Beyond the Sky and the Earth: A Journey into Bhutan by rural teacher Jamie Zeppa, or With a Dzong in My Heart by Thimphu consultant Lansell Taudevin, Uitz does not reveal much about himself or his family's experiences.
Rather, about the same time as when Radio Shangri-La: What I Discovered on My Journey to the Happiest Kingdom on Earth by Lisa Napoli takes place, Uitz roams out of the city to explore a countryside even there as close as a few hours walk up mountains to yak herders and a takin reserve. Most of his narrative riffs off of two themes. Episodes on the Snowman Trek (see Beneath Blossom Rain: Discovering Bhutan on the Toughest Trek in the World by Kevin Grange; Yakking with the Thunder Dragon: Walking Bhutan's Epic Snowman Trek by Mark Horrell; Journey in Bhutan: Himalayan Trek in the Kingdom of the Thunder Dragon by Trish Nicholson) comprise a fast-paced chapter. For those not wanting to read a whole book--or the three above--this chapter conveys the gist of this difficult journey well. Uitz loves the "tsachu" ("hot water"--that is, hot springs) which entice the traveler to Gasa and ease the burdens of a summer trek--the exception to the rule as the other accounts take place in the fall.
He also goes on a "Thousand Lake" trek in Dugala, and this is refreshing as an example of an excursion not discussed by others. The challenges on the narrow paths and steep inclines, amid yaks, bears, and leopards, demonstrate the rigors of life for many in Bhutan who don't live in its capital or near the highways, even as these stretch deeper, along with electricity, medical centers, and schools, into the furrowed heartlands of the kingdom. He even runs into a royal entourage, as one of the land's four sister queens, Ashi Sangay Choden, makes her way to visit those in the steep central highlands.
Another theme is that of the supernatural attractions, as well as the natural wonders. His tale of a "tsechu" holy dance festival at Jambay in Bumthang appeals for its wry look at his fellow Westerners, tourists bent on the long road there and the "dance of the naked monks." This turns out anticlimactic. He gets hit up as a "rich" chilip ("foreigner") at his home by an importuning self-styled "enlightened one" scavenging for grub and cash. He roams around the healers claiming powers, and speculates.
What's intriguing, after I've read Dragon Bones: Two Years Beneath the Skin of a Himalayan Kingdom by Murray Gunn, is an overlapping perspective. The two worked around the same time in the capital, and Gunn's pal Mike beat the author out for the "chilip" part in a locally made film. He dyed his hair blond but left his beard black, as the director directed. Uitz notes he suspected "the young man walked into the role by chance"--which is, according to Gunn's version, the truth. Uitz also enjoyed the uneven, if more ambitious, film exhibited abroad, Travellers and Magicians, although it's not the "three-hour epic" but half that length, at least in the version I reviewed. Again, overlaps occur, as its star, Tsewang, is the ex-husband of Jamie Zeppa.
Other connections extend. The hydroelectricification of the nation, to supply India with power and Bhutan with funds, was engineered with the advice of such as John Wehrheim, whose photo-narrative Bhutan: Hidden Lands of Happiness documents the changing and unchanging landscapes. Author and intellectual Karma Ura explains the nation's transition from a feudalism where "Lords and slaves ate from the same plates" until recently (see Michel Peissel's 1968 visit across a then-unpaved hinterland in Lords and Lamas: A Solitary Expedition across the Secret Himalayan Kingdom of Bhutan) to a constitutional monarchy integrating democracy in its striving for Gross National Happiness.
Finally, the temptations abound. As Laudevin and Gunn noted in their stay, the Bhutanese army funds its pensioners by the sale of whisky. Hunting is outlawed, but to meet the demand for dried yak meat in a land where farming crops can be a problem, they tend to "fall off cliffs" and wind up butchered. Plastic bags banned helps reduce pollution, but trash often litters the place. Tobacco apparently (as in the "Travelers and Magicians" star's role) entices many but its presence, Uitz reports, diminishes. Marijuana, grown wild, however, as media enter the realm, is starting to be experimented with by the young. The betel-leaf snack, "the national drug" as he glosses "doma," remains cheap and universal.
I recommend this as an educational and entertaining overview. It sums up efficiently much that is in other media and books (all above reviewed by me Nov.-Dec. 2012) on Bhutan, yet Uitz conveys his information clearly and without pretense or elaboration. Translated by Nathaniel McBride (2008; 2006 German original) smoothly, this can be perused in a sitting or two; its easygoing pace expresses information in a straightforward, but thoughtful, often self-effacing manner. While his sources, frustratingly, are not always credited precisely, and while the lack of a map may frustrate readers unfamiliar with the region, he bridges the gap between guidebooks, histories, and travel narratives in this little entry in the fittingly named Armchair Traveller series. (Amazon US 12-16-12)