without Peking's permission to trade with Tibet. The book ends by restoring these key players to their place in history, while acknowledging that this moment passed and will never return with such enthusiasm and hopes as when the emperor, Lama, and Scotsman intersected. (Amazon US 11-21-12)
George Bogle's report on his 1774-5 expedition to the lama that sparked the amity between Tibet and Britain inspired Teltscher to assemble her retelling of this story, and how it prepared the way for the Lama's 1779-80 foray into the heart of the Chinese empire. (As the latest Dalai Lama was not an adult yet, the Panchen Lama reigned.) Bogle, a young Scotsman, had been chosen by Hastings as possessing the patience and acumen needed to cross Bhutan and win over a Tibet cautious about any alliance with the Company or the Crown, as the British peered north over Asian barriers. Out of cleverly chosen samples, the trade mission lobbied to sway the lama. "How else to seduce a nation than with a tempting display of luxury goods, scientific instruments and mechanical toys?" (21)
The ensuing 2006 account efficiently summarizes and cites Bogle's correspondence, and archives from the British Library and Indian government. It moves through the material carefully, and draws upon primary sources often (although to my frustration, one I wanted to track down is listed as an unpublished paper.) A London-based academic, Teltscher admirably avoids cant or jargon, although I wish she had given in certain endnotes precise references from the Enlightenment thinkers she nods to. As she had been intrigued by her main source, her quotes allow us to see him evolve on his great journey, the first Briton and the first European in decades to enter much of this remote and mysterious region. Getting acclimated to Tibet, Bogle wrote Hastings: "I assumed the Dress of the Country, endeavoured to imitate their Manners, to acquire a little of the Language, drank a deluge of Tea with Salt and Butter, eat Beetle [betel-nut] in Bootan took Snuff and smoked Tobacco in Thibet, & would never allow myself to be out of Honour." (qtd. 110) He adjusts happily to wearing Siberian furs and playing chess with Tartar pilgrims, settling in nicely.
The last third of the book, after Bogle ends his visit to the Panchen Lama, relates a lot of Company bickering and diplomatic negotiations over the Lama's eventual plan to lobby for Chinese-Company trade routes that could revive exchange that did not depend on tea, or entrance via Canton. He also wanted to reconnect Tibet with the cradle of Buddhism, India, where since 1192 it had been eliminated by the invading Moghuls. Bogle, by 1779, was invited back to see the Lama in Tibet.
This coincided with the Lama's plan to visit the Chinese emperor for his seventieth birthday at the imperial palace, the Xanadu-like Chengde, just north of the Great Wall. The monarch had built there between 1767 and 1771 a version (a third the size, a false facade) of the Dalai Lama's residence. The emperor regarded the Lama's visit as a sign of fealty; the Lama interpreted the Chinese monarch as a patron, backing the mission of his spiritual superior--a cognitive mismatch with long-term impact.
A year away, the Tibetan procession eastward took time. Smallpox loomed, Mongolia stretched, and the Qing dynasty lavished funds and presents on the retinue as it advanced. The Chinese were bent on making the Panchen Lama's approach a sign of submission to the grandeur of the Qing hegemony. Even the initial gesture at their meeting, an attempted kneeling in the Tibetan version, a prostration in the Manchu, demonstrates the symbolic meaning underlying the power of the two leaders, a bow of respect for one, a kowtow for the other.
For the Lama, a model monastery had been erected. A few months later, the entourage together entered Peking. The go-between long employed by the Company, Purangir, reported that the Lama and emperor had discussed Hastings and the possibility of trade, but the Lama suddenly sickened and soon died from the dreaded smallpox.
Bogle, who had been waiting for his passport, had to return to Calcutta amidst "office politics." He sent back to Britain a mixed-race daughter to be schooled. His career was rising when he too died suddenly, drowning of a hemorrhage at thirty-four.
Hastings selected Samuel Turner for the next mission through Bhutan to Tibet, where he met the infant Panchen Lama, the Fourth incarnation. Turner grabbed the chance to remind the toddler of his predecessor's friendship with Hastings! But, relations deteriorated as Nepal sought expansion. The new Governor General, Lord Cornwallis, did not want to get involved, but the Qing army rushed into Tibet to subdue the Gurkhas; the Company stayed clear of the conflict.
Meanwhile, the British with a warship arrived at Canton's harbor, determined to impress the Qing. This 1793 display failed. But the British spread a rumor that the late Lama had been poisoned by a perfidious ruler who hated the British and those who tried to advance the interests of the Company.
The Qing cracked down on Tibet, justifying their suppression as a mistrust of British skulduggery. The Manchu cut the line between Bengal and Tibet, blocking trade at the Bhutanese frontier. Purangir died defending the Panchen Lama's monastery against robbers.
Bogle's three "natural-born" children were baptized, and two survived. These girls were raised in Scotland. For the next eighty years, their father's journal and papers were unedited, while his memory faded.
Teltscher revives his friendship with the Lama, and she traces in her epilogue the Indian and British echoes of his journal's "valedictory image of Tibet" after it was published in 1876. One who read it was Sarat Chandra Das, the model for Rudyard Kipling's "Kim," (see my June 2012 review) where the "Teshoo Lama" also repeated from Bogle's own rendering. Teltscher senses that the relationship of the orphaned Irish boy Kim and the Lama may find its evolution from the Bogle-Panchen Lama's bond. She also finds in the bloody, bold Francis Younghusband incursion commanding 1903 Sikh forces into Tibet a fantasy that the leader imagined, the first (in his erring knowledge) to enter the realm since Bogle on "an official Mission." His team justified their invasion with Bogle's journal.
So does China today, as Teltscher cites a 2000 statement quoting the Panchen Lama's submission when Bogle had tried without Peking's permission to trade with Tibet. The book ends by restoring these key players to their place in history, while acknowledging that this moment passed and will never return with such enthusiasm and hopes as when the emperor, Lama, and Scotsman intersected. (Amazon US 11-21-12)
Saturday, December 15, 2012
Teamhair Ghlas
Bhí ag scríobh léirmheas de 2003 dráma An Búdaí na Chaisleáin Cnucha le Séamus Ó hAnluain faoi deireanach. D'inis sé faoi teaghlach Shúillebháin i bruachbhaile i mBaile Átha Cliath. Creidim go raibh an drámadóir ag curtha i bhfoirm coiméide-dráma chomh insporáid a phósadh féin leis bhean a tí féin ó An Afriach Thuas.
Filleadh John, an mac níos óg, ó Londain go Éireann leis a leannán cailín nua, Rai. Tá sí ó theaghlach gorm a d'aistrigh ó An Chéinia go dtí an Bhreatain. Tá siad ag fhóghairt do gach anois ar an dá Búdaíochtái.
Osclaíonn coimhlint ina teach ar feadh Nollaig. Cruinníonn na Shúillebháin ar chéile mar is gnách. Nach bhfuil siad go leir ar sásta a chloisteáil ar an nuacht ó John agus Ria.
Bheul, léigh mé in aice leis a deireadh uaidh faoi comhtharlú ó bhéal. Tá fhíos agam, ar ndóigh, go raibh 'Teamhair' sa Ghaeilge agus na teangacha na hIndia dá. Insíonn Ó hAnluain faoi seo, go cuí.
Is Teamhair (ghlas nó bhán) an bandía na trócaire ar Hiondúchaí agus Búdaíochtaí. Is Cnoc na Teamhreach suiómh dóiteán i gContae na Mhí ag imeall na hAbhainn na Bóinne. Is maith liom an chomhtharlú ársa seo.
Green Tara.
I was writing a review of the 2003 drama The Buddhist of Castleknock by Jim O'Hanlon recently. It tells of the Sullivan family in a suburb of Dublin. I believe that the dramatist put into the form of a comedy-drama for inspiration his own marriage to a woman from South Africa.
John, the younger son, returns from London to Ireland with his new girlfriend, Rai. She is from a black family who moved from Kenya to Britain. They announce that are now both Buddhists.
Conflict opens in the house during Christmas. The Sullivans gather together as usual. They are not all happy to hear the news from John and Ria.
Well, I read near the end of it a verbal coincidence. I know, of course, that "Tara" may be in Irish and the languages of India both. O'Hanlon tells about this, fittingly.
Tara (green or white) is the goddess of compassion for Hindus and Buddhists. The Hill of Tara is a ritual site in Co. Meath around the River Boyne. I like this ancient coincidence.
Póstaer le/Poster by Matthew Amey
Filleadh John, an mac níos óg, ó Londain go Éireann leis a leannán cailín nua, Rai. Tá sí ó theaghlach gorm a d'aistrigh ó An Chéinia go dtí an Bhreatain. Tá siad ag fhóghairt do gach anois ar an dá Búdaíochtái.
Osclaíonn coimhlint ina teach ar feadh Nollaig. Cruinníonn na Shúillebháin ar chéile mar is gnách. Nach bhfuil siad go leir ar sásta a chloisteáil ar an nuacht ó John agus Ria.
Bheul, léigh mé in aice leis a deireadh uaidh faoi comhtharlú ó bhéal. Tá fhíos agam, ar ndóigh, go raibh 'Teamhair' sa Ghaeilge agus na teangacha na hIndia dá. Insíonn Ó hAnluain faoi seo, go cuí.
Is Teamhair (ghlas nó bhán) an bandía na trócaire ar Hiondúchaí agus Búdaíochtaí. Is Cnoc na Teamhreach suiómh dóiteán i gContae na Mhí ag imeall na hAbhainn na Bóinne. Is maith liom an chomhtharlú ársa seo.
Green Tara.
I was writing a review of the 2003 drama The Buddhist of Castleknock by Jim O'Hanlon recently. It tells of the Sullivan family in a suburb of Dublin. I believe that the dramatist put into the form of a comedy-drama for inspiration his own marriage to a woman from South Africa.
John, the younger son, returns from London to Ireland with his new girlfriend, Rai. She is from a black family who moved from Kenya to Britain. They announce that are now both Buddhists.
Conflict opens in the house during Christmas. The Sullivans gather together as usual. They are not all happy to hear the news from John and Ria.
Well, I read near the end of it a verbal coincidence. I know, of course, that "Tara" may be in Irish and the languages of India both. O'Hanlon tells about this, fittingly.
Tara (green or white) is the goddess of compassion for Hindus and Buddhists. The Hill of Tara is a ritual site in Co. Meath around the River Boyne. I like this ancient coincidence.
Póstaer le/Poster by Matthew Amey
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